French pianist Monique Haas recorded the piano works of Debussy and Ravel twice, once in the late '50s and early '60s for Deutsche Grammophon and again in the late '60s and early '70s for Erato. The later recordings are released here in this six disc set from Warner Classics. As on the earlier set, Haas' performances are elegantly stylish, technically impeccable, consummately musical, and quintessentially French. Pick any piece by either composer at random, and you'll see. Try her bright but sensual Suite Bergamasque with its ravishing Clair de lune or her brilliant and visionary Études with their astounding concluding Pour les accords. Or try her recklessly virtuosic Gaspard de la nuit with its frightening Scarbo or her sweetly swaying Valses nobles et sentimentales with its heartrending Épilogue. There are only two meaningful differences between Haas' recordings: in the earlier performance, she is more passionate and impetuous while in the later performances she is more measured and thoughtful.

Pierre Fournier was born in Paris on 24 June in 1906 the son of a French army general. He was known for his lyrical playing and his impeccable artistic sensitivity and this, during his lifetime, earned him the title 'the aristocrat of cellists'.
Fournier was first taught piano by his mother but at the age of nine he suffered a mild case of polio and lost some of the agility in his legs and feet. He was no longer able to master the use of the piano pedals and so turned to the cello.

“this DVD brings compelling accounts of the master at work, visually as well as aurally. There is a powerful intensity to the Beethoven overtures and the opening of William Tell is beautifully done, with glorious playing from the Berliners…There is plenty of fascinating archival material to see; and within the maestro's obviously glamorous, jet-set lifestyle, he emerges as a musical communicator of warmth - and humour too. A most revealing issue.” (The Penguin Guide)

This album includes a repertoire of Nordic composers influenced by French impressionism and Debussy’s music in particular. In Finland, both Toivo Kuula and Leevi Madetoja are known for taking influence from impressionism. After spending extensive time at the National Library in Oslo I decided to add songs by Alf Hurumin and with the helpful advice from the principal of the Norwegian State Academy of Music, Astrid Kvalbein, Pauline Hall. Juho Alakärppä brought in Gösta Nystrom`s Sånger vid havet. This work was originally written for Finnish soprano Aulikki Rautava.

Shani Diluka releases a great project dedicated to Marcel Proust and composers he loved, to celebrate the 150-year anniversary of his birth in 2021 and the 100-year anniversary of his death in 2022. It features Reynaldo Hahn's rarely played Piano Concerto and works by Fauré, Gluck, Massenet, R. Strauss, and Debussy. The album is recorded with the Orchestre de Chambre de Paris conducted by Hervé Niquet. The Proust album features Pierre Fouchenneret (violin), Natalie Dessay (soprano), and Guillaume Gallienne (narrator, from the Comédie Francaise).

The Vienna Philharmonic Summer Night Concert 2021, conducted by Daniel Harding with Igor Levit as soloist, was recorded again this year by Sony Classical. The Summer Night Concert, which took place on June 18, 2021, is an outdoor concert held annually since 2008, following the "Concert for Europe" held from 2004 to 2007. The baroque park of Schönbrunn Palace provides an enchanting backdrop for the concert. Among the illustrious conductors who have conducted the Vienna Philharmonic's Summer Night Concert in recent years are Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Valery Gergiev, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov and Gustavo Dudamel.

Super rare David Oistrakh Recording with Vladimir Yampolsky ‎at the Piano. These “Encores” are a vibrant collection of classics and crowd pleasers full of spine-tingling grandeur guaranteed to enrapture.

Daniel Barenboim has sometimes performed the music of Debussy, especially during the later part of his career, but Debussy interpretations are not something for which he is particularly known. Thus this release of Debussy works, on the rare side except for La Mer at the end, is commendable; it shows Barenboim, approaching his 80th year, continuing to take chances and explore new repertory. The show opens with the Fantaisie for piano and orchestra, L 73, not commonly heard, although it is really Debussy's only piano concerto.

This album of popular short pieces provides a memento of the first French lockdown in 2020: Renaud Capuçon and pianist Guillaume Bellom performed on social media each day, raising the spirits of their fans. Ideal for streaming, the collection includes music by Enrico Morricone, Charlie Chaplin, Carlos Gardel, Tchaikovsky, Rachmaninov and Schumann.

The acclaimed British soprano Louise Alder returns for her second recital on Chandos, joined once again by star pianist Joseph Middleton. Enthusiastic praise was widespread for her Chandos début, Lines Written during a Sleepless Night: The Russian Connection, which earned significant accolades in the USA and continental Europe in addition to the UK. For this recording the pair explore a rich and varied selection of French songs from the late nineteenth and twentieth centuries. Louse Alder writes: 'I have always held French song very dear to my heart and when we settled on this wildly varied programme, I quickly grew excited at the prospect of exploring the art form in virtually all its styles. From Ravel to Yvain, I hope we paint pictures of a French evening, of mystery, intrigue, discovery, seduction, love, and blissful night.'

French intellectuals, especially musicians and writers, were enchanted by the magic of Richard Wagner's music, but they earnestly wanted to pursue new ideas for what might follow. They believed that music and art should be free from 'German elements' and they consequently wanted to establish a decidedly contrasting, French style of music. It was for this reason that Gabriel Fauré and Camille Saint-Saëns set up the Societé Nationale de Musique in 1871, tasking it with supporting new French compositions. Successive composers were fascinated by new developments in the great French music tradition and experimented with modal alternatives and aspects of counterpoint. Compositional clarity was expected to express the simple but poetic relationship between music and text, drawing on graceful melodic lines and a Renaissance-like serenity of expression.

Featuring two of the most prominent European classical musicians of their time, ZINO FRANCESCATTI & ROBERT CASADESUS features both individual performances and duets. Francescatti was perhaps the finest violinist of the mid-20th century; coming from a family of musicians, he was a child prodigy who gave his first concert at the age of five. Casadesus also came from a musical background, and won acclaim throughout his career as a technically perfect pianist and fine classical composer. The pair collaborate here in performances of works by Beethoven, and individually perform work by composers as diverse as Debussy and Bazzini.