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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphony No.2; Dramatic Overture; Overture of Armida (2019)

    Posted By: ArlegZ
    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphony No.2; Dramatic Overture; Overture of Armida (2019)

    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphony No.2; Dramatic Overture; Overture of Armida (2019)
    EAC | FLAC | Image (Cue & Log) ~ 303 Mb | Total time: 73:09 | Scans included
    Classical | Label: SWR Music | SWR19083CD | Recorded: 2018

    This release comprises both a symphony and rarely recorded opera overtures by Dvořák. The chief conductor of the orchestra, Finnish maestro Pietari Inkinen, continues the Dvořák Cycle begun under the baton of Karel Mark Chichon. The Second Symphony, composed when Dvořák was 24, was certainly no masterpiece, neither was its revised version. Nevertheless, it is an extraordinary testament to Dvořák’s talent since it clearly bears his stamp, even though it shows the influence of others. “This man has more ideas than all of us put together”, Brahms said in appreciation of Dvořák’s output. This is certainly borne out when listening to the Second Symphony.

    Elina Garanca - Meditation (2014)

    Posted By: Designol
    Elina Garanca - Meditation (2014)

    Elīna Garanča - Meditation (2014)
    with Latvian Radio Choir, Deutsche Radio Philharmonie, Karel Mark Chichon

    EAC | FLAC | Image (Cue&Log) ~ 255 Mb | Mp3 (CBR320) ~ 164 Mb | Scans ~ 95 Mb
    Label: Deutsche Grammophon | # B0021327-02 | Time: 01:11:42
    Genre: Classical, Vocal, Choral, Sacred

    Meditation, mezzo-soprano Elina Garanca's 2014 release on Deutsche Grammophon, is an album of serene vocal and choral works that express religious feelings with an operatic touch and showcase the Latvian singer's warm and radiant voice. Choosing pieces from the early Baroque era to contemporary works, Garanca presents a soothing program that is consistent in its comforting tone and gentle treatment, though as a purely musical consideration, it tends to flow a bit too evenly and predictably. Insofar as the selections represent the Christian tradition, including settings of the Ave Maria, the Salve Regina, the Sanctus, the Agnus Dei, and the Regina Coeli, the character of the collection admits little variety, except for the general alternation between penitential and quietly ecstatic moods.

    Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)

    Posted By: delpotro
    Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)

    Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)
    WEB FLAC (tracks) - 262 Mb | MP3 CBR 320 kbps - 130 Mb | 00:56:06
    Classical | Label: Channel Classics Records

    Dutch violinist Niek Baar joins the Deutsche Radio Philharmonie under the direction of Christoph Poppen to perform two classic violin concertos from the mid-19th century: Robert Schumann’s Violin Concerto in D minor and Max Bruch’s Violin Concerto No. 1 in G minor. Both of these violin concertos were written for the legendary Joseph Joachim, who had a hand in shaping the final form of both pieces, although ultimately his changes to the Schumann were rejected by the composer. The highly original, introverted and melancholic concerto is a moving self-portrait of the 43-year-old Schumann a few years before his death, and Bruch’s No. 1 is one of the most beloved concertos of the entire repertoire.

    Florian Uhlig, Pablo González, Deutsche Radio Philharmonie - Debussy, Poulenc, Ravel & Françaix: Piano Concertos (2013)

    Posted By: ArlegZ
    Florian Uhlig, Pablo González, Deutsche Radio Philharmonie - Debussy, Poulenc, Ravel & Françaix: Piano Concertos (2013)

    Florian Uhlig, Pablo González, Deutsche Radio Philharmonie - Debussy, Poulenc, Ravel & Françaix: Piano Concertos (2013)
    EAC | FLAC | Tracks (Cue & Log) ~ 276 Mb | Total time: 71:08 | Scans included
    Classical | Label: Hänssler | # 93302CD | Recorded: 2012

    A great program featuring the largely neglected piano concertos from some famous composers active in France between 1890 and 1951. Debussy's "Fantaisie" was created in a period of change, exploring how the piano could become a voice in the orchestra.

    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphonies Nos. 7 & 8 (2024)

    Posted By: ArlegZ
    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphonies Nos. 7 & 8 (2024)

    Pietari Inkinen, Deutsche Radio Philharmonie - Antonín Dvořák: Symphonies Nos. 7 & 8 (2024)
    EAC | FLAC | Image (Cue & Log) ~ 317 Mb | Total time: 74:15 | Scans included
    Classical | Label: SWR Music | # SWR19130CD | Recorded: 2021, 2022

    In 1884, Antonín Dvořák undertook his first concert tour to England. This was to become a highlight of his career to date and brought him international recognition and economic security. It was a time of private and professional bliss. It is interesting to note, however, that the Seventh Symphony by no means reflects a consistently pastoral, idyllic atmosphere. On the contrary, the music often has a dramatic and sombre effect. It is possible that Dvořák was coming to terms with the blows of fate he had suffered: he had lost his mother and three children.

    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphony No. 6, Sinfonietta op. 80 (2009)

    Posted By: ArlegZ
    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphony No. 6, Sinfonietta op. 80 (2009)

    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphony No. 6, Sinfonietta op. 80 (2009)
    EAC | FLAC | Image (Cue & Log) ~ 244 Mb | Total time: 57:38 | Scans included
    Classical | Label: CPO | # 777 380-2 | Recorded: 2007

    Previous reviews of Gouvy’s music in Fanfare have commented upon its echoes of Mendelssohn and Schumann, and those certainly are present here. The first subject of the symphony’s finale, with its rapid triplet accompaniment, immediately recalls the opening of the “Italian” Symphony, and the spirit of Schumann hovers over portions of the first movement, and also of the last two movements of the Sinfonietta. The early Brahms of the serenades also makes his presence felt in the second subject of the symphony’s first movement. Occasional phrases recall Bizet (one figure in the symphony’s scherzo is close kin to a smuggler’s chorus in Carmen ), Gounod, and Berlioz. Yet, in listening to both compositions, the music of a different figure came immediately and strikingly to mind—Max Bruch.

    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphonies Nos. 1 & 2 (2011)

    Posted By: ArlegZ
    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphonies Nos. 1 & 2 (2011)

    Jacques Mercier, Deutsche Radio Philharmonie - Théodore Gouvy: Symphonies Nos. 1 & 2 (2011)
    EAC | FLAC | Image (Cue & Log) ~ 284 Mb | Total time: 63:23 | Scans included
    Classical | Label: CPO | # 777 381-2 | Recorded: 2008

    Louis Théodore Gouvy (1819–98) was born on the border between two cultures, French and German. He grew up in a French-speaking family living in an Alsatian village in the Saare, which at the time of his birth was under Prussian control. Not until he was 32 was he able to attain French citizenship.

    Pietari Inkinen, Deutsche Radio Philharmonie - Festive Sounds (2023)

    Posted By: ArlegZ
    Pietari Inkinen, Deutsche Radio Philharmonie - Festive Sounds (2023)

    Pietari Inkinen, Deutsche Radio Philharmonie - Festive Sounds (2023)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 63:07 | Scans included
    Classical | Label: SWR Music | # SWR19131CD | Recorded: 2022

    For many people Christmas time has come when the broadcasting stations start playing the specific music everybody knows and hears each year. However, not always music performed around Christmas has originally been composed for Christmas too. Especially our earliest and therefore most emotional memories are closely related to this festivity. The music we associate with these emotions does not necessarily have to be Christmassy, but should intensify and reflect those feelings.

    Pietari Inkinen, Deutsche Radio Philharmonie - Shostakovich: Chamber Symphonies, Opp. 110a & 49a; Piano Concerto No.1 (2023)

    Posted By: ArlegZ
    Pietari Inkinen, Deutsche Radio Philharmonie - Shostakovich: Chamber Symphonies, Opp. 110a & 49a; Piano Concerto No.1 (2023)

    Pietari Inkinen, Deutsche Radio Philharmonie - Shostakovich: Chamber Symphonies, Opp. 110a & 49a; Piano Concerto No.1 (2023)
    EAC | FLAC | Image (Cue & Log) ~ 253 Mb | Total time: 62:45 | Scans included
    Classical | Label: SWR music | # SWR19124CD | Recorded: 2020, 2022

    Shostakovich never wrote an original composition entitled "Chamber Symphony". Works known under this title are arrangements of the composer's string quartets by the conductor Rudolf Barshai and authorized by the composer. The String Quartet No. 1, Op. 49 was written in 1938, after the Great Terror from 1937 and can be considered as an act of inner emigration. The String Quartet No. 8 in C minor, Op. 110 was written 22 years later, within three days, from 12 to 14 July 1960, in the Saxon health resort of Gohrisch.

    Pietari Inkinen, Deutsche Radio Philharmonie - Béla Bartók: Orchestral Works (2022)

    Posted By: ArlegZ
    Pietari Inkinen, Deutsche Radio Philharmonie - Béla  Bartók: Orchestral Works (2022)

    Pietari Inkinen, Deutsche Radio Philharmonie - Béla Bartók: Orchestral Works (2022)
    EAC | FLAC | Image (Cue & Log) ~ 295 Mb | Total time: 70:15 | Scans included
    Classical | Label: SWR Music | # SWR19110CD | Recorded: 2020, 2021

    Bartok's Music for Strings, Percussion and Celesta (1936) enjoyed right from the beginning a roaring success, being praised by critics as a masterpiece. It was also the composer's last work published by Universal-Edition in Vienna. A fierce opponent of National-Socialism, he stopped co-operating with his main publisher soon after. The Divertimento (1939), though definitely not a "lightweight", does hardly give any indication of the political circumstances and events at the time it was created. The piano works on the present recording, arranged for percussion ensemble, are in their original form miniatures whose strong rhythms almost predestinate them for percussion arrangements (Bartok himself experimented extensively with percussion instruments and was familiar with them).

    Deutsche Radio Philharmonie & Pietari Inkinen - Bartók: Orchestral Works (2022)

    Posted By: delpotro
    Deutsche Radio Philharmonie & Pietari Inkinen - Bartók: Orchestral Works (2022)

    Deutsche Radio Philharmonie & Pietari Inkinen - Bartók: Orchestral Works (2022)
    WEB FLAC (tracks) - 284 Mb | MP3 CBR 320 kbps - 162 Mb | Digital booklet | 01:10:13
    Classical | Label: SWR Classic

    Bartok's Music for Strings, Percussion and Celesta (1936) enjoyed right from the beginning a roaring success, being praised by critics as a masterpiece. It was also the composer's last work published by Universal-Edition in Vienna. A fierce opponent of National-Socialism, he stopped co-operating with his main publisher soon after. The Divertimento (1939), though definitely not a “lightweight”, does hardly give any indication of the political circumstances and events at the time it was created. The piano works on the present recording, arranged for percussion ensemble, are in their original form miniatures whose strong rhythms almost predestinate them for percussion arrangements (Bartok himself experimented extensively with percussion instruments and was familiar with them). Pietari Inkinen is one of the noted rising stars on the international conducting scene. His comprehensive experience in both opera and symphonic repertoire enable him to shape various repertoire into powerful, convincing interpretations. As chief conductor of the Deutsche Radio Philharmonie, he achieved superb performances.