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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Stephan Genz, Roger Vignoles - Johannes Brahms: Deutsche Volkslieder (1999)

    Posted By: ArlegZ
    Stephan Genz, Roger Vignoles - Johannes Brahms: Deutsche Volkslieder (1999)

    Stephan Genz, Roger Vignoles - Johannes Brahms: Deutsche Volkslieder (1999)
    EAC | FLAC | Image (Cue & Log) ~ 297 Mb | Total time: 59:10 | Scans included
    Classical | Label: Teldec ‎| 3984-23700-2 | Recorded: 1998

    The appearance in 1856 of a new edition of a German folksong anthology considered by Brahms to be indiscriminately compiled provoked him to bring out a collection of his own in 1894. His priorities lay not with authenticity; his own selections were governed by the sheer musical and aesthetic quality of the raw material and the opportunities it afforded for imaginative arrangement. So, in his Deutsche Volkslieder, Brahms practised the fine art of assimilation, blurring the lines between folksong and artsong in a way not at all dissimilar to what Britten would be doing for English folksong little more than 50 years later. Images and ambient sounds from the original folksongs find their way into Brahms’s ever-inventive piano accompaniments.

    Bernarda Fink, Roger Vignoles - Schumann: Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)

    Posted By: tirexiss
    Bernarda Fink, Roger Vignoles - Schumann:  Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)

    Bernarda Fink, Roger Vignoles - Schumann: Frauenliebe Und -Leben / L'amour Et La Vie D'une Femme (2008)
    WEB | FLAC (tracks) - 244 MB | 01:00:10
    Genre: Classical, Vocal | Label: Harmonia Mundi

    Bernarda Fink's voice is well suited to the nineteenth century lied; it's warm, full, and intensely focused, with a radiant luminosity over its whole range. She projects a sense of regal composure and a maturity that's not so much chronological as spiritual; you just have the sense that this is a very centered individual. Those qualities, along with her interpretive sensitivity, make this a truly memorable version of Frauenliebe und -leben.

    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)

    Posted By: tirexiss
    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)

    Lisa Milne, Bernarda Fink, John Mark Ainsley, Roger Vignoles - Joseph Haydn: Songs (2011)
    EAC | FLAC (image+.cue, log) | Covers Included | 77:00 | 251 MB
    Genre: Classical, Vocal | Label: Hyperion | Catalog: CDH55355

    Haydn’s songs, German and English, have never quite had the standing they deserve: two of the English canzonettas and one of the German songs here are not even in the current catalogue. Most often they are sung by sopranos, but there is no reason why a tenor shouldn’t be used; Haydn, a tenor, is known to have sung them himself. The performances here, by all three singers and Roger Vignoles’ alert and thoughtful accompanying perhaps plays a key role take them seriously and show them as the substantial music they are.

    Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)

    Posted By: Designol
    Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)

    Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)
    EAC | FLAC | Image (Cue&Log) ~ 201 Mb | Mp3 (CBR320) ~ 145 Mb | Artwork included
    Genre: Classical, Vocal | Label: Hyperion | # CDA66223 | Time: 01:02:51

    This CD presents the brief but remarkable output of songs by Duparc during his artistic period that was cut short by a nervous affliction. These works are beautifully performed by mezzo-soprano Sarah Walker and baritone Thomas Allen, with sensitive piano accompaniment by Roger Vignoles. The collection opens with Duparc's best known melody, L'invitation au voyage, which is a setting of a text from Baudelaire's Les fleurs du mal. The lovely rolling impressionist piano harmonies are played with exquisite fluidity, as they underscore Walker's velvety and intimate vocals. The Sérénade florentine is an impressionist lullaby to a loved one, delivered with touching emotion by Thomas Allen. Extase, Elégie and Testament show the influence of Wagner, and the Chanson triste is one of Duparc's early, Gounod-style songs. Au pays oú se fait la guerre (1869) is also an early work, but is particularly entrancing with simple modal harmonies and easily perceived song construction. By sensitive use of passing tones in the piano, the harmonies are subtly redefined and the music is extended dramatically toward the end by expressive on-rushes.