Rafael Riqueni surprises again with his harmonic work and the enormous sensitivity offered by his compositions, in an album that offers both flamenco styles and free creations and that, from the constant commitment to his music, reveals some of his best titles such as «Calle Fabié »,« Benamargosa »or the taranta that gives the album its name.

«Parque de María Luisa» se convierte así en el regreso de uno de los mayores genios surgidos del flamenco y la música española. El esperado nuevo capitulo en la evolución musical de Rafael Riqueni, la reinvención que no cesa. Una obra que libera el impresionismo que puede surgir desde raíz flamenca, para con ello protagonizar un camino hacia la suma belleza de lugares y vivencias que permanecían en la memoria más intima del creador.

The Paco de Lucía Sextet is a flamenco music sextet, formed by renowned guitarist Paco de Lucía and other musicians. The band has released three albums. In 1990 Paco de Lucia released Zyryab, an album made with his sextet and also featuring jazz pianist Chick Corea.

Anyone who has every witnessed the torrential solo performances of Dominican Republic piano maestro Michel Camilo might assume there wouldn’t be much room on stage for an equal partner, but his partnership with flamenco guitarist Tomatito has been compatibly maturing for almost 20 years. On their third album, they wind discreetly around each other on romantic themes such as the octave-pinging Agua y Vinho, and dance gracefully together on willowy Spanish love songs.

Maestros is presented as a tribute to great historical flamenco guitar players such as Niño Ricardo, Esteban de Sanlúcar and Sabicas, where Rafael Riqueni performed different pieces by these teachers, achieving exceptional recreations and great recognition among fans.

The Sevillian maestro Rafael Riqueni publishes Herencia, an album with ten soloist touches where the interpreter is accompanied, only on festive songs, by the clapping of José Amador, Luis Amador and Diego Amador. The taranta is overwhelmingly slow and moves between the harmonic virility of a Montoyist stamp and the usual melodic lyricism of this player. The piece whispers and caresses without fanfare, the characteristic of a teacher who no longer has anything to prove and who barely tries to open his heart. Combine dissonance with honey quite naturally. He stops at every note, at every bend in the road, knowing that the important thing is not the goal but the route, something that we sometimes forget. The granaína begins with a long and sentimental tremolo. It is another marvel of intimacy. The granaína is a complex piece that reaches enormous levels of abstraction in some passages.

Since 1977, when he won the Ramón Montoya Prize for Concert Guitar in Cordoba, at the age of only fifteen, he has had a serious, consequent performing activity. An exquisite musician, composing and concert performance are important facets of his work, at live performances and in his record catalogue, although he has not ceased to accompany cante, as he is convinced that "it is very important for the solo guitarist to know the cante, because that is what provides firmness when playing alone". Riqueni has performed extensively as a concert guitarist and has played with people such as Enrique Morente, Anouar Brahem, Al Di Meola, Matías Fray and the Vargas Blues Band. He is also a noted flamenco composer, similar to the style of Albéniz and Turina. His 1987 album simply entitled "Flamenco", was recorded live without any special effects or recording studio tricks.

This California-based guitarist was actually born in Germany. His inspiration and style are similar to that of another German immigrant, Deuter, who co-produced and performed on Govi's debut album Sky High. Like Deuter, Govi spent a number of years living and studying in India, where he added sitar to his vocabulary of acoustic and electric guitars, mandola, and cello.Govi's music gained in popularity in the 1990s, with the expansion of peoples awareness of world music and a renewed passion for flamenco, spawning new age hit albums like Andalusian Nights and Passion and Grace. His music is a gentle, melodious combination of influences from around the world.

Uno de los nombres destacados de la nueva generación de guitarristas flamencos, Santiago Lara, jerezano de 32 años, tiene ya prestigiosos premios como el de la Bienal de Sevilla y el 2º Premio Nacional de Arte Flamenco de Córdoba (2013). Productor, compositor y director musical, Santiago ha participado en las grabaciones del maestro Manolo Sanlúcar, así como en sus giras con orquesta. También es responsable de la música de la bailaora Mercedes Ruiz, a quien acompaña en sus giras mundiales. Como productor, además de sus primeros dos álbumes, Santiago ha realizado tres discos para cantaores de la nueva generación como son José Lara, Londro y David Lagos. Desde la vibrante versión de 'Minuano', que abre el álbum con la participación de Jorge Pardo o la vertiginosa 'James' con Antonio Serrano, emociona redescubrir un repertorio que ya abarca casi 40 años con un respeto y una creatividad que hacen honor al título.

Latin-jazz-rock-blues band formed by Javier Vargas. After playing with Miguel Ríos, Orquesta Mondragón and leading some bands as "RH+", "Entrega Inmediata" or "Blues Express" he founded Vargas Blues Band in 1991…

Silence-Light is flamenco percussionist and composer Nacho Arimany’s debut album. The great creativy and power of Javier Vercher is present on saxophone and percussion atmospheres. Lionel Loueke is on amazing guitars from Africa and other galaxies; joined with his personal and unique voice. Pablo Suarez supports the melodies with the piano; the flamenco harmony going beyond his own gipsy soul. The great voice and talent of the flamenco gipsy singer Antonio Campos and the superb jazz bass sound of Massimo Biolcati, work in real tandem with flamenco dancer Concha Jareno, who gives new percussive melodies and feelings to the music. This fantastic group of musicians got together to record at Systems Two Studio in New York in the Spring of 2006. This work is a journey through different worlds and feelings. The real compromise with music as an experience to share in freedom.

Rafael Jimenez Falo is a Gypsy singer born in Oviedo (northern Spain) in 1964. He started performing at - penas flamencos - Flamenco clubs at an early age and he considers the Enrique Morente pena key to his development as an artist. There, he met Flamenco artists from Andalusia and other parts of Spain who gave him a broad vision of Flamenco art.

The album "El Paradís de les Paraules" of the musician and Valencian singer Carles Denia, has been considered by the magazine "Sons" as the best album of Catalan folk music in 2011. The work itself has been to put music to the Arab-Valencian poets between the tenth and thirteenth centuries. The translation of texts from Arabic into Catalan has been the work of the prestigious Valencian poet Josep Piera, with the help of the philologist Joseph Gregori.

Jazzpana II assembles an equally stellar ensemble, with a heavier emphasis on the flamenco contingent. This is led by performer/composers Gerardo Nunez (flamenco guitar) and Chano Dominguez (Grotrian Steinweg piano), and filled out with Esperanza Fernandez (vocals on one track), Jorge Pardo (soprano sax), Carles Benavent (electric bass), Renauld Garcia-Fons (five-string acoustic upright bass), Tino Di Geraldo (drums) and Cepillo (cajon). The Jazz counterpart is headlined by Michael Brecker (tenor sax) and Fareed Haque (electric guitar) and rounded out with Perico Sambeat (alto sax).