Eumir Deodato's 2010 studio effort, The Crossing, released on the sophisticated Expansion Records label, stands as a vibrant, star-studded bridge linking his legendary 1970s jazz-funk legacy with polished, modern European soul grooves. Co-produced alongside the acclaimed Italian jazz-funk collective Novecento (the Nicolosi brothers), the project captures the Brazilian master keyboardist steering a sleek, mid-tempo adult-contemporary landscape. Deodato's signature Fender Rhodes electric piano lines remain as fluid and harmonically rich as ever, serving as the perfect sonic canvas for an incredible roster of heavyweight guest legends. The album is highlighted by the sublime vocal stylings of Al Jarreau on the kinetic single Double Face and the uplifting I Want You More, alongside powerhouse instrumental contributions from guitar icon John Tropea, fusion pioneer Billy Cobham on drums, and percussion wizard Airto Moreira. Balancing high-energy, brass-inflected tracks with smooth, vocal-driven dance-pop elements featuring R&B group Londonbeat, this slickly engineered record beautifully showcases Deodato's timeless arranging brilliance and global collaborative spirit.

Eumir Deodato's 1973 masterpiece, Os Catedraticos 73, stands as a spectacular, groove-heavy milestone that bridges the gap between sophisticated Brazilian bossa-groove and high-octane American jazz-funk. Released during the absolute peak of Deodato's international fame—hot on the heels of his massive solo successes in the United States—the album revisits his historic "Os Catedráticos" studio project with an aggressive, electrified 1970s sonic palette. Splitting the recording sessions between Rio de Janeiro and New York City, Deodato masterfully blends an elite American brass section featuring Marvin Stamm and Wayne Andre with an unstoppable Brazilian rhythm foundation powered by Azymuth's legendary drummer Ivan Conti. Throughout the eleven brisk, infectious tracks, Deodato's driving Hammond organ and Fender Rhodes electric piano leads the way over propulsive samba-funk breakbeats, reimagining classic tracks like Arranha Céu (Skyscrapers) and O Jogo. This landmark release remains an essential blueprint for acid jazz and instrumental funk, capturing a visionary arranger seamlessly fusing kinetic dancefloor energy with complex harmonic brilliance.

So Far So Close is the fourth studio album by Brazilian jazz artist Eliane Elias. This album is great. It is mainly straight ahead jazz with touches of fusion due to the use of synthesizers along with her fantastic piano playing. Like most of her earlier albums her signing is minimal and mainly adds another musical sound more than anything else. Surprisingly, this album has barely a hint of Latin or Brazilian flavor.

Tremendao is a great album of early Eumir Deodato. Solid arranging and some tasty quick organ licks by Eumir that always remain melodically sensitive.

Eumir Deodato has participated as pianist/keyboardist, producer, or arranger in over 450 albums, and has won 16 platinum records. The list of top artists with whom he has collaborated is too extensive to cite, but includes Tony Bennett, Frank Sinatra, Tom Jobim, Wes Montgomery, João Donato, Kool & the Gang (group with which he played between 1979 and 1983), Earth, Wind & Fire, and Michael Franks. He has also worked on the soundtracks of major films, like The Onion Field, The Exorcist, and many others. Artists who have recorded his compositions include Sarah Vaughan, Milt Jackson, Joe Pass, George Benson, Lee Ritenour, Perez Prado, and the Emotions…