Jimmy Rogers was very much a musician's musician – the kind of guitarist that earned accolades from contemporaries and successors alike – yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics ("Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'"), remakes of Rogers standards ("Ludella," "That's All Right"), cult covers (Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note) and an astounding number of guest appearances, including cameos from (get ready): Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey.

Johnnie Johnson's rolling, barrelling licks are as enticing as ever on this reissued Evidence CD, but there are some other things that are not so grand. These include barely tolerable vocalists Barbara Carr and Stacy Johnson, whose enthusiasm is commendable, but whose vocals often get in the way. Johnson's covers of Fats Washington's "O.J. Blues" and "Black Nights" are great, as are his versions of "Honky Tonk" and "See See Rider." But he falters on "Baby, What You Want Me To," in part because he does not convey either the original's loping stride or laconic quality, and also because it is not the kind of peppy arrangement and backbeat suited to his style. A decent effort that might have been a superior one with a couple of added touches.