CARAVAN were the other half of the WILDE FLOWERS - the SOFT MACHINE being the other - that originated in Canterbury, Kent. The band itself was originally formed in early 1968 by guitarist/vocalist Pye HASTINGS, keyboardist Dave SINCLAIR, bassist/vocalist Richard SINCLAIR (later of HATFIELD & THE NORTH, NATIONAL HEALTH, etc.), and drummer Richard COUGHAN. All four members of CARAVAN were, at one time or another, in that band. They were a leading exponent of what became known as "the Canterbury sound". “In the land of Grey and Pink” is one of Caravan’s finest albums, possibly THE finest. While the centrepiece is the side long “Nine feet underground”, the complete album offers a melodic and coherent 40 minutes. A truly superb album, worthy of any music collection (prog or otherwise!).

Symphony X is an American heavy metal band from New Jersey founded in 1994 by guitarist Michael Romeo. Musically, Symphony X is often compared to other progressive metal bands such as Dream Theater and Fates Warning. They play in complex timings and odd meters while incorporating elements of symphonic metal and more traditional heavy metal into their sound. Their music also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other neo-classical metal artists.
Live on the Edge of Forever is the first live album by progressive metal band Symphony X, which was recorded on their European tour in 2000 and 2001.

"Girls, Girls, Girls is the fourth studio album, released on May 15, 1987 by glam metal band Mötley Crüe. The record features a more blues-influenced sound than previous albums and contains the hits "Wild Side" and "Girls, Girls, Girls". The record also reflects the band's hard-living lifestyle, and pays homage to their love of riding fast, large motorcycles, drinking whisky, and spending long nights at strip clubs. There are darker sides to the album as well, notably Nikki Sixx's song 'Dancing on Glass', about his addiction to heroin, and 'Wild Side', which tells of destructive lifestyles and the pitfalls of decadence.."

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