Among musicians, Arthur Alexander was always considered one of the greatest R&B songwriters. Both the Beatles and the Rolling Stones covered his songs, "Anna (Go to Him)" and "You Better Move On," respectively, early in their careers. But they weren't the only ones – throughout the years, his work was rich source material for many blues, soul, rock, and country artists. He may have earned the recognition of his peers, but he remained relatively unknown to the general public, right up to his death in 1993. In order to raise his profile, Razor & Tie released Adios Amigo: A Tribute to Arthur Alexander in 1994, assembling a stellar and diverse lineup to record new versions of his songs. The diversity and the fresh arrangements illustrates the depth of Alexander's songs and how well they lent themselves to new readings. Like any tribute album, Adios Amigo is uneven, with a few tracks falling flat, but the best moments – Elvis Costello's "Sally Sue Brown," Robert Plant's "If It's Really Got to Be This Way," Chuck Jackson's "You Better Move On," Frank Black's "Old John Amos," John Prine's "Lonely Just Like Me," Gary U.S. Bonds' "Genie in the Jug," Graham Parker's "Every Day I Have to Cry" and Nick Lowe's "In the Middle of It All" – are affectionate salutes to a departed master, and they're damn enjoyable in their own right as well.

In 2007, Robert Plant & Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. Now, after 14 years, they return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.

Robert Anthony Plant CBE (born 20 August 1948) is a British singer and songwriter, best known as the lead singer and lyricist of the English rock band Led Zeppelin…

Jimmy Rogers was very much a musician's musician – the kind of guitarist that earned accolades from contemporaries and successors alike – yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics ("Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'"), remakes of Rogers standards ("Ludella," "That's All Right"), cult covers (Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note) and an astounding number of guest appearances, including cameos from (get ready): Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey.

At their best, cover albums have a strange way of galvanizing an artist by returning to the songs that inspired them; the artists can find the reason why they made music in the first place, perhaps finding a new reason to make music. Robert Plant's Dreamland – his first solo album in nearly ten years and one of the best records he's ever done, either as a solo artist or as a member of Led Zeppelin – fulfills that simple definition of a covers album and goes beyond it, finding Plant sounding reinvigorated and as restless as a new artist. Part of the reason why this album works so well is that he has a new band – not a group of supporting musicians, but a real band whose members can challenge him because they tap into the same eerie, post-folk mysticism that fueled Led Zeppelin III, among other haunting moments in the Zep catalog.

As the lead singer of Led Zeppelin, Robert Plant seemed invincible, a "Golden God" in the words of journalist/filmmaker Cameron Crowe. Plant may have embraced rock stardom at the height of Zeppelin's zenith in the mid-'70s, but the singer spent the decades following the band's 1980 dissolution exploring the road less-traveled.

Robert Plant opens Carry Fire with "The May Queen," a song that can't help but stir up memories of "Stairway to Heaven," the most mystical number Led Zeppelin ever cut. "The May Queen" doesn't sound a thing like "Stairway to Heaven," which is deliberate. As Plant murmurs about "the dimming of his light," the churning folk-rock – a rootless, restless gypsy hybrid of American, English, and Middle East traditions – comes to crest upon a violin line that appears to quote "Prodigal Son," a gospel blues attributed to Robert Wilkins. It's hard not to read this as a sly wink to the audience, a suggestion that Plant, after years of rambling, has returned to where he belongs.

Robert Plant launched the Digging Deep podcast in 2019 as a way for him to explore the intricacies and oddities of his body of work. A year later, he released Digging Deep: Subterranea, a double-disc deep dive that effectively functions as a soundtrack to the podcast. Plant talks about Led Zeppelin tunes on Digging Deep but Subterranea pointedly concentrates on his solo career. It's a compilation that strives to make overarching connections, so it doesn't proceed in a chronological order, nor does it have all of his hits. Neither his oldies folly The Honeydrippers or Raising Sand, his Grammy-winning collaboration with Alison Krauss, are here, nor are there big rock radio hits like "Little By Little" and "Tall Cool One." Instead, Digging Deep: Subterranea places 1993's Fate Of Nations at the forefront and follows its strands front and back, creating a moody, adventurous bit of autobiography. Maybe it doesn't deliver the hits the way most compilations do but it certainly captures the musical wanderlust that defines Plant's career.

A wonderful collection of music from two of rocks best artists Robert Plant and Jimmy Page. Limited edition CD/DVD set in digipack. Released in the EU. Includes: Robert Plant Band at Perugia Blues Festival in Italy Summer of 1993; Page & Plant at BBC Studios London 9/11/1994 (Acoustic Session); Robert Plant Band at Cadena Studios Madrid Spain 19/06/1993 (Acoustic Session); Led Zeppelin Reunion From The Atlantic 40th Anniversary Concert.

Carry Fire is the eleventh solo studio album by English rock singer, songwriter and musician Robert Plant, released on 13 October 2017 on Nonesuch/Warner Bros. Records. It is the second studio album on which Plant is backed by the Sensational Space Shifters…

At first, Fate of Nations seems so light and airy that it slips away through the layers of acoustic guitars, violins, and keyboards. Upon further listenings, more textures appear, and the album gains a calm sense of tension and reflectiveness…