Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Sandrine Piau, Le Concert de la Loge, Julien Chauvin - Si j'ai aimé (2019)

    Posted By: ArlegZ
    Sandrine Piau, Le Concert de la Loge, Julien Chauvin - Si j'ai aimé (2019)

    Sandrine Piau, Le Concert de la Loge, Julien Chauvin - Si j'ai aimé (2019)
    EAC | FLAC | Image (Cue & Log) ~ 254 Mb | Total time: 59:25 | Scans included
    Classical | Label: Alpha | # ALPHA 445 | Recorded: 2019

    Soprano Sandrine Piau has been known mostly as a Baroque specialist, but she has recorded several albums of 19th century French mélodies with spectacular results. Si j'ai aimé (the title comes from one of three songs by the little-known Théodore Dubois) will be very hard for her to outdo. The list of attractions is very long and begins with the repertory. There are some familiar pieces here, such as the opening pair of songs by Saint-Saëns, but many of the composers – Dubois, Charles Bordes, Alexandre Guilmant – are rarely performed, at least outside France, and all the songs here are top-notch.

    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Paysage: Dubois, Hahn, Fauré, Saint-Saëns, Chausson, Gounod (2023)

    Posted By: ArlegZ
    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Paysage: Dubois, Hahn, Fauré, Saint-Saëns, Chausson, Gounod (2023)

    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Paysage: Dubois, Hahn, Fauré, Saint-Saëns, Chausson, Gounod (2023)
    EAC | FLAC | Image (Cue & Log) ~ 234 Mb | Total time: 56:22 | Scans included
    Classical | Label: Alpha Classics | # ALPHA 1030 | Recorded: 2021

    In this recital, Véronique Gens and Hervé Niquet bring back to life a neglected aspect of France’s Romantic heritage: songs with orchestral accompaniment. Aside from a few pieces by Debussy and Duparc, and Berlioz’s famous Nuits d’été, orchestral mélodies form a virtually forgotten continent. In collaboration with the specialists of the Palazzetto Bru Zane, Alpha Classics now revisits these musical landscapes, taking us from Brittany (Hahn) to Persia, whose beauties Fauré and Saint-Saëns exalt in very different ways. Mélodies by Chausson, Gounod and Dubois and rarely heard instrumental pieces by Massenet, Fauré and Fernand de La Tombelle round out the journey with their musical reveries.

    Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 6 - Chant d'Automne: Französische Hornmusik (2008)

    Posted By: ArlegZ
    Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 6 - Chant d'Automne: Französische Hornmusik (2008)

    Michael Alexander Willens, Kölner Akademie - Forgotten Treasures, Vol. 6 - Chant d'Automne: Französische Hornmusik (2008)
    EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 73:25 | Scans included
    Classical | Label: ARS Produktion | # ARS 38 027 | Recorded: 2007

    1814 hatte Heinrich Stölzel ein erstes Mal dem preußischen König seine Erfindung der Ventile für das Horn vorgestellt, die diesem sämtliche Töne seines Umfangs in gleicher Reinheit, Schönheit und Stärke zur Verfügung stellen sollte. Die Zeiten des mangelhaften Waldhorns mit der Ungleichheit seiner Töne seien damit beendet, und er versprach, "durch diese Instrumente eine Musik herzustellen, worüber die Welt erstaunen soll".

    Cédric Tiberghien, Andrew Manze - The Romantic Piano Concerto Vol. 60: Théodore Dubois: Piano Concertos & Fantaisie (2013)

    Posted By: ArlegZ
    Cédric Tiberghien, Andrew Manze - The Romantic Piano Concerto Vol. 60: Théodore Dubois: Piano Concertos & Fantaisie (2013)

    Cédric Tiberghien, Andrew Manze, BBC Scottish Symphony Orchestra - The Romantic Piano Concerto Vol. 60: Théodore Dubois: Piano Concertos & Fantaisie (2013)
    EAC | FLAC | Image (Cue & Log) ~ 240 Mb | Total time: 65:24 | Scans included
    Classical | Label: Hyperion | # CDA67931 | Recorded: 2012

    The wonderful French pianist Cédric Tiberghien has made several admired recital and chamber recordings. Now he joins the impressive roster of pianists who have contributed to Hyperion’s Romantic Piano Concerto series with Volume 60: Théodore Dubois. Three works by this French composer are included here, and they present a captivating panorama of the evolution of Dubois’ style over some forty years: the Concerto-capriccioso of 1876 seems like a preliminary study in the style of such composers as Weber and Mendelssohn, whereas the highly Romantic Concerto in F minor (1897) is reminiscent of Saint-Saëns. The completely unknown Suite for piano and strings (1917), for its part, resembles a neoclassical pastiche.