The premiere Cuban music group Irakere has played Ronnie Scott's club in London regularly since 1985. Their Jazz House CD starts out with a throwaway salsa vocal piece, then has two impressive showcases for German Velazco (one apiece on alto and soprano). "Stella By Stalight" (which in Spanish is "Estella Va A Estallar") is swung hard and the closing, nearly 17-minute rendition of Dave Brubeck's "The Duke" has explosive yet lyrical piano playing by Chucho Valdes and some shouting choruses worthy of the Count Basie Orchestra. Overall this is one of Irakere's jazz recordings that is easily recommended.

Chucho Valdes, Cuba's most famous jazz musician, has rebalanced the repertoire of his Afro-Cuban Messengers on Border-Free, mixing its American-jazz agenda (the group's name deliberately references both Valdes' roots and the late Art Blakey's classic soul-bop Jazz Messengers group) with more extended Latin-American input, and some Native American and Andalusian connections, too. Saxophonist Branford Marsalis, guesting on three tracks, is warmly romantic on tenor on the loping Tabu, agile and fluent on the Cuban dance-shuffle Bebo, and mercurial on a soprano-sax break full of north African microtonalisms on the hurtling, horn-hooting finale, Abdel.

In 2009 Chucho Valdes, a pianist, instrumentalist, and composer who already had four Grammy Awards and is regarded by specialists as one of the top four jazz players of the world, won the Grammy in the category of Best Latin Jazz Album. He shared the award with his father, Bebo Valdes, with the album Juntos Para Siempre (Together Forever). Father and son, both Cuban piano virtuosos and exceptionally talented composers got together to record this example of their musical greatness after their tour “Juntos para siempre” in Spain.

The pairing of Afro-Mallorcan vocalist Concha Buika and Afro-Cuban pianist Chucho Valdes has apparently been a long time coming. But they are here together on this lovely recording, featuring songs from a wide variety of composers, in a handful of duets, or with the Valdes' band backing them. El Ultimo Trago - translated as "The Last Drink" is as much a tribute to Mexican singer Chavela Vargas, a major influence on Buika.

As one of Cuba's greatest Latin and Afro-Cuban jazz pianists and long an important bandleader, Jesús Chucho Valdés has earned international renown and a devoted audience of jazz fans. However, the imaginative composer and virtuosic improviser does not waiver from his ability to interpret acknowledged classics. Fantasia Cubana: Variations on Classical Themes demonstrates this attribute and reveals Chucho Valdés in peak form. He pays homage to Ernesto Lecuona, the concert pianist and founder of the Havana Symphony who is generally recognized as the most important Cuban musician of the first half of the 20th century. The recording includes 14 compositions with three completely different takes of "Chopin: Three Faces of Lecuona: La Comparsa"…

Hace tres años, Nueva Orleans fue arrasada por el Huracán Katrina dejando tras de sí cerca de 1.500 muertos. Esta catástrofe fue la que inspiró al cubano Chucho Valdés para componer su nuevo disco, Canto a Dios, una oración para que "no vuelva a suceder nada igual", ha explicado hoy el músico. En este álbum, que se presenta ahora en España, Chucho Valdés (hijo del también músico cubano Bebo Valdés) ha reunido cinco temas, dos de ellos inéditos, en los que junto con la Orquesta y el Coro Nacional de Cuba fusiona el jazz con la música sinfónica en un tributo a la ciudad de Nueva Orleans, el río Misisipi y África.

Chucho Valdés is at the top of his game here, on Tribute to Irakere (Live in Marciac). There is a visceral excitement in the performance, where the music is played in the idiomatic vein of Irakere. This means the creation of an attractive, edifying atmosphere in Marciac with the celebrated collision of African polyrhythms together with a polyphony born of Cuban folk forms that Chucho Valdés is so well known for adapting to his electrifying style.