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    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)

    Posted By: ArlegZ
    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)

    René Jacobs, Akademie für Alte Musik Berlin, RIAS-Kammerchor - Johann Sebastian Bach: Messe in H-moll (2006)
    EAC | FLAC | Image (Cue & Log) ~ 490 Mb | Total time: 55:50+54:23 | Scans included
    Classical | Label: Berlin Classics | # 0184012BC | Recorded: 1992

    Das erstklassige Solistenensemble, der RIAS-Kammerchor und die Akademie für Alte Musik Berlin und nicht zuletzt Jacobs selbst sind Garanten für lebendige historische Aufführungspraxis, so dass diese Interpretation der h-Moll Messe von der Fachpresse entsprechend enthusiastisch aufgenommen und den wenigen Referenzeinspielungen an die Seite gestellt wurde.

    Akademie fur Alte Musik Berlin, Mayumi Hirasaki, Georg Kallweit - Corelli: Concerti grossi Op. 6, 1-6 (2025)

    Posted By: ciklon5
    Akademie fur Alte Musik Berlin, Mayumi Hirasaki, Georg Kallweit - Corelli: Concerti grossi Op. 6, 1-6 (2025)

    Akademie für Alte Musik Berlin, Mayumi Hirasaki, Georg Kallweit - Corelli: Concerti grossi Op. 6, 1-6 (2025)
    FLAC (tracks), Lossless] +Booklet | 1:04:35 | 350 Mb
    Genre: Classical

    Having completed the entire trilogy of Handel’s Concerti grossi, the Akademie für Alte Musik Berlin presents a recording of the first six Concerti grossi, Op. 6 by the composer, ensemble leader and violin virtuoso Arcangelo Corelli, who received the almost cult-like reverence during his lifetime. The composer had been experimenting with this one of the most distinctive forms of instrumental music of the Baroque era since the late 1670s, but it was only towards the end of his life that he sought to publish these compositions and selected only twelve exemplary pieces from what was probably a much larger collection. He laid the foundations of this instrumental form for future composers such as the before mentioned Georg Frederic Handel, who paid tribute to the Italian Baroque master with his two opuses. The Akademie für Alte Musik Berlin and its two concertmasters, Mayumi Hirasaki and Georg Kallweit, who demonstrate their extraordinary virtuosity, only prove why they are regarded as one of the most influential period-instrument ensembles of today.

    Łukasz Borowicz, Akademie für Alte Musik Berlin, RIAS Kammerchor - Anton Bruckner: Requiem (2019)

    Posted By: ArlegZ
    Łukasz Borowicz, Akademie für Alte Musik Berlin, RIAS Kammerchor - Anton Bruckner: Requiem (2019)

    Łukasz Borowicz, Akademie für Alte Musik Berlin, RIAS Kammerchor - Anton Bruckner: Requiem (2019)
    EAC | FLAC | Image (Cue & Log) ~ 227 Mb | Total time: 56:12 | Scans included
    Classical | Label: Accentus Music | ACC30474 | Recorded: 2018

    On March 14, 1849, 24-year-old Anton Bruckner finished his first major vocal composition. The only Requiem of the composer who would later become the architect of big symphonic “castles in the sky” was still created during his work in St. Florian. Some references to older models and some stylistic incongruities in musical stature still refer to the phase of self-discovery of the young composer. But those who listen closely will certainly discover the passages in which the mystical aura and sublimity of the large orchestral scores shine through already, be it in the gently glowing tone of the Benedictus, the intimate creed of the Agnus Dei or the powerful and masterfully conceived double fugue of Quam olim Abrahae. It is essentially “Bruckner on the way to Bruckner”.

    Carlo Vistoli, Akademie für Alte Musik Berlin - Antonio Vivaldi: Sacro furore. Stabat Mater, Nisi Dominus, Concerti (2024)

    Posted By: ArlegZ
    Carlo Vistoli, Akademie für Alte Musik Berlin - Antonio Vivaldi: Sacro furore. Stabat Mater, Nisi Dominus, Concerti (2024)

    Carlo Vistoli, Akademie für Alte Musik Berlin - Antonio Vivaldi: Sacro furore. Stabat Mater, Nisi Dominus, Concerti (2024)
    EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 67:53 | Scans included
    Classical | Label: Harmonia Mundi | # HMM902383 | Recorded: 2023

    Harmonia mundi is proud to welcome the exceptional countertenor Carlo Vistoli as a new exclusive artist. Here he joins the Akademie für Alte Musik Berlin to explore some of Vivaldi’s finest sacred music. Alongside the famous Nisi Dominus and Stabat Mater, the quasi-operatic motet In furore shows the extravert, theatrical side of Vivaldi’s genius, for the purposes of edification, to be sure, but also for our greater delight.

    Andreas Scholl, Akademie für Alte Musik Berlin - George Frideric Handel: Ombra mai fù (1999)

    Posted By: ArlegZ
    Andreas Scholl, Akademie für Alte Musik Berlin - George Frideric Handel: Ombra mai fù (1999)

    Andreas Scholl, Akademie für Alte Musik Berlin - George Frideric Handel: Ombra mai fù (1999)
    EAC | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 76:21 | Scans included
    Classical | Label: Harmonia Mundi ‎| HMC 901685 | Recorded: 1999

    According to Charles Burney Handel's operas represented the most complete concerts during which, in addition to the most perfect singing and the effects of a mighty and well-disciplined orchestra, there were excellent acting and splendid scenes and stage decorations.

    René Jacobs, Akademie für Alte Musik Berlin - Wolfgang Amadeus Mozart: Die Zauberflöte (2010)

    Posted By: ArlegZ
    René Jacobs, Akademie für Alte Musik Berlin - Wolfgang Amadeus Mozart: Die Zauberflöte (2010)

    René Jacobs, Akademie für Alte Musik Berlin - Wolfgang Amadeus Mozart: Die Zauberflöte (2010)
    EAC | FLAC | Track (Cue & Log) ~ 733 Mb | Total time: 167:11 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 902068.70 | Recorded: 2009

    With the belief that “No opera loses so much as Die Zauberflöte if one strips it of its drama and that means, above all, the spoken dialogue,” René Jacobs’ agenda in Die Zauberflöte is to rehabilitate the reputation of Schikaneder’s libretto. At the heart of his reassesment is the idea that Schikaneder and Mozart’s Masonic message is deeper and more carefully presented than we have thought. He suggests that seemingly silly or inconsistent aspects of the story are put there as intentional false paths as the audience, not only the prince and the bird catcher, undergoes its own trials of initiation. The opera’s symbolism and structure are explained in convincing detail in an essay in the booklet by the Egyptologist and Mozart researcher Jan Assman.

    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (7-12) (2020)

    Posted By: ArlegZ
    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (7-12) (2020)

    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (7-12) (2020)
    EAC | FLAC | Image (Cue & Log) ~ 402 Mb | Total time: 80:29 | Scans included
    Classical | Label: Pentatone ‎| PTC5186738 | Recorded: 2019

    The Akademie für Alte Musik Berlin continue their Handel trilogy with this recording of the last six concerti grossi of the composer’s Op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as some of the most appealing orchestral music of the baroque era. With these pieces, written in London towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery, incorporating all musical styles of his times into his work.

    Jochen Kowalski, Akademie für Alte Musik Berlin - George Frideric Handel: Italienische Solokantaten (1991)

    Posted By: ArlegZ
    Jochen Kowalski, Akademie für Alte Musik Berlin - George Frideric Handel: Italienische Solokantaten (1991)

    Jochen Kowalski, Akademie für Alte Musik Berlin - George Frideric Handel: Italienische Solokantaten (1991)
    EAC | FLAC | Image (Cue & Log) ~ 239 Mb | Total time: 53:02 | Scans included
    Classical | Label: Capriccio | # 10 323 | Recorded: 1988

    Actually, Jochen Kowalski wanted to become a heroic tenor. However, his mentor Marianne Kupfer, wife of stage director Harry Kupfer, made it clear to him during his audition at the Komische Oper Berlin – his principal stage until today – that: “Handel is your Wagner”. This was the beginning of the artist’s one-of- a-kind career, whose entire life had always been defined by the power of music, even in early childhood. Although he was initially apostrophised as Countertenor, he unperturbed emancipated himself as Altus, characterised by a higher level of vibrato. Therefore, Jochen Kowalski’s singing technique provides us with a realistic picture of what once enthused half of Europe: castrato chant.

    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (1-6) (2019)

    Posted By: ArlegZ
    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (1-6) (2019)

    Bernhard Forck, Akademie für Alte Musik Berlin - George Frideric Handel: Concerti grossi Op. 6 (1-6) (2019)
    EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 72:55 | Scans included
    Classical | Label: Pentatone ‎| PTC5186737 | Recorded: 2018

    The Akademie für Alte Musik Berlin kickstarts their Handel trilogy with this recording of the first six concerti grossi op. 6. Originally designed as attractive interludes to English oratorio performances, Handel’s concerti grossi soon gained fame as the most appealing orchestral music of the baroque era. Written in London in 1739, towards the end of his career, Handel paid tribute to the immensely popular concerti grossi of Corelli while simultaneously proving his mastery incorporating all musical styles of his times. Led by their concertmaster Bernhard Forck, the players of the Akademie für Alte Musik Berlin demonstrate why many consider them the best baroque ensemble of today. This first installment will be followed by the last six concerti grossi op. 6, as well as a recording of the concerti grossi op. 3.

    Bernhard Forck, Akademie für Alte Musik Berlin - Paul Wranitzky: Symphonies (2022)

    Posted By: ArlegZ
    Bernhard Forck, Akademie für Alte Musik Berlin - Paul Wranitzky: Symphonies (2022)

    Bernhard Forck, Akademie für Alte Musik Berlin - Paul Wranitzky: Symphonies (2022)
    EAC | FLAC | Image (Cue & Log) ~ 432 Mb | Total time: 52:54+46:18 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 19658702252 | Recorded: 2021

    The award-winning Academy for Old Music Berlin celebrates its 40th anniversary in 2022 with "Paul Wranitzky: Symphonies". The Süddeutsche Zeitung praises it as "one of the very great ensembles of its kind". Since its founding in 1982, the ensemble has been one of the world's leading chamber orchestras for historical music and proves its versatility again and again with exciting concert projects and musical exploration.

    Akademie für Alte Musik Berlin, Ernst Schlader & Bernhard Forck - Mozart: Symphonies Nos. 29 & 33, Clarinet Concerto (2024)

    Posted By: delpotro
    Akademie für Alte Musik Berlin, Ernst Schlader & Bernhard Forck - Mozart: Symphonies Nos. 29 & 33, Clarinet Concerto (2024)

    Akademie für Alte Musik Berlin, Ernst Schlader & Bernhard Forck - Mozart: Symphonies Nos. 29 & 33, Clarinet Concerto (2024)
    WEB FLAC (tracks) - 383 Mb | MP3 CBR 320 kbps - 189 Mb | Digital booklet | 01:19:43
    Classical | Label: Pentatone

    The Akademie für Alte Musik Berlin continues its PENTATONE Mozart series with the composer’s 29th and 33rd symphonies. These works are coupled with his ravishingly beautiful Clarinet Concerto, performed by Ernst Schlader in the original edition for basset clarinet. Schlader, a specialist in historical instruments, has written an essay on the basset clarinet for the album booklet that includes a rare historical image showing the original shape of the instrument used in the years after the concerto’s premiere. The first release of this series was longlisted for the Preis der deutschen Schallplattenkritik.

    Isabelle Faust, Akademie für Alte Musik Berlin - Johann Sebastian Bach: Violin Concertos; Sinfonias; Overture; Sonatas (2019)

    Posted By: ArlegZ
    Isabelle Faust, Akademie für Alte Musik Berlin - Johann Sebastian Bach: Violin Concertos; Sinfonias; Overture; Sonatas (2019)

    Isabelle Faust, Akademie für Alte Musik Berlin - Johann Sebastian Bach: Violin Concertos; Sinfonias; Overture; Sonatas (2019)
    EAC | FLAC | Image (Cue & Log) ~ 714 Mb | Total time: 143:48 | Scans included
    Classical | Label: Harmonia Mundi | HMM90233536 | Recorded: 2017, 2018

    After the double album of the violin and harpsichord sonatas with Kristian Bezuidenhout, a bestseller in 2018, here is the next instalment in the Bach recording adventure that began nine years ago with a set of the sonatas and partitas now regarded as a benchmark. Isabelle Faust and Bernhard Forck and his partners at the Akademie für Alte Musik Berlin have explored patiently a multitude of other works by Bach: harpsichord concertos, trio sonatas for organ, instrumental movements from sacred cantatas… All are revealed here as direct or indirect relatives of the three monumental concertos BWV 1041-43.

    Laurence Equilbey - Joseph Haydn: Les sept dernières Paroles du Christ en Croix (2006)

    Posted By: ArlegZ
    Laurence Equilbey - Joseph Haydn: Les sept dernières Paroles du Christ en Croix (2006)

    Laurence Equilbey - Joseph Haydn: Les sept dernières Paroles du Christ en Croix (2006)
    EAC | FLAC | Image (Cue & Log) ~ 236 Mb | Total time: 53:12 | Scans included
    Classical | Label: Naïve | # V 5045 | Recorded: 2005

    Haydn's Die sieben letzten Worte unseres Erlösers am Kreuze (The Seven Last Words of Our Savior on the Cross) is unique in his output. Commissioned in 1785 as an orchestral work for Good Friday by a church in Cádiz, Spain, it posed Haydn considerable problems as he tried to reconcile the general structural principles of the Classical era with a commission that required him, in effect, to write seven slow movements in a row – and, at a deeper level, to write a really somber work in a musical language made for humor and sunny lyricism. The seven movements, plus opening and central introductions and a final "Terremoto" or earthquake, stand in contrast with one another in both texture and tonality, although all are indeed dark in hue. Haydn apparently was pleased with his solution, for he arranged the work for string quartet and gave permission to Hummel to create a piano version.

    Akademie für Alte Musik Berlin - C.P.E. Bach: Symphonies - From Berlin to Hamburg (2024)

    Posted By: delpotro
    Akademie für Alte Musik Berlin - C.P.E. Bach: Symphonies - From Berlin to Hamburg (2024)

    Akademie für Alte Musik Berlin - C.P.E. Bach: Symphonies - From Berlin to Hamburg (2024)
    EAC Rip | FLAC (tracks+log+.cue) - 360 Mb | MP3 CBR 320 kbps - 176 Mb | Digital booklet | 01:11:42
    Classical | Label: harmonia mundi

    This new album rounds off the complete recording of the symphonies of Carl Philipp Emanuel Bach that the musicians of the Akademie für Alte Musik Berlin began over two decades ago. The final batch offers the quintessence of his art, revealing the full originality of Johann Sebastian’s inspired son, whose freedom and inventiveness paved the way for Haydn and Mozart.

    RIAS Kammerchor, Akademie für Alte Musik Berlin & Justin Doyle - Handel: Dixit Dominus, Laudate pueri, Nisi Dominus (2024)

    Posted By: delpotro
    RIAS Kammerchor, Akademie für Alte Musik Berlin & Justin Doyle - Handel: Dixit Dominus, Laudate pueri, Nisi Dominus (2024)

    RIAS Kammerchor, Akademie für Alte Musik Berlin & Justin Doyle - Handel: Dixit Dominus, Laudate pueri, Nisi Dominus (2024)
    WEB FLAC (tracks) - 288 Mb | MP3 CBR 320 kbps - 141 Mb | Digital booklet | 01:01:04
    Classical, Sacred, Choral | Label: harmonia mundi

    It was in Rome, where he resided between 1707 and 1710, that the young Handel composed these three dazzling sacred works. The Akademie für Alte Musik Berlin and the RIAS Kammerchor give us an extremely lively and colourful reading of these pieces in which the composer showcased his talent: allegiance to the forms of the past, total mastery of counterpoint and, already, a unique feeling for storytelling. Everything here announces musical genius.