That old discussion has broken out again: What is jazz? Who does it belong to? Where does it begin? The latter of these questions is at least not an issue for the Finnish pianist Iiro Rantala: "Johann Sebastian Bach and his music came into my life when I was six." So it comes as no surprise that Bach ties up his new ACT album "my history of jazz" - Rantala's personal history of the music that captivated him when he was 13 is embedded in the classically rendered aria: "Ever since then I always wanted to become an improviser, composer, stage performer and bandleader". A universal concept shown on the five greatly varied improvisations on the Goldberg Variations, upon which Rantala threads the album like a string of pearls.

Adam Bałdych’s new album is called “Brothers,” and is dedicated to the memory of his brother who passed away. The violinist is able truly to portray the entire gamut of emotions through music. In the pianissimo moments it is replete with feeling and also clarity, and on the other hand Bałdych can take it to a point where it is so strong and loud it feels almost ready to burst. “I would like my music,” says Bałdych, “to ingrain itself into the present time, and also to reflect it. It should take on board the cares and the yearnings of now.

Polish violinist Adam Bałdych is a unique virtuoso of his instrument in jazz. However, he puts his virtuosity entirely at the service of the music - with a cultivated tone, a strong sense for sound and space and a talent for haunting melodies. All qualities that link him to the Sardinian trumpeter Paolo Fresu, one of Italy's most successful jazz musicians, who becomes Bałdych's musical partner in lyrical musical conversations on "Poetry".