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The Choir of Westminster Abbey, James O'Donnell, Robert Quinney - A Christmas Caroll From Westminster Abbey (2008)

Posted By: Designol
The Choir of Westminster Abbey, James O'Donnell, Robert Quinney - A Christmas Caroll From Westminster Abbey (2008)

A Christmas Caroll From Westminster Abbey (2008)
The Choir of Westminster Abbey, conducted by James O'Donnell; Robert Quinney, organ

EAC | FLAC | Image (Cue&Log) ~ 253 Mb | Mp3 (CBR320) ~ 169 Mb | Scans included
Classical, Choral, Sacred, Christmas | Label: Hyperion | # CDA67716 | 01:03:34

This seasonal offering from The Choir of Westminster Abbey presents a delightful and unusual selection of music for Christmas. It encompasses many of the diverse themes of Christmas which have inspired composers across the ages: light shining in darkness; the tenderness of mother and child; the fulfilment of promise; and the warm merriment of corporate celebration. An excellent selection of contemporary carols features the composers Jonathan Dove and Bob Chilcott among others. The richness of twentieth-century church music is illustrated in works by Poulenc, Walton, Mathias and Leighton, and by the heartbreakingly lovely piece The little road to Bethlehem by Michael Head. Skilful arrangements of the traditional carols Silent night, In dulci jubilo and I saw three ships, complete this attractive seasonal release.

The Choir of Westminster Abbey, James O'Donnell - 'Rejoice, the Lord is king!': Great Hymns from Westminster Abbey (2014)

Posted By: Designol
The Choir of Westminster Abbey, James O'Donnell - 'Rejoice, the Lord is king!': Great Hymns from Westminster Abbey (2014)

'Rejoice, the Lord is king!': Great Hymns from Westminster Abbey (2014)
Robert Quinney, organ; The Choir of Westminster Abbey; James O'Donnell, conductor

EAC | FLAC | Image (Cue&Log) ~ 326 Mb | Mp3 (CBR320) ~ 160 Mb | Scans included
Genre: Classical, Choral | Label: Hyperion | # CDA68013 | Time: 01:08:46

This 2014 Hyperion collection of 22 hymns sung by the Choir of Westminster Abbey is a straightforward presentation of familiar versions for choir and organ. For the most part, the arrangements are conventional four-part settings, with occasional interpolations of seldom-heard harmonizations and descants, and the performances by the men and boys are appropriately reverent and joyous. The majority of selections are hymns of praise, including Praise, my soul, the king of heaven; Thine be the glory; and Praise to the Lord, the Almighty, though Drop, drop slow tears; I bind unto myself today; and Let all mortal flesh keep silence bring a more somber and penitential mood to the program. The recordings were made in late 2012 and early 2013 in Westminster Abbey, so the sound of the album is typically resonant and spacious, and the choir has a well-blended tone, though the trade-off for the glorious acoustics is a loss of clarity in some of the words.