Bonus disc from new release - inspiration from Jarre & Tangerine Dream! Narration by Les Penning.

Inspiration from Jarre & Tangerine Dream on new release! Narration by Les Penning.

The Biophonic Boombox Recordings delves into the vast depths of The Nightcrawlers’ self-published cassette catalog to collect and reflect upon the pioneering synthesizer trio’s hard-knuckled brand of kosmische musik made on the rugged outskirts of Philadelphia throughout the ‘80s. Working with the band’s living members and from a cache of original cassettes, Anthology’s collection tells The Nightcrawlers’ story through sprawling space epochs and inspired liner notes complete with ephemera from a seldom seen era of electronic music.

Esoteric Recordings’ Reactive label is pleased to announce the release of a newly re-mastered 4 CD clamshell boxed set which gathers together the first four legendary albums by Tangerine Dream, originally released on the Jive Electro label between 1985 and 1987, known by fans as “The Blue Years” albums.

Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.

Nodens Ictus are a British electronic music project formed by Ed Wynne and Joie Hinton in 1986 as an ethereal offshoot of UK psychedelic rock band Ozric Tentacles. The Cozmic Key was the first Nodens album for 17 years when self-released in December 2017. With various line-ups over the years, the band have played live semi-frequently since the late '80's often supporting Ozric shows. Ed Wynne is, without doubt, a gifted instrumentalist, a visionary, a prodigal symphonist and one of the UK's leading influential musicians. He is credited as one of the linchpins of the UK festival scene's re-emergence along with his band Ozric Tentacles, who formed at Stonehenge Free Festival 1983 and became staples of the Glastonbury Festival, with their most recent performance at Glastonbury in 2016 on the Glade stage.

Tangerine Dream follow up their superb In Search of Hades box set with another Virgin-era package. Pilots of Purple Twilight: The Virgin Recordings 1980-1983 showcases the next chapter and features newly remastered versions of the albums Tangram, Thief, Exit, White Eagle, Logos, Hyperborea along with the previously unreleased soundtracks.

Caterina Barbieri somehow recalls both Laurie Spiegel and Lorenzo Senni on her staggering debut album for Editions Mego, with ‘Ecstatic Computation’ yielding her most striking and accessible experiments in pointedly explorative synthesis.

Tomorrow’s five deeply stirring transcendent electronic pieces draw from Steve’s current high tide of creativity and introspection. Developed over the last six months within the stylistic mode he describes as “elegant futurism,” cyclical melodic weavings flow and ebb in a graceful momentum infused with deep emotion. Tomorrow finds a rare balance between a feeling of floating and one of kinetic movement; this unexpected symmetry breathes life and energy into each piece.

Welcome to Monster Planet, Steve Maxwell Von Braund’s 1975 classic of Australian proto-electronica, a big blast of Kosmische dust, Korgs working overtime…Arguably, the first fully electronic Australian album, Monster Planet is a solo recording from one half of the infamous Australian electronic duo, Cybotron. Von Braund recorded this pre Cybotron album upon his 1973 return to Australia after soaking up the sounds of psychedelic 60s London where he mingled with Hawkwind, The Soft Machine and Graham Bond. Circling between that classic Krautrock motorik beat, and a different, almost jazz-y kind of fluidity, Von Braund combined his London experience with his love of German Head music such as Amon Duul, Popol Vuh and Ash Ra Temple, to create a mutant electronic masterpiece. Praised by Tangerine Dream, and lauded by legions of Krautrock collectors, Monster Planet is an early example of visionary Australian experimentation.

This is a rehash of the medieval themes and romantic piano pieces found on the first Fresh Aire. Fresh Aire II gets the nod over the debut by separating the two styles rather than alternating them; the side-long "Fantasia" consists of variations on a stirring medieval theme, not as fertile as Rick Wakeman or Camel's The Snow Goose perhaps, but not far off the mark either. The variations are described as doors (a convenient allusion given the music's conduciveness to reverie), with the intended effect of each described with Epimethean acuity by (presumably) Chip Davis.

Sensitively woven, tranquil textures of sound wash through the mind of the listener on this album from sound master Kitaro. The instrumentation includes synthesizers, slide guitar, mellotron, percussion, tabla and Irish harp.

Magnum opus-weight album from organist and electro-acoustic composer Anna von Hausswolff, debuting on Southern Lord with a masterwork of gothic classical beauty - a must check for fans of Alessandro Cortini, Kali Malone, Kara-Lis Coverdale.