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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Ensemble Clement Janequin, Dominique Visse - Antoine Brumel: Missa 'Et ecce terrae motus' (2003)

    Posted By: Designol
    Ensemble Clement Janequin, Dominique Visse - Antoine Brumel: Missa 'Et ecce terrae motus' (2003)

    Antoine Brumel - Missa 'Et ecce terrae motus' (2003)
    Ensemble Clément Janequin; Les Sacqueboutiers de Toulouse; Dominique Visse

    EAC | FLAC | Image (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 143 Mb | Scans included
    Classical, Renaissance, Choral | Harmonia Mundi | # HMA 1951738 | Time: 00:58:15

    Dominique Visse and his group Ensemble Clément Janequin have been involved in many outstanding projects over the years, but this 2002 Harmonia Mundi recording has to be one of the most spectacular; the Missa "Et ecce terrae motus" (aka, "The Earthquake Mass") of Antoine Brumel. Brumel is one of many mid-renaissance composers whose reputations are so far overshadowed by Josquin Desprez that – like Rodney Dangerfield – they "just don't get no respect." In Brumel's own time, however, he was considered one of Josquin's equals and his death in 1512 was widely observed in a number of "déplorations." Although the mass itself survives in only a single manuscript copy, it bears the signatures of singers who revived the work in Munich in 1570 – probably close to a century after it was first given – and among them is a bass named Orlandus Lassus.

    The Gesualdo Six, Owain Park - Queen of Hearts (2024)

    Posted By: ArlegZ
    The Gesualdo Six, Owain Park - Queen of Hearts (2024)

    The Gesualdo Six, Owain Park - Queen of Hearts (2024)
    EAC | FLAC | Image (Cue & Log) ~ 265 Mb | Total time: 66:47 | Scans included
    Classical | Label: Hyperion | # CDA68453 | Recorded: 2023

    The infallible Gesualdo Six trademarks of consummate musicianship and scholarly integrity are much in evidence here. 'Queen of Hearts' addresses and reflects on queens spiritual (the Virgin Mary) and temporal (Mary Tudor and Anne Boleyn, among others) in a programme of music largely of the sixteenth century, but spiced with two short works from the twenty-first.

    Dario Tabbia, Insieme Vocale Daltrocanto - Il Codice di Staffarda (1996)

    Posted By: ArlegZ
    Dario Tabbia, Insieme Vocale Daltrocanto - Il Codice di Staffarda (1996)

    Dario Tabbia, Insieme Vocale Daltrocanto - Il Codice di Staffarda (1996)
    EAC | FLAC | Image (Cue & Log) ~ 352 Mb | Total time: 53:33 | Scans included
    Classical | Label: Opus 111 | OPS 30-162 | Recorded: 1995

    The Codice di Staffarda is a musical codex from Staffarda Abbey (Santa Maria di Staffarda), a Cistercian monastery located near Saluzzo in north-west Italy. The codex includes works by composers including the otherwise unknown Engarandus Juvenis and Antoine Brumel.

    Jan Garbarek, The Hilliard Ensemble - Remember Me, My Dear (2019)

    Posted By: ArlegZ
    Jan Garbarek, The Hilliard Ensemble - Remember Me, My Dear (2019)

    Jan Garbarek, The Hilliard Ensemble - Remember Me, My Dear (2019)
    EAC | FLAC | Image (Cue & Log) ~ 351 Mb | Total time: 77:33 | Scans included
    Classical | Label: ECM | 2625 | Recorded: 2014

    25 years on from the release of Officium, the groundbreaking alliance of Jan Garbarek and The Hilliard Ensemble, comes Remember me, my dear, recorded during the final tour the group made in October 2014.
    Named for the Scottish ballad which concludes it, the programme is emblematic of the range of repertoire the Norwegian saxophonist and British vocal quartet explored together from Pérotin, Hildegard von Bingen, Guillaume le Rouge, Antoine Brumel to Komitas, Arvo Pärt and more.

    Peter Phillips, The Tallis Scholars - Lamenta: Ferrabosco, Tallis, Brumel, White, Palestrina (1998)

    Posted By: ArlegZ
    Peter Phillips, The Tallis Scholars - Lamenta: Ferrabosco, Tallis, Brumel, White, Palestrina (1998)

    Peter Phillips, The Tallis Scholars - Lamenta: Ferrabosco, Tallis, Brumel, White, Palestrina (1998)
    EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 72:45 | Scans included
    Classical | Label: Gimel | # CDGIM 996 | Recorded: 1992, 1995, 1998

    Turn down the lights and get out your joss-sticks for this one: a selection of sixteenth-century Tenebrae music for Holy Week, among the most evocative parts of the liturgy. Since they had already made successful recordings of the Brumel, Tallis and White, it was a good idea for The Tallis Scholars to add new recordings of Tenebrae settings by Alfonso Ferrabosco the Elder and Palestrina. As Peter Phillips points out in his brief note, the only textual feature they have in common is their all ending with the passage “Jerusalem, Jerusalem, convertere ad Dominum Deum tuum”. Otherwise the texts that the various composers selected from the Lamentations of Jeremiah are quite different; but all show an intensity and a devotional power that work cumulatively to produce a remarkably satisfying disc. And it is endlessly fascinating to hear the different approaches to these anguished texts.

    Paul Van Nevel, Huelgas Ensemble - Antoine Brumel: Mass, Sequentia "Dies irae" (2001)

    Posted By: ArlegZ
    Paul Van Nevel, Huelgas Ensemble - Antoine Brumel: Mass, Sequentia "Dies irae" (2001)

    Paul Van Nevel, Huelgas Ensemble - Antoine Brumel: Mass, Sequentia "Dies irae" (2001)
    EAC | FLAC | Image (Cue & Log) ~ 305 Mb | Total time: 66:48 | Scans included
    Classical | Label: Sony Classical | # SMK 89613 | Recorded: 1990

    This recording is simply stupendous in terms of the music it presents, the performance, and the recording quality. Brumel was born only 20 years after Josquin but there is a world of difference between their respective compositional styles. Josquin's music cements the accomplishments of his predecesors and shows the way forward. Brumel's music pushes rapidly forward along–and in some senses, away from–that path. The "Missa ecce terra motus", featured on this recording, anticipates such great mid-16th century masterpieces as Tallis's "Spem in alium". The Huelgas Ensemble is in top form here and van Nevel's direction and interpretation are superb.