III Sides to Every Story was an overambitious project and an often times pretentious album, I think Extreme succeeds here anyway. This album is just as strong and adventurous as Pornograffitti. Extreme successfully mixes hard rock and heavy metal with funk, pop and prog. Extreme has always had progressive tendencies in their music, even though most do not consider Extreme to be progressive. Prog is about musical innovation, not technical masturbation. And Extreme was certainly innovative. Hell, even those of you who have been misled into thinking that progressive bands need be technical, try and find a guitarist more technical than Bettencourt.

Elliott Carter was something of a 'late starter' as a composer, but he has made up for that with an almost unprecedented fecundity of creative activ ity and accomplishment in advanced old age. The programme on this disc contrasts a comparatively 'early' orchestral work, from his mid-thirties, with the highly mature Violin Concerto written in his eighty-second year and a solo violin cycle most of which was composed in his nineties. At the time of writing this note (July 2005) Carter is not far short of his own centenary, and continuing to produce highly complex, sophisticated scores with an energy that would hardly be conceivable even in a much younger man.

from the attached booklet