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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Étienne Meyer, Les Traversées Baroques - San Marco di Venezia: The Golden Age (2018)

    Posted By: ArlegZ
    Étienne Meyer, Les Traversées Baroques - San Marco di Venezia: The Golden Age (2018)

    Étienne Meyer, Les Traversées Baroques - San Marco di Venezia: The Golden Age (2018)
    EAC | FLAC | Image (Cue & Log) ~ 338 Mb | Total time: 72:28 | Scans included
    Classical | Label: Pan Classics | ACC 24345 | Recorded: 2017

    It is well known that in Venice a "Golden Age" of compositional, vocal, and instrumental musical creativity and virtuosity emerged, and then flourished during the mid-1500s to the mid-1700s. The 16th century experienced a substantial development in the cappella ducale of Saint Mark's, which, until the end of the 17th century, remained the leading center of musical activity in the city. Evidence of this comes from the profusion of significant musicians that it received in that "Golden Age": either as maestri di cappella, or as organists (Claudio Merulo, Andrea and Giovanni Gabrieli), or as virtuoso instrumentalists (the cornet player Giovanni Bassano). Claudio Merulo and Andrea Gabrieli played a decisive role in the simultaneous emergence of Venetian keyboard and stile concertato music.

    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)

    Posted By: ArlegZ
    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)

    Dorothee Oberlinger, Dmitry Sinkovsky, Ensemble 1700 - Discovery of Passion (2020)
    EAC | FLAC | Image (Cue & Log) ~ 349 Mb | Total time: 75:12 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | 19439711162 | Recorded: 2019

    The new recording by recorder player Dorothee Oberlinger with violinist and countertenor Dmitry Sinkovsky shows the musical turn of time from the Renaissance to the Baroque in a kaleidoscope of newly conceived, experimental declamatory music by Italian masters, who for the first time expressed passions such as love and hate, grief and joy, astonishment and longing in music to the fullest.

    John Eliot Gardiner, The Monteverdi Choir, The Philip Jones Brass Ensemble - Christmas in Venice (1992)

    Posted By: ArlegZ
    John Eliot Gardiner, The Monteverdi Choir, The Philip Jones Brass Ensemble - Christmas in Venice (1992)

    John Eliot Gardiner, The Monteverdi Choir, The Philip Jones Brass Ensemble - Christmas in Venice: Gabrieli, Bassano, Monteverdi (1992)
    EAC | FLAC | Image (Cue & Log) ~ 306 Mb | Total time: 67:47 | Scans included
    Classical | Label: Decca | 436 285-2 | Recorded: 1972

    There is some grand and characteristically sumptuous music on this record of motets and instrumental pieces that might have been heard during the feast of Christmas in St Mark's or one of the other great churches of Venice round about 1600 or a little later. A strong point in its favour, too, is the unhackneyed choice of programme: the instrumental Sonata pian' e forte, of course, is an old favourite, and the two earlier double-choir motets of Gabrieli, Angelus ad pastores and 0 magnum mysterium, are also relatively familiar; but the three remaining Gabrieli motets, all taken from posthumous publications and among his most elaborate polychoral pieces, are much less often tackled—not surprisingly, since they call for exceptional resources.

    Bernard Rose, The Choir of Magdalen College - Giovanni Battista Pergolesi: Miserere II in C minor (1991)

    Posted By: ArlegZ
    Bernard Rose, The Choir of Magdalen College - Giovanni Battista Pergolesi: Miserere II in C minor (1991)

    Bernard Rose, The Choir of Magdalen College - Giovanni Battista Pergolesi: Miserere II in C minor (1991)
    EAC | FLAC | Image (Cue & Log) ~ 337 Mb | Total time: 70:57 | Scans included
    Classical | Label: Decca | # 430 359-2 | Recorded: 1977, 1979

    This is a very different musical interpretation of Psalm 51 than we saw last week in Allegri’s Miserere. In Allegri’s composition the intensity of the soaring, unaccompanied voices lead us to contemplation of the Divine Mercy of God in Heaven. Here the urgent, dramatic orchestration pulls us down into King David’s turbulent emotions as he comes to acknowledge his sinfulness and his need for God’s mercy. This clip is only the first part of a much longer composition, and contains only the first line of the Psalm: Miserere mei, Domine, secundam misericordiam tuam, “Have mercy on me, Lord, according to your compassion”. As the focus of the Psalm moves from David’s sinfulness to the abundance of God’s mercy, the music in the later parts of the piece changes with it.