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Carin van Heerden, L'Orfeo Barockorchester - Georg Philipp Telemann: 3 Orchestral Suites (2008)

Posted By: ArlegZ
Carin van Heerden, L'Orfeo Barockorchester - Georg Philipp Telemann: 3 Orchestral Suites (2008)

Carin van Heerden, L'Orfeo Barockorchester - Georg Philipp Telemann: 3 Orchestral Suites (2008)
EAC | FLAC | Image (Cue & Log) ~ 376 Mb | Total time: 68:50 | Scans included
Classical | Label: CPO | # 777 218-2 | Recorded: 2006

The orchestral suites on this enchanting new disc of Telemann are beautiful works, considered by some as the most difficult pieces Telemann wrote for recorder and oboe. The music fascinates from the first to the last note with its originality and this is due to its Polish inflection. Telemann once wrote "a Polish tune makes the whole world jig."
South African soloist Carin van Heerden is a founding member of the Austrian L'Orfeo Baroque Orchestra and performs with this orchestra regularly. Various CD's with this orchestra have been released on CPO and have brought international acclaim.

L'Orfeo Blaserensemble & Carin van Heerden - Telemann: Wind Overtures, Vol. 2 (2021)

Posted By: delpotro
L'Orfeo Blaserensemble & Carin van Heerden - Telemann: Wind Overtures, Vol. 2 (2021)

L'Orfeo Blaserensemble & Carin van Heerden - Telemann: Wind Overtures, Vol. 2 (2021)
WEB FLAC (tracks) - 430 Mb | MP3 CBR 320 kbps - 303 Mb | Digital booklet | 00:58:40
Clasical | Label: CPO

“Specializing in unknown repertoire, cpo is now serious about uncovering yet another veritable treasure:” this is what klassik-heute wrote of Vol. 1 of our Wind Overtures by Telemann. This master of all musical trades was also active and extremely successful in the field of Harmoniemusik – the compositional genre for wind ensembles entrusted with military, hunting, and table music. The wind version of the work known as the “Alster Overture” heard along with other works on Vol. 2 is regarded as a model example of this artistic philosophy of Telemann’s. However, what is a more important key to the significance of the work is the knowledge that the movements following the overture are practically to be understood as an audio instrumental preview of the serenata composed by Telemann and going along with them. In this overture suite the “musical artist” presents to our ears highly atmospheric sound depictions of Hamburg and what were then its country surroundings, through which the Alster River flowed. Even the singing swans majestically gliding along the Alster are represented in a wonderfully beautiful sarabande.

Carin van Heerden, L'Orfeo Barockorchester - Telemann: 3 Overture Suites (2020)

Posted By: ArlegZ
Carin van Heerden, L'Orfeo Barockorchester - Telemann: 3 Overture Suites (2020)

Carin van Heerden, L'Orfeo Barockorchester - Telemann: 3 Overture Suites (2020)
EAC | FLAC | Image (Cue & Log) ~ 361 Mb | Total time: 66:11 | Scans included
Classical | Label: CPO | # 555 389-2 | Recorded: 2020

The work group formed by Telemanns overture suites is regarded as exemplary and even today offers a wealth of discoveries and the three works presented here in album recording premieres certainly answer this description. It is difficult to determine the chronological order of Telemanns extant overture suites because the composer incorporated very different influences into them, not only from French music since the invention of the form by Jean-Baptiste Lully but also from the Lullists active in Germany such as Johann Sigismund Kusser, Philipp Heinrich Erlebach, and Johann Fischer.

L'Orfeo Barockorchester & Carin van Heerden - Telemann: Overtures (2021)

Posted By: delpotro
L'Orfeo Barockorchester & Carin van Heerden - Telemann: Overtures (2021)

L'Orfeo Barockorchester & Carin van Heerden - Telemann: Overtures (2021)
WEB FLAC (tracks) - 440 Mb | MP3 CBR 320 kbps - 220 Mb | Digital booklet | 01:06:09
Classical | Label: CPO

The work group formed by Telemann’s overture suites is regarded as exemplary and even today offers a wealth of discoveries – and the three works presented here in CD recording premieres certainly answer this description. It is difficult to determine the chronological order of Telemann’s extant overture suites because the composer incorporated very different influences into them, not only from French music since the invention of the form by Jean-Baptiste Lully but also from the »Lullists« active in Germany such as Johann Sigismund Kusser, Philipp Heinrich Erlebach, and Johann Fischer. And for Telemann’s pronounced tendency to mix existing formal, stylistic, and generic traditions, the overture suite formed an absolutely ideal foil. Here we can find diverse characters, formal combinations, and stylistic interconnections in great supply. The great imagination and spirit at work here are also shown in the plentiful stores of surprising ideas that shine like flashes of brainstorm lightning in various passages.