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Charles Dutoit, Sinfonietta de Montréal, June Anderson, Cecilia Bartoli - Pergolesi: Stabat Mater, Salve Regina (1993)

Posted By: ArlegZ
Charles Dutoit, Sinfonietta de Montréal, June Anderson, Cecilia Bartoli - Pergolesi: Stabat Mater, Salve Regina (1993)

Charles Dutoit, Sinfonietta de Montréal, June Anderson, Cecilia Bartoli - Pergolesi: Stabat Mater, Salve Regina; A.Scarlatti: Salve Regina (1993)
EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 69:16 | Scans included
Classical | Label: DECCA | # 436 209-2 | Recorded: 1991

Pergolesi's Stabat mater and his C minor Salve Regina were coupled earlier on the Hogwood (L'Oiseau-Lyre) recording, highly praised by NA. The addition of another Salve Regina, this one attributed not quite conclusively to Scarlatti as a late work, provides the new record with a further attraction both on the piece's own merit (irrespective of authorship) and in its affinity with the Stabat mater. Another attraction for many will lie in the identity of the two singers and the conductor.

Christophe Rousset, Les Talens Lyriques, Andreas Scholl, Barbara Bonney - Pergolesi: Stabat Mater, Salve Regina (1999)

Posted By: ArlegZ
Christophe Rousset, Les Talens Lyriques, Andreas Scholl, Barbara Bonney - Pergolesi: Stabat Mater, Salve Regina (1999)

Christophe Rousset, Les Talens Lyriques, Andreas Scholl, Barbara Bonney - Pergolesi: Stabat Mater, Salve Regina in F minor & A minor (1999)
EAC | FLAC | Image (Cue & Log) ~ 248 Mb | Total time: 60:33 | Scans included
Classical | Label: DECCA | # 466 134-2 | Recorded: 1999

Pergolesi’s sublime setting of the Stabat mater, a 13th-century text that was accepted as part of the Catholic liturgy only in 1727, was written at the end of his brief life (he died in 1736 at the age of 26) and suggests that had he lived longer his name might be as familiar as Vivaldi. Rossini, in particular, admired it to such an extent that he was reluctant to accept the commission for his own setting (1842) on the grounds that it could never equal Pergolesi’s.

Nuria Rial, Carlos Mena, Ricercar Consort, Philippe Pierlot - Pergolesi: Stabat Mater (2005)

Posted By: tirexiss
Nuria Rial, Carlos Mena, Ricercar Consort, Philippe Pierlot - Pergolesi: Stabat Mater (2005)

Nuria Rial, Carlos Mena, Ricercar Consort, Philippe Pierlot - Pergolesi: Stabat Mater (2005)
WEB | FLAC (tracks) - 275 MB | 54:50
Genre: Classical | Label: Mirare

…in the Stabat mater… Nuria Rial's clean-toned singing in 'Vidit suum' has impressive control, clarity and profound expression. The two voices blend effectively in 'Quis est homo'. Some aspects are superbly judged: several ritornelli are perfectly weighted and the Ricercar Consort play with sensual warmth - a sensation encouraged by a larger body of strings than is used in some performances.

Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)

Posted By: ArlegZ
Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)

Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)
EAC | FLAC | Image (Cue & Log) ~ 1.04 Gb | Total time: 74:53+76:56+76:07 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697807712 | Recorded: 2010

The first complete and unabridged recording of Giovanni Battista Pergolesi’s operatic masterpiece, as well as the world-premiere recording on period instruments, undertaken by the critically acclaimed 2010 production from the Innsbruck Festival of Early Music, known as the “Bayreuth of Baroque Opera”. In his all too brief career Pergolesi, who died in 1736 aged only 26, set the course for 18th century opera. His works, especially L’Olimpiade, which was first performed in 1735, introduced a new and sentimental tone to the opera stage. Based on one of the most popular subject matters of opera seria, Pergolesi’s masterpiece L’Olimpiade offers a drama of love and intrigue coupled with highly virtuoso singing. Presenting Italian conductor Alessandro de Marchi, one of the most sought-after Early Music specialists, and a stunning cast of top-league international Baroque singers.

Choir of St John’s College, Cambridge & Capella Agostino Steffani - Allegri: Miserere; Pergolesi & Caldara: Stabat Mater (1998)

Posted By: ArlegZ
Choir of St John’s College, Cambridge & Capella Agostino Steffani - Allegri: Miserere; Pergolesi & Caldara: Stabat Mater (1998)

George Guest, The Choir of St John’s College, Lajos Rovatkay, Cambridge & Capella Agostino Steffani - Allegri: Miserere; Pergolesi & Caldara: Stabat Mater; Vivaldi: Sonata a quattro «Al santo sepolcro» (1998)
EAC | FLAC | Image (Cue & Log) ~ 271 Mb | Total time: 68:34 | Scans included
Classical | Label: EMI Classics | # 5 73020 2 | Recorded: 1991, 1994

Allegri's early Baroque masterpiece Miserere from around 1630 movingly juxtaposes modal chant with tonality, and was so popular that the Vatican refused to allow it to be performed anywhere else - until the 14 year old Mozart broke the Vatican's monopoly by writing it down from memory after attending a performance. Pergolesi's late Baroque masterpiece Stabat Mater for soprano and alto dates from 1736, the year of his death at the age of 26. It was originally written for male voices but since it's hard to find a castrato these days, it's generally performed by two women or by a female soprano and counter-tenor. This performance uses a female alto but in other respects it's very much a period performance - the sound is intimate and the tempos are lively without any sacrifice of spiritual depth.

Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)

Posted By: ArlegZ
Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)

Mirella Freni, Teresa Berganza, Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)
EAC | FLAC | Image (Cue & Log) ~ 654 Mb | Total time: 71:00+68:09 | Scans included
Classical | Label: Archiv Produktion | # 459 454-2 | Recorded: 1967, 1972, 1975

The Stabat Mater is a 13th-century Catholic hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III. The title comes from its first line, Stabat Mater dolorosa, which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers.

George Guest, St John's College Choir, Roger Norrington, Schütz Choir - Pergolesi, D.Scarlatti, Bononcini: Stabat Mater (1995)

Posted By: ArlegZ
George Guest, St John's College Choir, Roger Norrington, Schütz Choir - Pergolesi, D.Scarlatti, Bononcini: Stabat Mater (1995)

George Guest, St John's College Choir, Roger Norrington, Schütz Choir - Pergolesi, D. Scarlatti, A. Bononcini: Stabat Mater (1995)
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 141:57 | Scans included
Classical | Label: Decca | # 443 868-2 | Recorded: 1966, 1973, 1977, 1978

This anthology of devotional music from 18th-century Venice and Naples offers an interesting and varied programme. Best known is Pergolesi’s Stabat mater, but the settings by Domenico Scarlatti and Bononcini stand well in comparison. The motets by Lotti, Caldara and Alessandro Scarlatti are real discoveries; Norrington’s performances of the latter are particularly fine. Guest’s Pergolesi suffers from a focus of sound which makes the interpretation seem somewhat generalised. However, all these performances give pleasure, while the music is melodically fresh and rhythmically vital.

Giulia Semenzato, Lucile Richardot, Riccardo Minasi, Ensemble Resonanz - Pergolesi: Stabat Mater; Rossell: Salve Regina (2021)

Posted By: ArlegZ
Giulia Semenzato, Lucile Richardot, Riccardo Minasi, Ensemble Resonanz - Pergolesi: Stabat Mater; Rossell: Salve Regina (2021)

Giulia Semenzato, Lucile Richardot, Riccardo Minasi, Ensemble Resonanz - Pergolesi: Stabat Mater; Rossell: Salve Regina (2021)
EAC | FLAC | Image (Cue & Log) ~ 279 Mb | Total time: 64:24 | Scans included
Classical | Label: Harmonia Mundi | # HMM902637 | Recorded: 2020

Here is the work of a genius who died at the age of twenty-six: Pergolesi's Stabat Mater is one of the miracles of eighteenth-century sacred music. Nourished by their experience of ‘setting in resonance’ early and contemporary repertories, Riccardo Minasi and the Hamburg musicians shed an astonishingly modern light on these moving pieces, in which the voices of Giulia Semenzato and Lucile Richardot intertwine in the most sublime of communions. The Stabat is echoed by Joan Rossell’s poignant Salve Regina, long attributed to Pergolesi himself.

Marie van Rhijn, Orchestre de l'Opéra Royal - Pergolesi, Vivaldi: Stabat Mater pour deux castrats (2021)

Posted By: ArlegZ
Marie van Rhijn, Orchestre de l'Opéra Royal - Pergolesi, Vivaldi: Stabat Mater pour deux castrats (2021)

Marie van Rhijn, Orchestre de l'Opéra Royal - Pergolesi, Vivaldi: Stabat Mater pour deux castrats (2021)
EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 77:19 | Scans included
Classical | Label: Chateau de Versailles Spectacles | # CVS033 | Recorded: 2020

Two countertenors for Pergolesis Stabat Mater: this is the resurrection of the first performance in France of this work, introduced by two Italian Castratos from the Royal Chapel of Louis XV, who were enthusiastic propagators of it both at Court and at the Concert Spirituel. Paris was conquered and saw in it the revolutionary mark of a Neapolitan genius, who alas passed away so young. Pergolesi, shortly before his death at the age of 26 and affected by illness, expressed the Virgins suffering with the language of passion more typical of opera.

Passion: Sacred Masterpieces: Schütz, Bach, Purcell, Handel, Telemann, Pergolesi, Haydn [15CDs] (2010)

Posted By: ArlegZ
Passion: Sacred Masterpieces: Schütz, Bach, Purcell, Handel, Telemann, Pergolesi, Haydn [15CDs] (2010)

Passion: Sacred Masterpieces: Schütz, Bach, Purcell, Handel, Telemann, Pergolesi, Haydn [15CDs] (2010)
EAC | FLAC | Image (Cue & Log) ~ 3.86 Gb | Total time: 15:10:08 | Scans included
Classical | Label: Brilliant Classics | # 94032 | Recorded: 1994-2002

A stunning collection of some of the greatest sacred music ever written. From the great Lamentations of Byrd, Tallis and Palestrina, the listener is taken on a remarkable spiritual journey through Bach’s great St Matthew Passion, Purcell’s moving and bleak funeral music for Queen Mary, and Handel radiant Messiah. Pergolesi’s masterful setting of the Stabat Mater and Telemann’s Passions-Oratorium are also to be found here, along with Haydn’s Stabat Mater and his dark and intense masterpiece Die sieben letzen Worte, or The Seven Last Words of our Saviour from the Cross. Finally, Allegri’s hauntingly beautiful Miserere opens this collection – a work that was copied from memory after one hearing by the child Mozart. Prior to that moment the work had only been heard in the Vatican.

Federica Napoletani, Cristina Corrieri, Ensemble Imaginaire - Leo, Pergolesi, Porpora: Salve Regina (2020)

Posted By: ArlegZ
Federica Napoletani, Cristina Corrieri, Ensemble Imaginaire - Leo, Pergolesi, Porpora: Salve Regina (2020)

Federica Napoletani, Cristina Corrieri, Ensemble Imaginaire - Leo, Pergolesi, Porpora: Salve Regina (2020)
EAC | FLAC | Image (Cue & Log) ~ 266 Mb | Total time: 61:22 | Scans included
Classical | Label: Brilliant Classics | # 96092 | Recorded: 2018

The four Salve Regina recordings presented on this uniquely compiled new album cross the boundary between opera house and church a boundary that in 18th-century Naples was never very forbidding to begin with. In fact, Leo, Pergolesi and Porpora are all fine examples of composers who moved with unselfconscious facility between sacred and secular genres, between old counterpoint and the Monteverdian stile concertato that caressed each word with sensuous melismas and velvet harmonies. Porpora was a noted singing teacher of his day, intimately familiar with everything that a voice can do, and possessing a melodic skill that spins long and ornate vocal phrases of almost instrumental effect.

Guilio Prandi, Coro e Orchestra Ghislieri - Pergolesi: Messa in Re maggiore & Motetto 'Dignas laudes resonemus' (2018)

Posted By: ArlegZ
Guilio Prandi, Coro e Orchestra Ghislieri - Pergolesi: Messa in Re maggiore & Motetto 'Dignas laudes resonemus' (2018)

Guilio Prandi, Coro e Orchestra Ghislieri - Pergolesi: Messa in Re maggiore & Motetto 'Dignas laudes resonemus' (2018)
EAC | FLAC | Image (Cue & Log) ~ 318 Mb | Total time: 71:10 | Scans included
Classical | Label: Arcana | # A444 | Recorded: 2016

New light on Pergolesi! This CD sheds light on a lesser-known aspect of the great Italian composer, offering two masterpieces in their first modern edition and first recording: the Mass in D major and the mottettone Dignas Laudes. Both editions are the outcome of recent musicological research carried out by the Centro Studi Pergolesi in Milan, and show a facet of Pergolesi – his energetic and solemn character – that complements and amplifies the dramatic and introspective moods of his most renowned sacred works.

Cecilia Bartoli - Queen of Baroque

Posted By: ArlegZ
Cecilia Bartoli - Queen of Baroque

Cecilia Bartoli - Queen of Baroque (2020)
EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 78:40 | Scans included
Classical | Label: Decca | # 485 1275 | Recorded: 1991-2017

A collection of the very best of Bartoli's treasured recordings of musical delights and discoveries of the 17th and 18th century. Featuring two previously unreleased world premiere recordings of forgotten jewels by Leonardo Vinci and Agostino Steffani. With guest appearances from Philippe Jaroussky, June Anderson, Franco Fagioli and Sol Gabetta.

La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Posted By: Designol
La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 147 Mb | Artwork included
Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.

Ensemble Turicum - Pergolesi: Messa a 5 voci; Leo: Sinfonia "Il Demetrio"; Gallassi: Te Deum; Perez: Trio (2004)

Posted By: ArlegZ
Ensemble Turicum - Pergolesi: Messa a 5 voci; Leo: Sinfonia "Il Demetrio"; Gallassi: Te Deum; Perez: Trio (2004)

Ensemble Turicum - Pergolesi: Messa a 5 voci; Leo: Sinfonia "Il Demetrio"; Gallassi: Te Deum; Perez: Trio (2004)
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 57:44 | Scans included
Classical | Label: K617 | # K617159 | Recorded: 2003

The world has not yet fully discovered the riches of the impressive music libraries and archives of Portugal. They testify to the often complex trajectories followed all over Europe by a repertoire of splendid pieces, many of them showing the extent to which the Italian style had taken root in eighteenth-century Portugal. The superb mass by Pergolesi recorded here is a highly characteristic example. But the ensemble Turicum wanted to go even further in their exploration of this repertoire, accompanying the mass with performances of works by composers now totally (and unjustly) unknown, such as Antonio Gallassi and David Perez, not to mention Leonardo leo, acknowledged in his own time as a supreme master of sacred music.