Cardboard sleeve (mini LP) reissue from Diana Ross & The Supremes featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross & The Supremes SHM-CD cardboard sleeve reissue series featuring albums "Where Did Our Love Go", "More Hits By The Supremes", "I Hear A Symphony", "The Supremes A Go Go", "Sing Holland Dozier Holland", "Reflections", "Join The Temptaions", "Love Child", "Let The Sunshine In", and "Cream Of The Crop".

The Supremes got off to a slow start in the early 1960s, but their name soon became a self-fulfilling prophecy. Synonymous with virtually every term with which they're classified – Motown act, girl group, pop-soul, and soul, absolutely soul – their unparalleled legacy was built by Florence Ballard, Mary Wilson, and Diana Ross, the most successful of the group's many lineups. Partnered with the songwriting/production team Holland-Dozier-Holland, these three women topped the Billboard pop chart ten times from 1964 through 1967 with eternal classics such as "Where Did Our Love Go," "Baby Love," "Stop! In the Name of Love," and "You Keep Me Hanging On," and in the process set a new standard for glamour.

Japanese collection of classic Diana Ross solo and Diana & The Supremes recordings updated and remixed for the modern dancefloors across the globe. Features remixes from Fantastic Plastic Machine, Force Of Nature, DJ Fumiya, GTS and others. Songs include 'You Can't Hurry Love', 'Baby Love', 'The Boss', 'Stop In The Name Of Love' and more.

The Supremes, the most commercially successful girl group in pop history, were one of the jewels in Motown Records' artist stable. Given wonderful material by Motown's amazing songwriters, the group scored numerous number one pop hits, as did singer Diana Ross when she left the group and went solo, and Motown's bright, modern, and uptown image as a label had a lot to do with way these ladies gracefully and elegantly presented themselves and took over a song. Dozen of those number one hits, both as the Supremes and as Ross solo, are collected here, including the timeless classics "Come See About Me," "You Can't Hurry Love," "You Keep Me Hangin' On," and "Stop! In the Name of Love."

No, here's the ultimate Four Tops singles collection. Like Motown Select's 50th anniversary releases for the Temptations, Diana Ross & the Supremes, and Martha & the Vandellas, this is a three-disc anthology packaged like a hardcover book. It features nearly 60 pages of images, sleeve scans, detailed track information, and in-depth liner notes - much of which is sensibly repurposed from those like-shaped Complete Motown Singles volumes. The A-sides and B-sides appear chronologically - a terminally impressive sequence that includes the Top Five R&B singles "I Can't Help Myself (Sugar Pie, Honey Bunch)," "It's the Same Old Song," "Shake Me, Wake Me (When It's Over)," "Reach Out I'll Be There," "Standing in the Shadows of Love," and "Bernadette."

"Where Did Our Love Go" is the second studio album by Motown singing group The Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".

"Meet the Supremes" is the debut studio album by The Supremes, released in late 1962 on Motown. The LP includes the group's earliest singles: "I Want a Guy", "Buttered Popcorn", "Your Heart Belongs to Me" and "Let Me Go the Right Way". The earliest recordings on this album, done between fall 1960 and fall 1961, feature the Supremes as a quartet composed of teenagers Diane Ross, Mary Wilson, Florence Ballard, and Barbara Martin.

The somewhat unlikely appearance of an album's worth of show tunes from a group primarily known for R&B and pop music proves once again that Motown was producing artists and concepts that reached far beyond that of other record labels. The Supremes Sing Rodgers & Hart began as a multimedia spinoff based on the female vocal trio's appearance on the prime time ABC TV special Rodgers & Hart Today during the summer of 1966. Although the original idea that included a double LP was scrapped, the dozen tracks that made the cut are indeed the crème de la crème of savory and sophisticated stage and screen showstoppers with '60s soul. The naturally dramatic vocal delivery of the Supremes – Diana Ross, Mary Wilson, and Florence Ballard – was an obvious key to the success of their chart-topping hits "Stop! In the Name of Love," "Where Did Our Love Go," and "You Can't Hurry Love." Additionally, the trio had incorporated show tunes both into its stage performances and recordings, so the concept was not as foreign as first impressions might suggest. The mix of traditional and modern arrangements also lends to the ageless quality of the music. The album is bookended by the lavishly orchestrated "The Lady Is a Tramp" and "Blue Moon"; however, the whole of pop music is explored in between.

"A Bit of Liverpool" is the 3rd studio album by The Supremes, released in the fall of 1964 on the Motown label. It was produced by Berry Gordy with Hal Davis and Marc Gordon doing the mixing. The Supremes performed The Beatles' "Eight Days a Week" on several television shows including Shindig and Hullabaloo, though the song did not make the album. The album just missed the Top 20 in the U.S., peaking at #21. While not quite as prolific as their pop counterparts at that time, The Beatles, The Supremes enjoyed three albums charting simultaneously in 1964–1965. For its release in the UK, the album was titled "With Love (From Us to You)".

The first-ever collection to celebrate the contribution and career of cherished Motown star Mary Wilson. The Motown Anthology features 38 songs. Featured songwriters include Berry Gordy, Smokey Robinson, Holland-Dozier-Holland, Deke Richards, Barry Mann and Cynthia Weil, Thom Bell and Linda Creed.

Motown's endless musical assembly line yielded a number of incomplete or otherwise shelved projects. This is especially true during the label's heyday, when sessions were being held around the clock in the infamous 'Snakepit' studio of Motown's 2648 West Grand Boulevard digs. In the case of There's a Place for Us (1965) for instance, there was also recording going on in other facilities at the same time. The concept behind the unissued long-player was to spotlight Mary Wilson, Florence Ballard and Diana Ross in a setting of tunes from the stage and silver screen, coupled with the occasional well-known traditional standard.

The Supremes, American pop-soul vocal group whose tremendous popularity with a broad audience made its members among the most successful performers of the 1960s and the flagship act of Motown Records.

Tunesmith: The Songs Of Jimmy Webb is a 2CD 2003 compilation from Australia honoring the music and songwriting of Jimmy Webb. Raven Records made this.

My Boyfriend's Back is a 2017 compilation CD featuring genuine oldies from the golden days of rock & roll, the original classics you may remember from days gone by. This was released by the budget label Newbourne Media via Universal Music Special Markets.

Supremes A' Go-Go was the group's first number one pop album, propelled to that place with help from a chart-topping single ("You Can't Hurry Love") and a marketing ploy that generated an irresistible song lineup. And along with The Supremes Sing Holland-Dozier-Holland, Supremes A' Go-Go has held its value better than almost any of the trio's most successful albums (which excludes We Remember Sam Cooke) in fact, back in the days when vinyl was the only game in town, used copies of this record sold faster and better than any of their other common '60s LPs, and for good reason.