In May 1996 Radio Massacre International were the first group to play an electronic concert at Jodrell Bank space research centre in Cheshire, in the shadow of the biggest satellite dish in the world. It was a location buzzing with inspiration and ideal for creating improvised music. Knutsford In May is a complete direct to DAT recording of the music played that evening. The pristine digital sound quality is matched by some inspirational musical twists and turns. From the first notes of 'Under the Dish' the atmosphere is one of unashamed glorification of the surroundings and its relationship with space and time. R.M.I. are always a group to thrive in a special environment. The album's centrepiece is a long dynamic improvisation named 'Skeletope' which includes samples of Jodrell Bank scientists bouncing the first signals off the surface of the moon…

Radio Massacre International is a trio of British musicians, Steve Dinsdale (Keyboards and Drums), Duncan Goddard (Keyboards and Bass), and Gary Houghton (Guitar, Synth). They specialize in improvisational experimental electronic music, utilising vintage synthesizers and sampled sounds alongside electric guitar. They are also leading exponents of the mellotron keyboard. More recently they have begun to incorporate Bass Guitar and Drums by varying degrees in an attempt to stretch musical boundaries within the confines of a three piece. Their music has been described alternatively as ambient music, space rock, Krautrock, New Age, Berlin School, and various other terms, although the band itself prefers the label "organic music". Points of reference include bands ranging from Tangerine Dream to "Rabbit"-era Chas and Dave. Borrowed Atoms, a double CD from 1998, was a return to extended improvisation…

Using only analog equipment, Radio Massacre International forges huge atmospheres and a sound that fits perfectly in the new-millennium digital domain. While their sound recalls the Berlin school of the early '70s, it also stands proudly with modern digital e-music. Republic contains three long-form compositions that cross all borders. Radio Massacre International is able to perform deep minimalism, experimental sci-fi passages, and dark ambient atmospheres. They compliment and surround those elements with the dense sequences expected of the Berlin school. This is excellent evolutionary Berlin school electronica. Radio Massacre International is on a plane with Ron Boots, Ian Boddy, Klaus Schulze, and Paul Ellis.

It all starts here for Radio Massacre International. That most creative English band that almost single handedly brought back the Berlin School trio format back to prominence. All three perform on a raft full of analog keyboard equipment (mellotron, Moog's, etc…), while one doubles up on electric guitar. Sound familiar? Sure it does. Not that RMI was content to just sit in that same zone, as many of their albums followed other trends of German Kosmische, but primarily RMI were all about sequencer and atmospheric mid to late 70s Tangerine Dream. And the double CD Frozen North is the perfect place to start . We are talking 2 hours and 15 minutes of Encore meets Rubycon. Not a mere copy, but rather a completely unique take on a classic sound. To say it is essential for fans of Berlin School elektronik music would be understating the matter.

Radio Massacre International is a trio of English musicians (Duncan Goddard, Steve Dinsdale, Gary Houghton) known for their extended concerts of epic aural excursions. Their performances are largely improvised and often veer off into areas dictated by mood, circumstance or whim. RMI's recorded output reflects the diversity and complexity of this work, which is often compared to that of the Berlin School of cosmic music that emerged in Germany during the 1970s. But RMI is not simply re-creating the music of this era, but rather further exploring and contemplating the expressional mode and the instruments that made it possible - in hopes of realizing new ideas. Their album "Solid States" is an audio document of their bi-coastal 2002 tour of the USA, including the track "Nov(embers)" recorded live on Star's End.

This trio incorporate elements of Berlin school electronics with Prog/Krautrock and are a force to be reckoned with in a live setting. "Septentrional", their inaugral release on the DiN label see’s a new approach co-ordinated by DiN label boss Ian Boddy. RMI recorded a series of three hour long improvisations which they handed over to Boddy in multitrack form. These were then sifted through, extensively edited - often in a non-linear fashion, re-mixed with the addition of synthetic percussion layers on three of the five tracks and finally reassembled by Boddy into five new pieces. The result is still definitely an RMI sounding album and captures the feel and spirit of the band but filtered through the sonic excellence listeners have come to expect from this innovative label.

The trio made up of Steve Dinsdale, Duncan Goddard and Gary Houghton play various sequencers, mellotrones, guitars, Fender Squires, Moogs and samplers all to good effect. Radio Massacre International has been playing together since 1979, first as a band called DAS, which released 12 albums between 1980-87, and have recorded together as RMI since 1993. Emissaries is a 2-CD set, the first being a studio set of 6 tracks that make up the hour long Emissaries Suite, and the second documents a live radio performance from 2004.

RMI's Steve Dinsdale, Duncan Goddard, and Gary Houghton know how to coax all sorts of nuances from their machines, and they function as a live, interactive trio, with each member responding to the others' riffs and musical motifs. It doesn't hurt any, either, that Houghton has very impressive guitar chops, so when he eases into the mix with some blistering Stratocaster bursts, he rather convincingly updates (and improves upon) Edgar Froese's generic and rather predictable guitar flights on the seminal Tangerine Dream recordings. In a word, Radio Massacre International nail the vintage electronic music sound, but the band is simply more "nimble" than the first generation models, which greatly enhances the listening pleasure of the suitably attuned listener…if you're a musical novice unacquainted with RMI's sources, this music will serve as a stellar introduction to the form.