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Simon Rattle, City of Birmingham Symphony Orchestra - Britten: War Requiem (1983)

Posted By: ArlegZ
Simon Rattle, City of Birmingham Symphony Orchestra - Britten: War Requiem (1983)

Simon Rattle, City of Birmingham Symphony Orchestra - Britten: War Requiem (1983)
EAC | FLAC | Image (Cue & Log) ~ 291 Mb | Total time: 85:02 | Scans included
Classical | Label: EMI | 470348 | Recorded: 1983

Rattle’s performance gives us a fascinating view of a masterpiece – we feel that he has approached the music afresh on its own terms, without being influenced by tradition. He has the advantage, as Britten did not, of a choir and orchestra with the music in their blood, so there need be no concerns on grounds of musical accuracy. His pacing of the work overall is masterly in his projection of the overall structure; the drama of earlier parts of the score such as the Dies Irae is not allowed to overshadow the final cataclysmic climax in the Libera Me, which is devastating in its power. In the Owen setting, “Strange Meeting” which follows is sung with great concentration by both Tear and Allen, emphasising as Britten intended the personal cost of conflict and its futility.

Giuseppe Sinopoli, The Orchestra of the Royal Opera House, Kiri Te Kanawa, Placido Domingo - Puccini: Manon Lescaut (2003/1983)

Posted By: Vilboa
Giuseppe Sinopoli, The Orchestra of the Royal Opera House, Kiri Te Kanawa, Placido Domingo - Puccini: Manon Lescaut (2003/1983)

Giuseppe Sinopoli, The Orchestra of the Royal Opera House, Kiri Te Kanawa, Plácido Domingo - Puccini: Manon Lescaut (2003/1983)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | 7.42 Gb (DVD9) | 129 min
Classical | NVS ARTS | Sub: English, Francais, Deutsch, Italiano, Espanol, Japanese

This famous production of Manon Lescaut from The Royal Opera, recorded in 1983, features two of the biggest stars in opera, Placido Domingo and Kiri Te Kanawa, in their vocal prime. Placido Domingo’s performance of Des Grieux is considered to be unsurpassed. Conductor Guiseppe Sinopoli made his British operatic debut with this production. Puccini’s first masterpiece was rapturously received on its first night. It has his hallmark sensuality and also a youthful freshness, its untamed outpouring of melody just as passionate as his more famous operas, La Boheme, Tosca and Madame Butterfly. The role of Des Grieux is one of the most taxing in the tenor repertoire and Domingo’s passionate portrayal is one of his greatest achievements.

Riccardo Muti, Orchestra e Coro Teatro alla Scala - Mozart: Don Giovanni (2007)

Posted By: ArlegZ
Riccardo Muti, Orchestra e Coro Teatro alla Scala - Mozart: Don Giovanni (2007)

Riccardo Muti, Orchestra e Coro Teatro alla Scala - Mozart: Don Giovanni (2007)
NTSC 4:3 (720x480) | Italiano (Dolby AC3, 2 ch) | 179 min | 7,41 Gb (DVD9)
Classical | Label: Opus Arte | Sub: English | Recorded: 1987

This acclaimed La Scala performance of "Don Giovanni" instantly took its place among the most important Mozart productions. Thomas Allen, hailed as one of the best British baritones ever, gives an engaging and seductive performance as the famous lover. Under the baton of Riccardo Muti, this La Scala production highlights all of the tragic grandeur of this masterpiece without sacrificing its lighthearted moments. Director Giorgio Strehler's staging has been lauded for its subtle psychological treatment of the characters.

James Levine, Metropolitan Opera Orchestra and Chorus - Mozart: Le Nozze di Figaro (2010)

Posted By: ArlegZ
James Levine, Metropolitan Opera Orchestra and Chorus - Mozart: Le Nozze di Figaro (2010)

James Levine, Metropolitan Opera Orchestra and Chorus, Ruggero Raimondi, Kathleen Battle - Mozart: Le Nozze di Figaro (2010)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | 192 min | 6,95 Gb + 5,75 Gb (2xDVD9)
Classical | Label: The Metropolitan Opera | Sub: English | Recorded: 1985

Jean-Pierre Ponnelle’s landmark production of Mozart’s most human comedy provides the perfect setting for this superb cast under James Levine’s ebullient leadership. The philandering and arrogant Count Almaviva (Thomas Allen) is no match for his wily servant Figaro (Ruggero Raimondi), whose soon-to-be-wife Susanna (Kathleen Battle) is as manipulative as she is charming. Add in one beautiful, disillusioned Countess (Carol Vaness) and one irrepressible, testosterone-laden teenage boy (Cherubino, played by Federica von Stade), and it’s no wonder some critics say this is the perfect opera.

Riccardo Muti, Wiener Philharmoniker - Mozart: The Da Ponte Operas (2002)

Posted By: ArlegZ
Riccardo Muti, Wiener Philharmoniker - Mozart: The Da Ponte Operas (2002)

Riccardo Muti, Wiener Philharmoniker - Mozart: The Da Ponte Operas (2002)
EAC | FLAC | Image (Cue & Log) ~ 2.0 Gb | Total time: 08:36:02 | Scans included
Classical | Label: EMI | # 5 75535 2 | Recorded: 1983, 1987, 1991

Three of Mozart's most popular operas – Le nozze di Figaro, Don Giovanni, and Così fan tutte, conducted by leading opera maestro Riccardo Muti in performances from Vienna and Salzburg, are here available in one set.

Andre Previn, London Symphony Chorus & Orchestra - Carl Orff: Carmina Burana (1998)

Posted By: ArlegZ
Andre Previn,  London Symphony Chorus & Orchestra - Carl Orff: Carmina Burana (1998)

André Previn, London Symphony Chorus & Orchestra - Carl Orff: Carmina Burana (1998)
EAC | FLAC | Image (Cue & Log) ~ 310 Mb | Total time: 62:43 | Scans included
Classical | Label: EMI | # 7243 5 66899 2 3 | Recorded: 1975

André Previn's 1975 EMI recording of Carmina Burana sounds better than ever in this new transfer. The analog tape hiss has been tamed, yet there's more "air" between the notes and a greater sense of dynamic and timbral definition. Engineering-wise, the mid-70s were golden years for EMI, and the rhythmic verve, dramatic momentum, and unbuttoned joy that Previn and his brilliant forces project still pack a sonic wallop. The soloists especially are outstanding. Thomas Allen navigates Orff's cruelly high tessitura with no effort, and Sheila Armstrong wraps her warm, flexible pipes around "In trutina mentis dubia" to moving effect.

Andrew Davis, The Metropolitan Opera Orchestra, Renee Fleming - Lehar: The Merry Widow (2015) [Blu-Ray]

Posted By: Vilboa
Andrew Davis, The Metropolitan Opera Orchestra, Renee Fleming - Lehar: The Merry Widow (2015) [Blu-Ray]

Andrew Davis, The Metropolitan Opera Orchestra, Renée Fleming - Lehár: The Merry Widow (2015) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 138 min | 38,3 Gb
Audio1: English / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 138 min | 7,50 Gb
Audio: English / DTS / 6ch / 48.0 KHz / 24 bits
Classical | DECCA | Sub: English, French, German

The great Renée Fleming stars as the beguiling femme fatale who captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by Broadway virtuoso director and choreographer Susan Stroman (The Producers, Oklahoma!, Contact). Stroman and her design team of Julian Crouch (Satyagraha, The Enchanted Island) and costume designer William Ivey Long (Cinderella, Grey Gardens, Hairspray) have created an art-nouveau setting that climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Sir Andrew Davis conducts.

Solti Conducts The Mozart Operas: Le nozze di Figaro (2012/1981)

Posted By: Vilboa
Solti Conducts The Mozart Operas: Le nozze di Figaro (2012/1981)

Solti Conducts The Mozart Operas: Le nozze di Figaro
Classical | DECCA 478 3703 | 2012 | TT: 168.06 | EAC (FLAC, cue, log) | Covers | 658 Mb

Unlike the late arrival of Mozart's Turkish opera, "Figaro" was much more of a constant in Solti's long career. Apart from being his debut opera, and a work he conducted at Covent Garden in a new staging in 1963-64, he also led editions in Chicago (1957), and with the Paris Opera in the highly visible Giorgio Strehler production that opened Intendant Rolf Liebermann's bold-new-start regime in March 1973; it was initially presented at the Palace of Versailles and in 1976 toured to the US. Frederica von Stade, the most admired Cherubino of the day, who had sung the role for Solti at Versailles, also appears on his subsequent recording. Made in 1981 with an exceptional cast, it won a Grammy award, perhaps unsurprisingly given that its other major assets include Kiri Te Kanawa's creamy-voiced Countess, Lucia Popp's sprightly Susanna, Thomas Allen's authoritative Count and Samuel Ramey's weighty Figaro. Smaller roles - Jane Berbié's Marcellina, Robert Tear's Basilio and Philip Langridge's Curzio among them - are also handled with tremendous care.