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Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Posted By: Designol
Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 2.2 Gb | Mp3 (CBR320) ~ 774 Mb | Scans ~ 1.2 Gb
Motown, R&B, Soul, Funk, AM Pop | Label: Motown/Universal Music Japan | Time: 05:38:04

Cardboard sleeve (mini LP) reissue from Diana Ross & The Supremes featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross & The Supremes SHM-CD cardboard sleeve reissue series featuring albums "Where Did Our Love Go", "More Hits By The Supremes", "I Hear A Symphony", "The Supremes A Go Go", "Sing Holland Dozier Holland", "Reflections", "Join The Temptaions", "Love Child", "Let The Sunshine In", and "Cream Of The Crop".

The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. Critical revisionism has tended to undervalue the Supremes' accomplishments, categorizing their work as more lightweight than the best soul stars (or even the best Motown stars), and viewing them as a tool for Berry Gordy's crossover aspirations. There's no question that there was about as much pop as soul in the Supremes' hits, that even some of their biggest hits could sound formulaic, and that they were probably the black performers who were most successful at infiltrating the tastes and televisions of middle America. This shouldn't diminish either their extraordinary achievements or their fine music, the best of which renders the pop vs. soul question moot with its excellence.

the Supremes were not an overnight success story, although it might have seemed that way when they began topping the charts with sure-fire regularity. The trio that would become famous as the Supremes – Diana Ross, Mary Wilson, and Florence Ballard – met in the late '50s in Detroit's Brewster housing project. Originally known as the Primettes, they were a quartet (Barbara Martin was the fourth member) when they made their first single for the Lupine label in 1960. By the time they debuted for Motown in 1961, they had been renamed the Supremes; Barbara Martin reduced them to a trio when she left after their first single.

the Supremes' first Motown recordings were much more girl group-oriented than their later hits. Additionally, not all of them featured Diana Ross on lead vocals; Flo Ballard, considered to have as good or better a voice, also sang lead. Through a lengthy series of flops, Berry Gordy remained confident that the group would eventually prove to be one of Motown's biggest. By the time they finally did get their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes," in late 1963, Ross had taken over the lead singing for good.

Ross was not the most talented female singer at Motown; Martha Reeves and Gladys Knight in particular had superior talents. What she did have, however, was the most purely pop appeal. Gordy's patience and attention paid off in mid-1964, when "Where Did Our Love Go" went to number one. Written by Holland-Dozier-Holland, it established the prototype for their run of five consecutive number-one hits in 1964-1965 (also including "Baby Love," "Stop! In the Name of Love," "Come See About Me," and "Back in My Arms Again"). Ross' cooing vocals would front the Supremes' decorative backup vocals, put over on television and live performance with highly stylized choreography and visual style. Holland-Dozier-Holland would write and produce all of the Supremes' hits through the end of 1967.

Not all of the Supremes' singles went to number one after 1965, but they usually did awfully well, and were written and produced with enough variety (but enough of a characteristic sound) to ensure continual interest. The chart-topping (and uncharacteristically tough) "You Keep Me Hangin' On" was the best of their mid-period hits. Behind the scenes, there were some problems brewing, although these only came to light long after the event. Other Motown stars (most notably Martha Reeves) resented what they perceived as the inordinate attention lavished upon Ross by Gordy, at the expense of other artists on the label. The other Supremes themselves felt increasingly pushed to the background. In mid-1967, as a result of what was deemed increasingly unprofessional behavior, Ballard was replaced by Cindy Birdsong (from Patti LaBelle & the Bluebelles). Ballard become one of rock's greatest tragedies, eventually ending up on welfare, and dying in 1976.

After Ballard's exit, the group would be billed as Diana Ross & the Supremes, fueling speculation that Ross was being groomed for a solo career. the Supremes had a big year in 1967, even incorporating some mild psychedelic influences into "Reflections." Holland-Dozier-Holland, however, left Motown around this time, and the quality of the Supremes' records suffered accordingly (as did the Motown organization as a whole). the Supremes were still superstars, but as a unit, they were disintegrating; it's been reported that Wilson and Birdsong didn't even sing on their final hits, a couple of which ("Love Child" and "Someday We'll Be Together") were among their best.

In November 1969, Ross' imminent departure for a solo career was announced, although she played a few more dates with them, the last in Las Vegas in January 1970. Jean Terrell replaced Ross, and the group continued through 1977, with some more personnel changes (although Mary Wilson was always involved). Some of the early Ross-less singles were fine records, particularly "Stoned Love," "Nathan Jones," and the Supremes-Four Tops duet "River Deep – Mountain High." Few groups have been able to rise to the occasion after the loss of their figurehead, though, and the Supremes proved no exception, rarely making the charts after 1972. It is the Diana Ross-led era of the 1960s for which they'll be remembered.

Richie Unterberger, Allmusic.com

Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012






Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

The Supremes - Where Did Our Love Go (1964)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 209 Mb | Mp3 (CBR320) ~ 71 Mb | Scans ~ 115 Mb
Label: Motown Records/Universal Music Japan | # UICY-75221 | Time: 00:31:04

Even though this long-player was the second collection to have featured the original Supremes lineup with Mary Wilson, Florence Ballard and Diana Ross, Where Did Our Love Go (1964) was the first to significantly impact the radio-listening and record-buying public. It effectively turned the trio – who were called the 'No-Hit Supremes' by Motown insiders – into one of the label's most substantial acts of the 1960s. Undoubtedly, their success was at least in part due to an influx of fresh material from the formidable composing/production team of Brian Holland, Lamont Dozier and Eddie Holland (HDH). They had already proven themselves by presenting "(Your Love Is Like A) Heatwave" to Martha & the Vandellas and providing Marvin Gaye with "Can I Get a Witness." Motown-head Berry Gordy hoped HDH could once again strike gold – and boy, did they ever. Equally as impressive is that the Supremes were among the handful of domestic acts countering the initial onslaught of the mid-'60s British Invasion with a rapid succession of four Top 40 sides. Better still, "Where Did Our Love Go," "Baby Love" and "Come See About Me" made it all the way to the top, while "When the Lovelight Starts Shining Through His Eyes" (number 23), "Run, Run, Run" (number 93) and "A Breath Taking Guy" (number 75) were able to garner enough airplay and sales to make it into the Top 100 Pop Singles survey. HDH weren't the only contributors to the effort, as William "Smokey" Robinson supplied the catchy doo wop influenced "Long Gone Lover," as well as the aforementioned "Breath Taking Guy." Norman Whitfield penned the mid-tempo ballad "He Means The World to Me," and former Moonglow Harvey Fuqua co-wrote "Your Kiss of Fire." With such a considerable track list, it is no wonder Where Did Our Love Go landed in the penultimate spot on the Pop Album chart for four consecutive weeks in September of '64 – making it the best received LP from Motown to date. In 2004, the internet-based Hip-O Select issued the double-disc Where Did Our Love Go [Expanded 40th Anniversary Edition] in a limited pressing of 10,000 copies. The package included the monaural and stereo mixes, plus a never before available seven-song vintage live set from the Twenty Grand Club in Detroit and another 17 unreleased studio cuts documented around the same time.

Review by Lindsay Planer, Allmusic.com

Tracklist:

01. Where Did Our Love Go? (02:33)
02. Run, Run, Run (02:16)
03. Baby Love (02:37)
04. When The Love Light Starts Shining Through His Eyes (03:05)
05. Come See About Me (02:44)
06. Long Gone Lover (02:25)
07. I'm Giving You Your Freedom (02:39)
08. A Breath Taking Guy (02:24)
09. He Means The World To Me (01:59)
10. Standing At The Crossroads Of Love (02:28)
11. Your Kiss Of Fire (02:47)
12. Ask Any Girl (03:00)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. January 2013, 11:44

The Supremes / Where Did Our Love Go

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:33.22 | 0 | 11496
2 | 2:33.22 | 2:16.41 | 11497 | 21737
3 | 4:49.63 | 2:37.68 | 21738 | 33580
4 | 7:27.56 | 3:05.14 | 33581 | 47469
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7 | 15:43.30 | 2:39.39 | 70755 | 82718
8 | 18:22.69 | 2:24.32 | 82719 | 93550
9 | 20:47.26 | 1:59.56 | 93551 | 102531
10 | 22:47.07 | 2:28.07 | 102532 | 113638
11 | 25:15.14 | 2:47.50 | 113639 | 126213
12 | 28:02.64 | 3:00.47 | 126214 | 139760


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1964 Where Did Our Love Go (Mini LP SHM-CD Universal Music Japan 2012)\The Supremes - Where Did Our Love Go.wav

Peak level 99.8 %
Extraction speed 2.9 X
Range quality 100.0 %
Test CRC 33966CBD
Copy CRC 33966CBD
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [13B87F83] (AR v1)
Track 2 accurately ripped (confidence 2) [1AF7E54E] (AR v1)
Track 3 accurately ripped (confidence 2) [26E85632] (AR v1)
Track 4 accurately ripped (confidence 2) [6E18F629] (AR v1)
Track 5 accurately ripped (confidence 2) [74CADAA0] (AR v1)
Track 6 accurately ripped (confidence 2) [D74FD1AF] (AR v1)
Track 7 accurately ripped (confidence 2) [32A11233] (AR v1)
Track 8 accurately ripped (confidence 2) [77749636] (AR v1)
Track 9 accurately ripped (confidence 2) [F5971D96] (AR v1)
Track 10 accurately ripped (confidence 2) [92066E14] (AR v1)
Track 11 accurately ripped (confidence 2) [A5EBC9A9] (AR v1)
Track 12 accurately ripped (confidence 2) [74684C3F] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum A0756507D223B3425A3F1854C6C190914F87A746746B9120B789C8817376B808 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:38:37

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Supremes / Where Did Our Love Go
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.01 dB -10.12 dB 2:33 01-Where Did Our Love Go?
DR7 -0.01 dB -9.00 dB 2:17 02-Run, Run, Run
DR7 -0.01 dB -9.02 dB 2:38 03-Baby Love
DR6 -0.01 dB -7.64 dB 3:05 04-When The Love Light Starts Shining Through His Eyes
DR10 -0.01 dB -10.90 dB 2:45 05-Come See About Me
DR8 -0.06 dB -9.81 dB 2:26 06-Long Gone Lover
DR11 -0.01 dB -11.95 dB 2:40 07-I'm Giving You Your Freedom
DR12 -0.01 dB -13.71 dB 2:24 08-A Breath Taking Guy
DR9 -0.01 dB -11.37 dB 2:00 09-He Means The World To Me
DR8 -0.01 dB -10.32 dB 2:28 10-Standing At The Crossroads Of Love
DR8 -0.01 dB -9.40 dB 2:48 11-Your Kiss Of Fire
DR8 -0.01 dB -10.18 dB 3:01 12-Ask Any Girl
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 940 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

The Supremes - More Hits By The Supremes (1965)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 212 Mb | Mp3 (CBR320) ~ 74 Mb | Scans ~ 125 Mb
Label: Motown Records/Universal Music Japan | # UICY-75222 | Time: 00:32:40

Its title might lead one to think this was a compilation, but it wasn't – rather, More Hits by the Supremes is merely a valid presumption of its worth. It was also the original group's third highest charting album of their five years on Motown, and came not a moment too soon. The Supremes were doing incredibly well as a singles act, but not since Where Did Our Love Go had any of their LPs done particularly well on the pop charts; even a well-intentioned Sam Cooke-tribute album recorded early in 1965, which ought to have done better, had only reached number 75 (though it had gotten to number five on the R&B LP charts). "Stop! In the Name of Love" and "Back in My Arms Again" helped drive the sales, but those singles had been out six and three months earlier at the time this album surfaced – listeners were delighted to find those singles surrounded by their ethereal rendition of the ballad "Whisper You Love Me Boy" with its exquisitely harmonized middle chorus; the gently soulful, sing-song-y "The Only Time I'm Happy"; and the sweetly dramatic "He Holds His Own" (with a gorgeous and very prominent piano accompaniment). The material dated across six months of work, from late 1964 through the spring of 1965 (apart from "Ask Any Girl," the B-side of "Baby Love," which was cut in the spring of 1964), and showed that Motown could put a Supremes album together piecemeal around the Holland-Dozier-Holland songwriting team and place the trio right up at the top reaches of the charts, in the company of the Beatles, the Rolling Stones, et al. Its release also opened a floodgate of killer albums by the trio – overlooking their 1965 LP of Christmas songs, they were destined to issue three more long-players that delighted audiences a dozen songs at a time over the next two years, which was a lot of good work.

Review by Bruce Eder, Allmusic.com

Tracklist:

01. Ask Any Girl (02:46)
02. Nothing But Heartaches (02:59)
03. Mother Dear (02:45)
04. Stop! In The Name Of Love (02:54)
05. Honey Boy (02:35)
06. Back In My Arms Again (02:54)
07. Whisper You Love Me Boy (02:37)
08. Only Time I'm Happy (02:32)
09. He Holds His Own (02:32)
10. Who Could Ever Doubt My Love (02:43)
11. (I'm So Glad) Heartaches Don't Last Always (02:58)
12. I'm In Love Again (02:19)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. January 2013, 19:58

The Supremes / More Hits By The Supremes

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:46.45 | 0 | 12494
2 | 2:46.45 | 2:59.55 | 12495 | 25974
3 | 5:46.25 | 2:45.54 | 25975 | 38403
4 | 8:32.04 | 2:54.43 | 38404 | 51496
5 | 11:26.47 | 2:35.29 | 51497 | 63150
6 | 14:02.01 | 2:54.24 | 63151 | 76224
7 | 16:56.25 | 2:37.00 | 76225 | 87999
8 | 19:33.25 | 2:32.54 | 88000 | 99453
9 | 22:06.04 | 2:32.38 | 99454 | 110891
10 | 24:38.42 | 2:43.06 | 110892 | 123122
11 | 27:21.48 | 2:58.33 | 123123 | 136505
12 | 30:20.06 | 2:19.43 | 136506 | 146973


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1965 More Hits By The Supremes (Mini LP SHM-CD Universal Music Japan 2012)\The Supremes - More Hits By The Supremes.wav

Peak level 99.8 %
Extraction speed 6.4 X
Range quality 100.0 %
Test CRC 00A1CBAE
Copy CRC 00A1CBAE
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 5) [E4CAA233] (AR v1)
Track 2 accurately ripped (confidence 5) [D0D15948] (AR v1)
Track 3 accurately ripped (confidence 5) [F3EEF9BD] (AR v1)
Track 4 accurately ripped (confidence 5) [BD260D22] (AR v1)
Track 5 accurately ripped (confidence 5) [E646AB0A] (AR v1)
Track 6 accurately ripped (confidence 5) [52115C88] (AR v1)
Track 7 accurately ripped (confidence 5) [B27F5A79] (AR v1)
Track 8 accurately ripped (confidence 5) [732CCBA2] (AR v1)
Track 9 accurately ripped (confidence 5) [4E6457B8] (AR v1)
Track 10 accurately ripped (confidence 5) [0C8F3C20] (AR v1)
Track 11 accurately ripped (confidence 5) [E859EFA3] (AR v1)
Track 12 accurately ripped (confidence 5) [A3B01602] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 669F4270365FBBF1F3CDE47BA7456A0D36F0203CE9759E880EEBDDF89BD8E586 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:38:50

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Supremes / More Hits By The Supremes
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.01 dB -10.11 dB 2:47 01-Ask Any Girl
DR6 -0.01 dB -7.12 dB 3:00 02-Nothing But Heartaches
DR7 -0.01 dB -7.99 dB 2:46 03-Mother Dear
DR9 -0.01 dB -10.35 dB 2:55 04-Stop! In The Name Of Love
DR8 -0.01 dB -9.77 dB 2:35 05-Honey Boy
DR7 -0.01 dB -8.04 dB 2:54 06-Back In My Arms Again
DR7 -0.01 dB -8.68 dB 2:37 07-Whisper You Love Me Boy
DR8 -0.01 dB -8.49 dB 2:33 08-Only Time I'm Happy
DR10 -0.37 dB -11.74 dB 2:33 09-He Holds His Own
DR8 -0.01 dB -8.94 dB 2:43 10-Who Could Ever Doubt My Love
DR9 -0.01 dB -10.31 dB 2:58 11-(I'm So Glad) Heartaches Don't Last Always
DR9 -0.01 dB -10.62 dB 2:20 12-I'm In Love Again
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 907 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

The Supremes - I Hear A Symphony (1966)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 223 Mb | Mp3 (CBR320) ~ 78 Mb | Scans ~ 120 Mb
Label: Motown Records/Universal Music Japan | # UICY-75223 | Time: 00:34:08

I Hear a Symphony has some great soul numbers on it, mostly by the Holland-Dozier-Holland songwriting team, including not only the title track but also "Any Girl in Love (Knows What I'm Going Through)," "My World Is Empty Without You," and "He's All I Got" – the latter is one of the greatest album tracks the group ever recorded, with stunning vocals by Mary Wilson and Florence Ballard behind Diana Ross, showing the trio in just about its peak form. Other parts of I Hear a Symphony seem to take its title track almost literally, with the inclusion of the majestic "Unchained Melody" and the Bach-based "A Lover's Concerto"; the latter, in particular, is a Diana Ross tour de force, with very sweetly understated accompaniment by Wilson and Ballard. And elsewhere, Berry Gordy was pushing his vision of the Supremes as a mainstream pop trio, covering "A Stranger in Paradise," "With a Song in My Heart," "Without a Song," and "Wonderful, Wonderful." None of these are bad, but neither are they terribly distinguished – the group even adds a certain fresh sparkle to "Wonderful, Wonderful," but realistically, people were paying their money for the Holland-Dozier-Holland and Eddie Holland-authored songs, any of which would have made about as fine singles as anything the trio ever put out, and all of which are still a chunk of the best part of the group's legacy.

Review by Bruce Eder, Allmusic.com

Tracklist:

01. Stranger In Paradise (03:05)
02. Yesterday (02:30)
03. I Hear A Symphony (02:43)
04. Unchained Melody (03:49)
05. With A Song In My Heart (02:04)
06. Without A Song (03:00)
07. My World Is Empty Without You (02:36)
08. A Lover's Concerto (02:37)
09. Any Girl In Love (Knows What I'm Going Through) (03:00)
10. Wonderful, Wonderful (02:52)
11. Everything Is Good About You (03:01)
12. He's All I Got (02:46)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. January 2013, 19:25

The Supremes / I Hear A Symphony

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:05.66 | 0 | 13940
2 | 3:05.66 | 2:30.25 | 13941 | 25215
3 | 5:36.16 | 2:43.35 | 25216 | 37475
4 | 8:19.51 | 3:49.07 | 37476 | 54657
5 | 12:08.58 | 2:04.46 | 54658 | 64003
6 | 14:13.29 | 3:00.19 | 64004 | 77522
7 | 17:13.48 | 2:35.72 | 77523 | 89219
8 | 19:49.45 | 2:37.26 | 89220 | 101020
9 | 22:26.71 | 3:00.59 | 101021 | 114579
10 | 25:27.55 | 2:52.47 | 114580 | 127526
11 | 28:20.27 | 3:00.74 | 127527 | 141100
12 | 31:21.26 | 2:46.37 | 141101 | 153587


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1966 I Hear A Symphony (Mini LP SHM-CD Universal Music Japan 2012)\The Supremes - I Hear A Symphony.wav

Peak level 99.8 %
Extraction speed 6.5 X
Range quality 100.0 %
Test CRC D37465F9
Copy CRC D37465F9
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [E29962B3] (AR v1)
Track 2 accurately ripped (confidence 3) [96541FCE] (AR v1)
Track 3 accurately ripped (confidence 3) [A28FA373] (AR v1)
Track 4 accurately ripped (confidence 3) [897976FA] (AR v1)
Track 5 accurately ripped (confidence 3) [4737BB5C] (AR v1)
Track 6 accurately ripped (confidence 3) [FAE95B97] (AR v1)
Track 7 accurately ripped (confidence 3) [32EA2837] (AR v1)
Track 8 accurately ripped (confidence 3) [B15D0CE5] (AR v1)
Track 9 accurately ripped (confidence 3) [C7A4428A] (AR v1)
Track 10 accurately ripped (confidence 3) [5932BA30] (AR v1)
Track 11 accurately ripped (confidence 3) [2A998C89] (AR v1)
Track 12 accurately ripped (confidence 3) [8DB96187] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 350D2C01CE13D411CBC568910861FED855ED8A51E0696608F9A1D8623DF86E03 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:39:15

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Supremes / I Hear A Symphony
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.01 dB -10.15 dB 3:06 01-Stranger In Paradise
DR8 -0.01 dB -10.80 dB 2:30 02-Yesterday
DR8 -0.01 dB -9.95 dB 2:43 03-I Hear A Symphony
DR8 -0.01 dB -10.03 dB 3:49 04-Unchained Melody
DR8 -0.01 dB -10.47 dB 2:05 05-With A Song In My Heart
DR8 -0.01 dB -9.96 dB 3:00 06-Without A Song
DR8 -0.01 dB -9.18 dB 2:36 07-My World Is Empty Without You
DR7 -0.01 dB -8.17 dB 2:37 08-A Lover's Concerto
DR6 -0.01 dB -7.46 dB 3:01 09-Any Girl In Love (Knows What I'm Going Through)
DR7 -0.01 dB -8.63 dB 2:53 10-Wonderful, Wonderful
DR8 -0.01 dB -9.17 dB 3:01 11-Everything Is Good About You
DR6 -0.01 dB -7.43 dB 2:46 12-He's All I Got
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 913 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

The Supremes - A' Go-Go (1966)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 73 Mb | Scans ~ 137 Mb
Label: Motown Records/Universal Music Japan | # UICY-75224 | Time: 00:32:01

Supremes A' Go-Go was the group's first number one pop album, propelled to that place with help from a chart-topping single ("You Can't Hurry Love") and a marketing ploy that generated an irresistible song lineup. And along with The Supremes Sing Holland-Dozier-Holland, Supremes A' Go-Go has held its value better than almost any of the trio's most successful albums (which excludes We Remember Sam Cooke) – in fact, back in the days when vinyl was the only game in town, used copies of this record sold faster and better than any of their other common '60s LPs, and for good reason. Various hits compilations had skimmed the most familiar songs off of Where Did Our Love Go, I Hear a Symphony, etc., but the very concept behind Supremes A' Go-Go – getting the group to cover some of the top hits of other (mostly Motown) acts – dictated that every song on this album was familiar in name, and only "You Can't Hurry Love" was culled for any hits packages. There was a lot to recommend it musically, including the trio soaring rendition of "Shake Me, Wake Me" and a version of "Get Ready," which, even if it was no threat to the Temptations, still could have been a hit. Similarly, "Baby I Need Your Lovin'" and "I Can't Help Myself" will always belong to the Four Tops, but Diana Ross, Mary Wilson, and Florence Ballard throw themselves into both (in a less weighty version of the former) with enough spirit to make them work as album cuts; "Money" is diverting if less successful, and "Come and Get These Memories" is worth checking out just to hear Florence Ballard and Mary Wilson step forward. And even the non-Motown covers, like "These Boot Are Made for Walkin'" and "Hang on Sloopy," make worthwhile listening, with Ross turning in a surprisingly strong, passionate performance on the latter. A number one album in its time on the pop and R&B charts, Supremes A' Go-Go also benefited from the fact that there were no pop standards or slow ballads here, just solid R&B dance numbers.

Review by Bruce Eder, Allmusic.com

Tracklist:

01. Love Is Like An Itching In My Heart (02:56)
02. This Old Heart Of Mine (Is Weak For You) (02:37)
03. You Can't Hurry Love (02:48)
04. Shake Me, Wake Me (When It's Over) (02:48)
05. Baby I Need Your Loving (03:01)
06. These Boots Are Made For Walking (02:32)
07. I Can't Help Myself (02:38)
08. Get Ready (02:45)
09. Put Yourself In My Place (02:21)
10. Money (That's What I Want) (02:28)
11. Come And Get These Memories (02:20)
12. Hang On Sloopy (02:42)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. January 2013, 18:34

The Supremes / A' Go-Go

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:56.61 | 0 | 13260
2 | 2:56.61 | 2:37.00 | 13261 | 25035
3 | 5:33.61 | 2:48.14 | 25036 | 37649
4 | 8:22.00 | 2:48.14 | 37650 | 50263
5 | 11:10.14 | 3:01.61 | 50264 | 63899
6 | 14:12.00 | 2:32.40 | 63900 | 75339
7 | 16:44.40 | 2:38.31 | 75340 | 87220
8 | 19:22.71 | 2:44.70 | 87221 | 99590
9 | 22:07.66 | 2:20.69 | 99591 | 110159
10 | 24:28.60 | 2:28.34 | 110160 | 121293
11 | 26:57.19 | 2:20.55 | 121294 | 131848
12 | 29:17.74 | 2:42.57 | 131849 | 144055


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1966 A' Go-Go (Mini LP SHM-CD Universal Music Japan 2012)\The Supremes - A' Go-Go.wav

Peak level 99.8 %
Extraction speed 6.3 X
Range quality 100.0 %
Test CRC F8E60F79
Copy CRC F8E60F79
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [349C6BC6] (AR v1)
Track 2 accurately ripped (confidence 3) [CAB55FB0] (AR v1)
Track 3 accurately ripped (confidence 3) [84933054] (AR v1)
Track 4 accurately ripped (confidence 3) [95F8747D] (AR v1)
Track 5 accurately ripped (confidence 3) [BA557923] (AR v1)
Track 6 accurately ripped (confidence 3) [AFD0661E] (AR v1)
Track 7 accurately ripped (confidence 3) [25673387] (AR v1)
Track 8 accurately ripped (confidence 3) [186B38EF] (AR v1)
Track 9 accurately ripped (confidence 3) [0A081BE6] (AR v1)
Track 10 accurately ripped (confidence 3) [311153CC] (AR v1)
Track 11 accurately ripped (confidence 3) [F5EA790B] (AR v1)
Track 12 accurately ripped (confidence 3) [7A228339] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 4E74E3D4A4437F7DDEE7832F627AD7ACB1741A1D50F09B732EA71C8FF56030D9 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:39:02

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Supremes / A' Go-Go
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.01 dB -9.20 dB 2:57 01-Love Is Like An Itching In My Heart
DR8 -0.01 dB -9.48 dB 2:37 02-This Old Heart Of Mine (Is Weak For You)
DR9 -0.01 dB -9.86 dB 2:48 03-You Can't Hurry Love
DR8 -0.01 dB -9.99 dB 2:48 04-Shake Me, Wake Me (When It's Over)
DR8 -0.01 dB -9.88 dB 3:02 05-Baby I Need Your Loving
DR9 -0.01 dB -11.19 dB 2:33 06-These Boots Are Made For Walking
DR8 -0.01 dB -9.47 dB 2:38 07-I Can't Help Myself
DR8 -0.01 dB -10.02 dB 2:45 08-Get Ready
DR11 -0.03 dB -12.53 dB 2:21 09-Put Yourself In My Place
DR9 -0.01 dB -10.86 dB 2:28 10-Money (That's What I Want)
DR9 -0.01 dB -10.78 dB 2:21 11-Come And Get These Memories
DR9 -0.01 dB -10.67 dB 2:43 12-Hang On Sloopy
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 992 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

The Supremes - Sing Holland-Dozier-Holland (1967)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 215 Mb | Mp3 (CBR320) ~ 72 Mb | Scans ~ 142 Mb
Label: Motown Records/Universal Music Japan | # UICY-75225 | Time: 00:31:43

Anchored by two of their most popular recordings, "You Keep Me Hanging On," and "Love Is Here and Now You're Gone," this LP features Holland, Dozier & Holland (HDH) compositions and productions, and it ranks among their best. The Supremes' renditions of songs popularized by label mates illustrate the interchangeability of HDH's songs. Ross's soprano may not have the bite of Ron Isley's tenor, but she still does a better than average job on "I Guess I Always Love." Two Four Tops' remakes, 'I'll Turn to Stone," and "The Same Old Song," are just as groovy as the originals. An update of Martha & Vandellas' "Love Is Like a Heat Wave" fails to live up to the dynamics of the original. The Vandellas' version was special, while this one comes off like another song for the session. "Mother You, Smother You" is too formulaic, but the singing and lyrics places it well above what other girl groups were releasing at the time. Ditto for "Going Down for the Third Time." A Supremes' album track would be an A-side for most artists. The prolific writers did an excellent job on their namesake LP, which turned out to be the last of the great Supremes albums.

Review by Andrew Hamilton, Allmusic.com

Tracklist:

01. You Keep Me Hangin' On (02:44)
02. (You're Gone But) Always In My Heart (02:38)
03. Love Is Here And Now You're Gone (02:49)
04. Mother You, Smother You (02:36)
05. I Guess I'll Always Love You (02:41)
06. I'll Turn To Stone (02:24)
07. It's The Same Old Song (02:31)
08. Going Down For The Third Time (02:36)
09. Love Is In Our Hearts (02:09)
10. Remove This Doubt (02:54)
11. There's No Stopping Us Now (03:00)
12. (Love Is Like A) Heat Wave (02:36)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. January 2013, 12:28

The Supremes / Sing Holland-Dozier-Holland

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:44.28 | 0 | 12327
2 | 2:44.28 | 2:37.73 | 12328 | 24175
3 | 5:22.26 | 2:49.44 | 24176 | 36894
4 | 8:11.70 | 2:36.32 | 36895 | 48626
5 | 10:48.27 | 2:41.02 | 48627 | 60703
6 | 13:29.29 | 2:24.58 | 60704 | 71561
7 | 15:54.12 | 2:31.13 | 71562 | 82899
8 | 18:25.25 | 2:36.14 | 82900 | 94613
9 | 21:01.39 | 2:09.53 | 94614 | 104341
10 | 23:11.17 | 2:54.25 | 104342 | 117416
11 | 26:05.42 | 2:59.69 | 117417 | 130910
12 | 29:05.36 | 2:36.63 | 130911 | 142673


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1966 Sing Holland-Dozier-Holland (Mini LP SHM-CD Universal Music Japan 2012)\The Supremes - Sing Holland-Dozier-Holland.wav

Peak level 99.8 %
Extraction speed 6.3 X
Range quality 100.0 %
Test CRC EEC3266B
Copy CRC EEC3266B
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [CCBA3E4E] (AR v1)
Track 2 accurately ripped (confidence 3) [99C6FA5B] (AR v1)
Track 3 accurately ripped (confidence 3) [ED0196FF] (AR v1)
Track 4 accurately ripped (confidence 3) [24104E59] (AR v1)
Track 5 accurately ripped (confidence 3) [987F352E] (AR v1)
Track 6 accurately ripped (confidence 3) [C91D4AF3] (AR v1)
Track 7 accurately ripped (confidence 3) [D09F8853] (AR v1)
Track 8 accurately ripped (confidence 3) [B199E8D8] (AR v1)
Track 9 accurately ripped (confidence 3) [E41599D0] (AR v1)
Track 10 accurately ripped (confidence 3) [AB5A1480] (AR v1)
Track 11 accurately ripped (confidence 3) [EFD9A7F5] (AR v1)
Track 12 accurately ripped (confidence 3) [65590CC6] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 89C590C2E062CEB97F44E346CFE3EA8F2E6442D405AB3852F48B34033A8C9FD5 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:39:28

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Supremes / Sing Holland-Dozier-Holland
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.01 dB -9.33 dB 2:44 01-You Keep Me Hangin' On
DR8 -0.01 dB -10.05 dB 2:38 02-(You're Gone But) Always In My Heart
DR8 -0.01 dB -9.80 dB 2:50 03-Love Is Here And Now You're Gone
DR8 -0.01 dB -9.71 dB 2:36 04-Mother You, Smother You
DR8 -0.01 dB -9.21 dB 2:41 05-I Guess I'll Always Love You
DR8 -0.01 dB -9.24 dB 2:25 06-I'll Turn To Stone
DR7 -0.01 dB -8.69 dB 2:31 07-It's The Same Old Song
DR7 -0.01 dB -8.55 dB 2:36 08-Going Down For The Third Time
DR8 -0.01 dB -9.37 dB 2:10 09-Love Is In Our Hearts
DR8 -0.01 dB -9.73 dB 2:54 10-Remove This Doubt
DR8 -0.01 dB -9.79 dB 3:00 11-There's No Stopping Us Now
DR8 -0.01 dB -9.67 dB 2:37 12-(Love Is Like A) Heat Wave
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 948 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Reflections (1968)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 96 Mb | Scans ~ 113 Mb
Label: Motown Records/Universal Music Japan | # UICY-75226 | Time: 00:41:55

Their last album with Holland-Doizer-Holland at the creative helm, it was apparent that both parties were battling creative fatigue and were exhibiting the appropriate scars at the time. But aside from the then-innovative title song and the jazzy "In and Out of Love," there's nothing much to get excited about. (Note: the CD version contains two extra tracks, one being a lackluster rendition of "Stay in My Lonely Arms" that pales next to the Elgins' original).

Review by John Lowe, Allmusic.com

Tracklist:

01. Reflections (02:52)
02. I'm Gonna Make You Love Me (02:49)
03. Forever Came Today (03:15)
04. I Can't Make It ALone (03:15)
05. In And Out Of Love (02:42)
06. Bah-Bah-Bah (03:20)
07. What The World Needs Now Is Love (02:53)
08. Up, Up And Away (02:32)
09. Love (Makes Me Do Foolish Things) (02:55)
10. Then (02:10)
11. Misery Makes It's Home In My Heart (02:55)
12. Ode To Billie Joe (04:56)
13. Stay In My Lonely Arms (03:18)
14. All I Know About You (01:56)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. January 2013, 11:52

Diana Ross And The Supremes / Reflections

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:52.38 | 0 | 12937
2 | 2:52.38 | 2:49.21 | 12938 | 25633
3 | 5:41.59 | 3:15.40 | 25634 | 40298
4 | 8:57.24 | 3:15.35 | 40299 | 54958
5 | 12:12.59 | 2:42.22 | 54959 | 67130
6 | 14:55.06 | 3:20.21 | 67131 | 82151
7 | 18:15.27 | 2:53.41 | 82152 | 95167
8 | 21:08.68 | 2:32.47 | 95168 | 106614
9 | 23:41.40 | 2:55.17 | 106615 | 119756
10 | 26:36.57 | 2:10.65 | 119757 | 129571
11 | 28:47.47 | 2:55.67 | 129572 | 142763
12 | 31:43.39 | 4:56.66 | 142764 | 165029
13 | 36:40.30 | 3:18.09 | 165030 | 179888
14 | 39:58.39 | 1:56.67 | 179889 | 188655


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1968 Reflections (Mini LP SHM-CD Universal Music Japan 2012)\Diana Ross And The Supremes - Reflections.wav

Peak level 99.8 %
Extraction speed 3.1 X
Range quality 100.0 %
Test CRC 2EB3EF7C
Copy CRC 2EB3EF7C
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [DECCA739] (AR v1)
Track 2 accurately ripped (confidence 4) [A216AABB] (AR v1)
Track 3 accurately ripped (confidence 4) [E6E0E2CD] (AR v1)
Track 4 accurately ripped (confidence 4) [3201EC39] (AR v1)
Track 5 accurately ripped (confidence 4) [6D2ABF2F] (AR v1)
Track 6 accurately ripped (confidence 4) [5286CF54] (AR v1)
Track 7 accurately ripped (confidence 4) [965635C4] (AR v1)
Track 8 accurately ripped (confidence 4) [6674C8AD] (AR v1)
Track 9 accurately ripped (confidence 4) [05E1A006] (AR v1)
Track 10 accurately ripped (confidence 4) [A303804C] (AR v1)
Track 11 accurately ripped (confidence 4) [6654EBEF] (AR v1)
Track 12 accurately ripped (confidence 4) [CAE0903A] (AR v1)
Track 13 accurately ripped (confidence 4) [4125A988] (AR v1)
Track 14 accurately ripped (confidence 4) [97E3405A] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 2A06636F49D1446FD2942492C6C292FDB1B39052570FB2F2EC1AB6B5B5C8F049 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:40:12

––––––––––––––––––––––––––––––––––––––––
Analyzed: Diana Ross And The Supremes / Reflections
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.01 dB -9.00 dB 2:53 01-Reflections
DR8 -0.01 dB -9.00 dB 2:49 02-I'm Gonna Make You Love Me
DR7 -0.01 dB -8.91 dB 3:16 03-Forever Came Today
DR8 -0.01 dB -9.43 dB 3:15 04-I Can't Make It ALone
DR6 -0.01 dB -7.31 dB 2:42 05-In And Out Of Love
DR7 -0.01 dB -9.37 dB 3:20 06-Bah-Bah-Bah
DR8 -0.01 dB -10.00 dB 2:54 07-What The World Needs Now Is Love
DR7 -0.01 dB -9.08 dB 2:33 08-Up, Up And Away
DR7 -0.01 dB -9.43 dB 2:55 09-Love (Makes Me Do Foolish Things)
DR7 -0.01 dB -8.90 dB 2:11 10-Then
DR7 -0.01 dB -8.54 dB 2:56 11-Misery Makes It's Home In My Heart
DR9 -0.01 dB -11.12 dB 4:57 12-Ode To Billie Joe
DR7 -0.01 dB -8.48 dB 3:18 13-Stay In My Lonely Arms
DR8 -0.01 dB -9.01 dB 1:57 14-All I Know About You
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 943 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Join The Temptaions (1968)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 210 Mb | Mp3 (CBR320) ~ 77 Mb | Scans ~ 104 Mb
Label: Motown Records/Universal Music Japan | # UICY-75227 | Time: 00:33:54

What more could you want, two great groups, 11 great songs, and classic Motown productions. Contains the super groups' big hit "I'm Gonna Make You Love Me" and the equally effervescent "I'll Try Something New." But the goodies don't stop there: Check "Try It Baby," a remake of Marvin Gaye's hit, done this time with bass Melvin Franklin groaning lead lines to Diana Ross' soprano; Diana and Dennis Edwards recreate Marvin and Tammi on a rousing version of "Ain't No Mountain High Enough"; smooth tenor-singing Otis Williams does a silky rendition of "This Guy's in Love With You"; and Paul Williams is forever Paul as the prominent voice on "Then," an old Four Tops album cut. Originally released in 1969, this is a CD every Temptations, Diana Ross & the Supremes, and Motown fan should have. A Holland import combines this and a following album by both groups on one CD – 21 tracks of these delicacies.

Review by Andrew Hamilton, Allmusic.com

Tracklist:

01. Try It Baby (03:45)
02. I Second That Emotion (02:22)
03. Ain't No Mountain High Enough (02:17)
04. I'm Gonna Make You Love Me (03:09)
05. This Guy's In Love With You (03:47)
06. Funky Broadway (02:35)
07. I'll Try Something New (02:22)
08. Place In The Sun (03:31)
09. Sweet Inspiration (02:58)
10. Then (02:15)
11. To Dream The Impossible Dream (04:47)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. January 2013, 20:15

Diana Ross & The Supremes / Join The Temptations

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:45.10 | 0 | 16884
2 | 3:45.10 | 2:22.39 | 16885 | 27573
3 | 6:07.49 | 2:17.63 | 27574 | 37911
4 | 8:25.37 | 3:09.05 | 37912 | 52091
5 | 11:34.42 | 3:47.31 | 52092 | 69147
6 | 15:21.73 | 2:35.55 | 69148 | 80827
7 | 17:57.53 | 2:22.40 | 80828 | 91517
8 | 20:20.18 | 3:31.68 | 91518 | 107410
9 | 23:52.11 | 2:58.01 | 107411 | 120761
10 | 26:50.12 | 2:15.34 | 120762 | 130920
11 | 29:05.46 | 4:47.45 | 130921 | 152490


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1968 Join The Temptations (Mini LP SHM-CD Universal Music Japan 2012)\Diana Ross & The Supremes - Join The Temptations.wav

Peak level 99.8 %
Extraction speed 6.4 X
Range quality 100.0 %
Test CRC DDB1F99D
Copy CRC DDB1F99D
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [23F39EDE] (AR v1)
Track 2 accurately ripped (confidence 3) [FE78955E] (AR v1)
Track 3 accurately ripped (confidence 3) [AADF1378] (AR v1)
Track 4 accurately ripped (confidence 3) [E3AF48DF] (AR v1)
Track 5 accurately ripped (confidence 3) [7F443DDD] (AR v1)
Track 6 accurately ripped (confidence 3) [BD526A9C] (AR v1)
Track 7 accurately ripped (confidence 3) [99415072] (AR v1)
Track 8 accurately ripped (confidence 3) [BE86C3F4] (AR v1)
Track 9 accurately ripped (confidence 3) [59958DE4] (AR v1)
Track 10 accurately ripped (confidence 3) [DFA0220E] (AR v1)
Track 11 accurately ripped (confidence 3) [9C401BB4] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 9BEF2217563515D1F993F86A744C55493D4D2F3EE7ABDE574D55DD59F0DAFE87 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:39:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: Diana Ross & The Supremes / Join The Temptations
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.01 dB -11.65 dB 3:45 01-Try It Baby
DR8 -0.01 dB -10.36 dB 2:23 02-I Second That Emotion
DR8 -0.01 dB -10.26 dB 2:18 03-Ain't No Mountain High Enough
DR9 -0.01 dB -11.73 dB 3:09 04-I'm Gonna Make You Love Me
DR9 -0.01 dB -12.20 dB 3:47 05-This Guy's In Love With You
DR9 -0.01 dB -10.56 dB 2:36 06-Funky Broadway
DR8 -0.01 dB -11.35 dB 2:23 07-I'll Try Something New
DR10 -0.01 dB -11.39 dB 3:32 08-Place In The Sun
DR10 -0.01 dB -12.55 dB 2:58 09-Sweet Inspiration
DR9 -0.01 dB -11.73 dB 2:15 10-Then
DR9 -0.01 dB -13.07 dB 4:48 11-To Dream The Impossible Dream
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 868 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Love Child (1968)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 215 Mb | Mp3 (CBR320) ~ 72 Mb | Scans ~ 139 Mb
Label: Motown Records/Universal Music Japan | # UICY-75228 | Time: 00:31:34

Through 1964 to 1967 the Supremes were Motown's biggest act. Singles like "Where Did Our Love Go," "Back in My Arms Again," and "You Keep Me Hanging On" defined the label's pop prowess and the quirky appeal of talented lead singer Diana Ross. By 1968, the group not only lost member Florence Ballard, but also Holland-Dozier-Holland who had written and produced all of their big singles. Cindy Birdsong joins Mary Wilson and Ross for this 1968 effort and the group name was officially changed. Although it's always fun to hear Ross and the Supremes, the most interesting thing about this effort is its production. With a lack of consistently great songs, Love Child had to rely on hooks, choruses, and production values rather than magical songs. The well-produced and controversial title track proved how good Ross is with melodrama. "How Long Has That Evening Train Been Gone" has a great bassline from James Jamerson and Ross oddly having a lot of fun with her supposedly dire romantic prospects. The warm cover of Bobby Taylor and the Vancouvers' classic "Does Your Mamma Know About Me" sticks close to the original with good results. Ashford and Simpson offer two of their early tracks, the album's first single "Some Things You Never Get Used To," and the graceful "You Ain't Livin' Until You're Lovin'." For the most part, Love Child's tracks seem to run together but this offers the late-'60s Motown sound without gimmicks and is more than recommended.

Review by Jason Elias, Allmusic.com

Tracklist:

01. Love Child (02:58)
02. Keep an Eye (03:08)
03. How Long Has That Evening Train Been Gone (02:48)
04. Does Your Mama Know About Me (02:54)
05. Honey Bee (Keep On Stinging Me) (02:22)
06. Some Things You Never Get Used To (02:25)
07. He's My Sunner Boy (02:22)
08. You've Been So Wonderful To Me (02:34)
09. (Don't Break These) Chains of Love (02:25)
10. You Ain't Livin' Till You're Lovin' (02:44)
11. I'll Set You Free (02:40)
12. Can't Shake It Loose (02:07)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. January 2013, 19:45

Diana Ross And The Supremes / Love Child

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:58.05 | 0 | 13354
2 | 2:58.05 | 3:08.63 | 13355 | 27517
3 | 6:06.68 | 2:48.56 | 27518 | 40173
4 | 8:55.49 | 2:54.23 | 40174 | 53246
5 | 11:49.72 | 2:22.38 | 53247 | 63934
6 | 14:12.35 | 2:25.65 | 63935 | 74874
7 | 16:38.25 | 2:22.48 | 74875 | 85572
8 | 19:00.73 | 2:34.06 | 85573 | 97128
9 | 21:35.04 | 2:25.65 | 97129 | 108068
10 | 24:00.69 | 2:44.33 | 108069 | 120401
11 | 26:45.27 | 2:40.09 | 120402 | 132410
12 | 29:25.36 | 2:07.10 | 132411 | 141945


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1968 Love Child (Mini LP SHM-CD Universal Music Japan 2012)\Diana Ross And The Supremes - Love Child.wav

Peak level 100.0 %
Extraction speed 6.3 X
Range quality 100.0 %
Test CRC 8BA2F188
Copy CRC 8BA2F188
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [74DFCC4E] (AR v1)
Track 2 accurately ripped (confidence 3) [77E09D0E] (AR v1)
Track 3 accurately ripped (confidence 3) [3880FD66] (AR v1)
Track 4 accurately ripped (confidence 3) [2C043A4E] (AR v1)
Track 5 accurately ripped (confidence 3) [29602235] (AR v1)
Track 6 accurately ripped (confidence 3) [F612613C] (AR v1)
Track 7 accurately ripped (confidence 3) [D2018BA1] (AR v1)
Track 8 accurately ripped (confidence 3) [B0E37245] (AR v1)
Track 9 accurately ripped (confidence 3) [A9184CE1] (AR v1)
Track 10 accurately ripped (confidence 3) [9BE1AFD0] (AR v1)
Track 11 accurately ripped (confidence 3) [A9A95C07] (AR v1)
Track 12 accurately ripped (confidence 3) [356A57B4] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum BA2B16E9E12C0295C3DC761EC0AA9D305AFF415718D019794A1A5E6E7033147D ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:39:53

––––––––––––––––––––––––––––––––––––––––
Analyzed: Diana Ross And The Supremes / Love Child
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.01 dB -11.66 dB 2:58 01-Love Child
DR9 -0.01 dB -12.63 dB 3:09 02-Keep an Eye
DR10 -0.01 dB -12.44 dB 2:49 03-How Long Has That Evening Train Been Gone
DR8 -0.01 dB -10.68 dB 2:54 04-Does Your Mama Know About Me
DR9 -0.01 dB -10.24 dB 2:23 05-Honey Bee (Keep On Stinging Me)
DR9 -0.01 dB -10.20 dB 2:26 06-Some Things You Never Get Used To
DR8 -0.01 dB -9.73 dB 2:23 07-He's My Sunner Boy
DR9 -0.01 dB -11.02 dB 2:34 08-You've Been So Wonderful To Me
DR9 -0.01 dB -12.35 dB 2:26 09-(Don't Break These) Chains of Love
DR9 0.00 dB -11.68 dB 2:44 10-You Ain't Livin' Till You're Lovin'
DR8 0.00 dB -9.10 dB 2:40 11-I'll Set You Free
DR8 -0.01 dB -10.36 dB 2:07 12-Can't Shake It Loose
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 952 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Let The Sunshine In (1969)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 250 Mb | Mp3 (CBR320) ~ 82 Mb | Scans ~ 137 Mb
Label: Motown Records/Universal Music Japan | # UICY-75229 | Time: 00:36:03

Let the Sunshine In appeared deceptively late, given some of its content in the history of Diana Ross & the Supremes. Released in the spring of 1969, by which time the Supremes were already seeming a bit old-hat, it generated relatively little excitement, and its late placement in their discography still makes it suspect, at first glance, to historically minded listeners. The fact that it's also from the group's post-Holland/Dozier/Holland period also makes it automatically less interesting in a musical/historical context. Actually, it's a pretty strong pop-soul effort – Diana Ross is the obvious focus, and given the chaotic circumstances surrounding the group during this period, it's difficult to say at all times who is singing with her (Mary Wilson and Cindy Birdsong are obviously present somewhere, and the Andantes are, no doubt, backing Ross up at some points); but it does contain one track, the hauntingly beautiful "Let The Music Play," dating all the way back to 1967 and including founding member Florence Ballard. The album is still solid listening 40-plus years later, and it's not easy to explain why it performed poorly on the pop charts, especially with three hit singles present to help drive sales; "I'm Livin' in Shame" had been a Top Ten single and was making its LP bow, and "The Composer" (authored by Smokey Robinson) easily made the Top 30. The one weak link in the AM radio department was "No Matter What Sign You Are," a Berry Gordy composition that was more a catchy inventory of trends – including a sitar in the arrangement that was dated by 1969 – than a new horizon in pop music. The album does embrace more of a soul sound than early Supremes efforts, and audiences (and radio stations) were perhaps picking that up more succinctly here; thus, it got to number seven on the R&B charts but only a paltry number 24 as a pop album. Ross is in excellent form throughout, and the arrangements reach for the lush side of soul, which would become her trademark as a solo artist. Ironically, the weakest link is the title track, Ross' cover of the Hair medley "Aquarius/Let the Sunshine In" – Ross just doesn't do well (or much) with the songs. Fortunately, it is followed by "Let the Music Play," which more than makes up for the lost opportunity, as well as offering a poignant look back at the original trio.

Review by Bruce Eder, Allmusic.com

Tracklist:

01. The Composer (03:02)
02. Everyday People (03:03)
03. No Matter What Sign You Are (02:56)
04. Hey Western Union Man (03:01)
05. What Becomes Of The Brokenhearted (02:55)
06. I'm Livin' In Shame (03:01)
07. Aquarius / Let The Sunshine In (03:12)
08. Let The Music PlaDR9 -0.01 dB -11.12 dB 4:57 12-Ode To Billie Joey (02:42)
09. With A Child's Heart (03:05)
10. Discover Me (And You'll Discover Love) (02:32)
11. Will This Be The Day (02:56)
12. I'm So Glad I Got Somebody (Like You Around) (03:32)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. January 2013, 19:14

Diana Ross & The Supremes / Let The Sunshine In

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:02.23 | 0 | 13672
2 | 3:02.23 | 3:03.45 | 13673 | 27442
3 | 6:05.68 | 2:56.19 | 27443 | 40661
4 | 9:02.12 | 3:01.48 | 40662 | 54284
5 | 12:03.60 | 2:55.30 | 54285 | 67439
6 | 14:59.15 | 3:01.51 | 67440 | 81065
7 | 18:00.66 | 3:12.38 | 81066 | 95503
8 | 21:13.29 | 2:42.08 | 95504 | 107661
9 | 23:55.37 | 3:05.37 | 107662 | 121573
10 | 27:00.74 | 2:32.61 | 121574 | 133034
11 | 29:33.60 | 2:56.46 | 133035 | 146280
12 | 32:30.31 | 3:32.32 | 146281 | 162212


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1969 Let The Sunshine In (Mini LP SHM-CD Universal Music Japan 2012)\Diana Ross & The Supremes - Let The Sunshine In.wav

Peak level 99.8 %
Extraction speed 6.5 X
Range quality 100.0 %
Test CRC 3C1B6337
Copy CRC 3C1B6337
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [E60AFBAE] (AR v1)
Track 2 accurately ripped (confidence 3) [526E4CA0] (AR v1)
Track 3 accurately ripped (confidence 3) [B8D70B41] (AR v1)
Track 4 accurately ripped (confidence 3) [471F8301] (AR v1)
Track 5 accurately ripped (confidence 3) [6DBE7FF4] (AR v1)
Track 6 accurately ripped (confidence 3) [35BFFC0B] (AR v1)
Track 7 accurately ripped (confidence 3) [43D344B9] (AR v1)
Track 8 accurately ripped (confidence 3) [F6E0DD03] (AR v1)
Track 9 accurately ripped (confidence 3) [89EF091C] (AR v1)
Track 10 accurately ripped (confidence 3) [64F78A52] (AR v1)
Track 11 accurately ripped (confidence 3) [6D814745] (AR v1)
Track 12 accurately ripped (confidence 3) [4BA8DA55] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 8739306CB820DAB3516CE557C3BED79F34B62D2882EE37F520BA9BD469627B8F ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:40:44

––––––––––––––––––––––––––––––––––––––––
Analyzed: Diana Ross & The Supremes / Let The Sunshine In
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.01 dB -8.45 dB 3:02 01-The Composer
DR7 -0.01 dB -9.49 dB 3:04 02-Everyday People
DR10 -0.01 dB -11.24 dB 2:56 03-No Matter What Sign You Are
DR7 -0.01 dB -8.62 dB 3:02 04-Hey Western Union Man
DR8 -0.01 dB -9.62 dB 2:55 05-What Becomes Of The Brokenhearted
DR7 -0.01 dB -8.69 dB 3:02 06-I'm Livin' In Shame
DR7 -0.01 dB -9.29 dB 3:13 07-Aquarius / Let The Sunshine In
DR6 -0.01 dB -9.07 dB 2:42 08-Let The Music Play
DR6 -0.01 dB -8.83 dB 3:05 09-With A Child's Heart
DR8 -0.01 dB -9.97 dB 2:33 10-Discover Me (And You'll Discover Love)
DR8 -0.01 dB -9.65 dB 2:57 11-Will This Be The Day
DR7 -0.01 dB -8.38 dB 3:32 12-I'm So Glad I Got Somebody (Like You Around)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 969 kbps
Codec: FLAC
================================================================================




Diana Ross & The Supremes - Motown Albums 1964-1969 (10CD) Japanese Mini-LP, SHM-CD Remastered Reissue 2012

Diana Ross & The Supremes - Cream Of The Crop (1969)
Japanese Mini-LP SHM-CD Remastered Reissue 2012

EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 75 Mb | Scans ~ 132 Mb
Label: Motown Records/Universal Music Japan | # UICY-75230 | Time: 00:32:58

The final Diana Ross & the Supremes' album before Ross' departure, a duet LP with the Temptations (the second for the two groups) came out the same month. This ragtag bunch of vault dwellers and passed over tunes written by the company's third and fourth tier writers and producers has a misleading title: there are few creams and it's a bad crop. The sole star is their scintillating remake of Johnny & Jackey's forgotten "Someday We'll Be Together" – their last hurrah, and a few other honorable mentions, namely "The Young Folks" and "You Gave Me Love." Despite the shortcomings, it wrangled its way to number 33 on Billboard's Pop Chart.

Review by Andrew Hamilton, Allmusic.com

Tracklist:

01. Someday We'll Be Together (03:34)
02. Can't You See It's Me (02:36)
03. You Gave Me Love (02:42)
04. Hey Jude (03:08)
05. Young Folks (03:14)
06. Shadows Of Society (03:13)
07. Loving You Is Better Than Ever (02:48)
08. When It's To The Top (Still I Won't Stop Giving You Love) (03:00)
09. Till Johnny Comes (03:00)
10. Blowin' In The Wind (03:10)
11. Beginning Of The End (02:28)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. January 2013, 18:44

Diana Ross & The Supremes / Cream Of The Crop

Used drive : PLEXTOR BD-R PX-B950SA Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:34.25 | 0 | 16074
2 | 3:34.25 | 2:36.10 | 16075 | 27784
3 | 6:10.35 | 2:42.58 | 27785 | 39992
4 | 8:53.18 | 3:08.45 | 39993 | 54137
5 | 12:01.63 | 3:14.15 | 54138 | 68702
6 | 15:16.03 | 3:13.61 | 68703 | 83238
7 | 18:29.64 | 2:48.22 | 83239 | 95860
8 | 21:18.11 | 3:00.16 | 95861 | 109376
9 | 24:18.27 | 3:00.43 | 109377 | 122919
10 | 27:18.70 | 3:10.29 | 122920 | 137198
11 | 30:29.24 | 2:28.04 | 137199 | 148302


Range status and errors

Selected range

Filename C:\Users\Meijin\Desktop\Rip by ALLexxess\Diana Ross & The Supremes\1969 Cream Of The Crop (Mini LP SHM-CD Universal Music Japan 2012)\Diana Ross & The Supremes - Cream Of The Crop.wav

Peak level 99.8 %
Extraction speed 6.2 X
Range quality 99.9 %
Test CRC F68B33D2
Copy CRC F68B33D2
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [44A69D42] (AR v1)
Track 2 accurately ripped (confidence 2) [E349AC63] (AR v1)
Track 3 accurately ripped (confidence 2) [A7AC7E77] (AR v1)
Track 4 accurately ripped (confidence 2) [1BDD7982] (AR v1)
Track 5 accurately ripped (confidence 2) [0DAD2AD9] (AR v1)
Track 6 accurately ripped (confidence 2) [6F995C93] (AR v1)
Track 7 accurately ripped (confidence 2) [3107EB9D] (AR v1)
Track 8 accurately ripped (confidence 2) [4623AFFE] (AR v1)
Track 9 accurately ripped (confidence 2) [27A6D197] (AR v1)
Track 10 accurately ripped (confidence 2) [CF9F4C94] (AR v1)
Track 11 accurately ripped (confidence 2) [589C1362] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 7F7C392EF5D8D8D67115EEDF37570972BC37BFB78EE32FFDED14B3A210330533 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2013-01-07 18:40:31

––––––––––––––––––––––––––––––––––––––––
Analyzed: Diana Ross & The Supremes / Cream Of The Crop
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.01 dB -9.70 dB 3:34 01-Someday We'll Be Together
DR8 -0.01 dB -9.76 dB 2:36 02-Can't You See It's Me
DR6 -0.01 dB -7.87 dB 2:43 03-You Gave Me Love
DR7 -0.01 dB -8.57 dB 3:09 04-Hey Jude
DR7 -0.01 dB -8.91 dB 3:14 05-Young Folks
DR6 -0.01 dB -8.99 dB 3:14 06-Shadows Of Society
DR6 -0.01 dB -7.97 dB 2:48 07-Loving You Is Better Than Ever
DR8 -0.01 dB -10.47 dB 3:00 08-When It's To The Top (Still I Won't Stop Giving You Love)
DR6 -0.01 dB -8.89 dB 3:01 09-Till Johnny Comes
DR7 -0.01 dB -8.98 dB 3:10 10-Blowin' In The Wind
DR10 -0.01 dB -12.80 dB 2:28 11-Beginning Of The End
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1004 kbps
Codec: FLAC
================================================================================




All thanks to original releaser

More interesting music in My Blog

See also:
Diana Ross - Motown Albums 1970-1980 (10CD)