On this career-spanning, definitive 1997 retrospective compilation, Motown's ultimate musical visionary Marvin Gaye is celebrated across 20 timeless, high-fidelity classics. Released via Spectrum Music, Heard It Through The Grapevine stands as an exceptional audio document tracing Gaye’s spectacular evolution from a sharp, finger-snapping 1960s R&B hitmaker into a deeply political, seductive 1970s soul icon. The 66-minute program perfectly balances his legendary early dancefloor fillers like "Can I Get a Witness" and "How Sweet It Is" with the monumental social consciousness of "What's Going On" and the raw, intimate passion of "Let's Get It On." The compilation also showcases Gaye's unparalleled brilliance as a duet partner, featuring historic pairings with Kim Weston on "It Takes Two," Tammi Terrell on "If This World Were Mine," and Diana Ross on "You Are Everything." From the haunting brilliance of the cinematic title track to the infectious, dancefloor groove of "Got to Give It Up," this pristine set remains an essential, soulful cornerstone for any serious music archive.

Diana Ross & the Supremes – 50th Anniversary: The Singles Collection 1961–1969 is a three disc box set consisting of The Supremes' original-released singles as released by Motown from 1961-1969.

Cardboard sleeve reissue from Diana Ross featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross SHM-CD cardboard sleeve reissue series featuring albums "Ain't No Mountain High Enough", "Everything Is Everything", "Surrender", "Touch Me In The Morning", "Last Time I Saw Him", "Diana Ross", "Baby It's Me", "Ross", "The Boss" and "Diana".

This release marks the fourth time a Supremes collection titled Anthology has hit the racks. Fans can be forgiven for getting confused, even aggravated, as to which one should be selected above others, as all of them contain the basic big hits for which the group is known. Motown keeps tweaking the precise track lineup with each edition, however, as they have for this two-CD, 50-track set. First off, if you're starting from scratch and just want a good greatest-hits collection, this is very good, and you won't have any regrets after purchase. The key thing to keep in mind is that it covers only the Diana Ross years, and doesn't reach into the 1970s for the clutch of hits the group landed without her. It has all of their 1960s chart singles, though, including duets with the Temptations and some low-charting ones that aren't familiar, from 1962's "Your Heart Belongs to Me" to 1969's "No Matter What Sign You Are." Along the way are some odd B-sides, album tracks, and rarities, like their early-'60s singles "I Want a Guy" and "Buttered Popcorn," and their Phil Spector-produced 1966 public service announcement "Things Are Changing." The ten covers at the end grouped under the heading "Supreme Stylists" are padding, as the group takes a shot at material from the Beatles to Disney and Broadway, but they do reflect an aspect of the Supremes that was represented on their albums and in their live performances. As for the three previously unreleased items here, you've gotta be real hardcore to shell out for the whole set if you already have most of the songs, as they comprise an extended version of "Love Is Like an Itching in My Heart," an alternate mix of "You Keep Me Hanging On," and a stereo mix of "He." Also, the version of "Buttered Popcorn" is the first pressing, and was previously unavailable on album.

Nobody ' no, nobody was gonna rain on Diana Ross and The Supremes' parade. With new member Cindy Birdsong joining Miss Ross and Mary Wilson, the group released no fewer than five albums in 1968, all of which showcased their extraordinary versatility. One of those LPs was to be their only full-length tribute to a classic Broadway score ' and what a tribute it was from three of Motown's 'greatest stars.' Diana Ross & The Supremes Sing and Perform Funny Girl featured the group's dynamic renditions of Jule Styne and Bob Merrill's showstoppers including 'People,' 'Don't Rain on My Parade,' 'I Am Woman,' 'Sadie, Sadie,' and 'The Music That Makes Me Dance.' Yet unbelievably, the album became The Supremes' only album to never be released on CD anywhere in the world'until now! Real Gone Music and Second Disc Records are proud to debut Diana Ross & The Supremes Sing and Perform Funny Girl: The Ultimate Edition, a deluxe 2-CD celebration of this Motown-meets-Broadway gem. Greatly building upon the digital-only Expanded Edition issued in 2015, The Ultimate Edition boasts the original U.S. stereo mix, the rare U.K. mono mix (with an extended version of Diana's tour de force 'People' which composer Styne called 'equal in every way to Streisand's or anyone else's'),

Opening the collection with feel-good hits 'Lovely Day' from Bill Withers and 'I Can See Clearly Now' from Johnny Nash, CD1 sets the ultimate summery mood with timeless favourites from Bonnie Tyler, Blondie, Roxy Music, The disc rounds off with a run of sun-drenched upbeat tunes from Glen Campbell, Pussycat,

These three discs feature dozens of UK No. 1 hits, including chart toppers from Mungo Jerry ('In the Summertime'), Tony Orlando & Dawn ('Knock Three Times'), Rod Stewart ('Maggie May'), Don McLean ('Vincent'), and Middle of the Road ('Chirpy Chirpy Cheep Cheep'), plus big hits that topped the US chart for the Jackson 5 ('I Want You Back'), America ('A Horse With No Name'), and Charlie Rich ('The Most Beautiful Girl').

The Supremes, the most commercially successful girl group in pop history, were one of the jewels in Motown Records' artist stable. Given wonderful material by Motown's amazing songwriters, the group scored numerous number one pop hits, as did singer Diana Ross when she left the group and went solo, and Motown's bright, modern, and uptown image as a label had a lot to do with way these ladies gracefully and elegantly presented themselves and took over a song. Dozen of those number one hits, both as the Supremes and as Ross solo, are collected here, including the timeless classics "Come See About Me," "You Can't Hurry Love," "You Keep Me Hangin' On," and "Stop! In the Name of Love."

Cardboard sleeve (mini LP) reissue from Diana Ross & The Supremes featuring the high-fidelity SHM-CD format. Part of a ten-album Diana Ross & The Supremes SHM-CD cardboard sleeve reissue series featuring albums "Where Did Our Love Go", "More Hits By The Supremes", "I Hear A Symphony", "The Supremes A Go Go", "Sing Holland Dozier Holland", "Reflections", "Join The Temptaions", "Love Child", "Let The Sunshine In", and "Cream Of The Crop".

Every Day is a New Day is a studio album by American singer Diana Ross, released in 1999 on the Motown label. It was released around the same time as the television motion picture, Double Platinum, in which Ross co-starred with Brandy. In the film, some of the album's tracks were performed by Ross' character.

"Soul Woman" is an incredible 80 track, 4CD album of the biggest and best finest female soul singers of all time. The fabulous collection spans decades, from the 60s anthems of Nina Simone, Aretha Franklin and Dusty Springfield (celebrating 50 years of 'Respect' and 'Son of a Preacher Man'), to the disco-infused sisterhood of Chaka Khan’s 1978 hit ‘I'm Every Woman’ and Diana Ross’ ‘I’m Coming Out’. In addition to classic soul and disco, there are legendary ladies from the nu-soul era: Mary J Blige, Mica Paris, Amy Winehouse. Soul music, in the hands of women, could be a fey shuffle from the cooing early girl groups, raw belting emotion from the mind-bending, dizzying heights of Motown, could incorporate electronic forays in the energetic throes of disco, or take an ice-cool edge in the R&B of the 90s…this collection shows that the soul of a woman is at the heart of soul music.

Swept Away is the fourteenth studio album by the American entertainer Diana Ross, released on September 13, 1984 by RCA Records in North America and by Capitol Records in Europe.

Collectables Records' various-artists compilation The Ultimate Christmas Album has been released both on its own and as a tie-in with a series of radio stations. There are identical editions of the album associated with KLUV, K-Earth 101 FM, and WCBS FM-101.1 in addition to this version, WJMK 104.3 Chicago. The word "ultimate" has been overused and misused in record releases to the point that it doesn't mean very much to see it on the cover of an album. Whether or not one considers this album to justify its title will have a lot to do with individual musical taste. If the potential consumer is a listener to one of the radio stations listed above, which are oldies stations devoted to playing pop/rock music of the 1950s, '60s, and '70s, he or she may agree that the album is the ultimate in holiday music of that period.

Diana Ross Diana Ernestine Earle Ross For releases by Diana Ross & The Supremes or variants of that please enter under The Supremes with the appropriate artist name variation there.American singer, actress and producer, born March 26, 1944 in Detroit, Michigan, United States.Working within groups early on in her musical career, she is equally known as an artist in her own right, and has released music in many genres; R&B, soul, disco, and jazz. Initial success came as lead singer of The Supremes.Sister to Motown songwriter Arthur Ross.

One Woman: The Ultimate Collection condenses Diana Ross' most successful recordings into one 20-song, 71-minute disc. Ross produced the album (which is to say picked the tracks), and included six of her Supremes recordings from the 1960s (one of them, "Someday We'll Be Together," in a new disco mix). She also licensed a few songs from her stay at RCA in the 1980s, making this one of the most wide-ranging of her compilations. She also includes four tracks from the 1990s. In other words, Ross has constructed the album as she might a concert – a sprinkling of early Supremes hits, all her biggest solo hits, and what she considers the highlights of her current work.