Studio recreation of an electrifying 1961 setlist from Carnegie Hall. This album includes the enduring classic, “Bright Lights, Big City,” which was included in The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll. The album has been freshly remastered from the original tapes and is available in hi-res for the first time.

Released in 2012 by Fuel 2000 Records with full cooperation from the Skip James estate, The Very Best Of Skip James is an essential anthology celebrating one of the most singular, haunting, and visionary figures in Delta blues history. Defined by his haunting high-pitched falsetto, minor-key D-tuning guitar fingerpicking, and complex piano ragtime stylings, James created music that was deeply personal, eerie, and emotionally raw. Featuring definitive studio classics like "Devil Got My Woman," "Hard Time Killin' Floor Blues," "Special Rider Blues," and the iconic "I'm So Glad"—alongside rare live concert renditions—this 19-track retrospective stands as a triumphant showcase of a true master of American acoustic blues.

Today! is Skip James’ second album, originally released in 1966. The album features James solo on all but one track, “How Long,” which includes Russ Savakus on bass. This 180-gram LP pressed at QRP includes an obi with notes by Scott Billington, a paper-wrapped jacket and (AAA) lacquers cut from the original master tapes by Matthew Lutthans at The Mastering Lab. AllMusic asserts, “wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential.”

Hard Time Killin' Floor isn't the first Skip James collection, and one could bet it will not be the last. But Hard Time Killin' Floor makes a pretty good argument for itself: the hour-and-six-minute album holds all of James' early work, and it's been remastered. James' soulful vocal style, like Robert Johnson's, has often been noted, but his quick picking style is also distinctive. "I'm So Glad" is performed at an up-tempo, breakneck pace, and the finger work will leave the listener dizzy. The title cut, on the other hand, has a slow, lazy quality, with the blue notes of the guitar matching the singer's mournful cry. James was somewhat unique among blues guitarists in that he also played piano. His spunky gospel style is on full display on songs like "How Long Buck" and the bizarrely titled "Little Cow and Calf Is Gonna Die Blues"…

Skip James was a Delta blues artist from Mississippi. Known for his career during the Great Depression and subsequent decades, he was “rediscovered” and became much more widely recognized during the 1960’s when he was in very poor health nearing the end of his life. His playing style was primarily in a minor key, featuring complex fingerpicking. After years of being out of print, The Complete 1931 Sessions, taken from James' Paramount recordings, will be remastered and reissued by ORG Music for RSD Black Friday on color vinyl. The compilation is made up of some of the earliest years of the artist’s career and showcases the astounding talent he possessed from the very beginning.