This double album, Mozart & Flute in Paris, brings together nine captivating works, all with their origins in Paris, which feature a solo flute. Emmanuel Pahud is joined by his colleagues from ‘wind supergroup’ Les Vents Français – oboist François Leleux (here also conducting the Orchestre de chambre de Paris), clarinettist Paul Meyer, bassoonist Gilbert Audin and horn-player Radovan Vlatković – and by Belgian harpist Anneleen Lenaerts.

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

A superstar in her homeland and in high demand worldwide as a soloist, South Korean violinist, Bomsori Kim, presents her solo debut on Deutsche Grammophon. Violin On Stage includes works written for or inspired by opera and ballet. Recorded in December 2020 at the state-of-the-art National Forum of Music in Wroclaw and performed with the NFM Wroclaw Philharmonic and its music director, Giancarlo Guerrero, the album captures the close bond Bomsori feels with Poland, its music, and musicians.

Filmed live at Covent Garden's Royal Opera House in 1981, this staging of Camille Saint-Saens's opera takes on one of the Bible's most famous tales. After trying to force the Hebrews to worship his god, the Philistine ruler meets an untimely end at the hands of the prodigiously powerful Samson (Jon Vickers), who leads the Hebrews in a revolt. But beautiful Philistine Dalila (Shirley Verrett) uses her seductive wiles to weaken the strapping hero.

John Wilson and Sinfonia of London release their second album, following widespread and universal critical acclaim for their first recording, of Korngold’s Symphony in F sharp. This new recording explores the unique sound world of French orchestral music of the late nineteenth and early twentieth centuries. The programme juxtaposes well-known favourites, such as Debussy’s Prélude à l’après-midi d’un faune, Massenet’s ‘Méditation’ from Thaïs, with pieces far more rarely heard, for example Duruflé’s Trois Danses and Saint-Saëns’s Le Rouet d’Omphale. Many of these works evoke the ‘exoticism’ of Spain or North Africa (as was the fashion in French music of this era), and all share the intricate, detailed orchestration that defines the ‘Impressionist’ style.

Louis Lortie completes his survey of the piano concertos of Saint-Saëns with Nos 3 and 5 (the Egyptian), adding the Rhapsodie dAuvergne and Allegro appassionato for good measure. As before, he is joined by Edward Gardner and the BBC Philharmonic.

Michael Collins MBE is one of the most complete musicians of his generation. Continuing his distinguished career as a soloist, he has in recent years also become highly regarded as a conductor and in 2010 took up the position as Principal Conductor of the City of London Sinfonia, and works with leading orchestras around the world both as a soloist and as a conductor. Committed for many years to expanding the repertoire of the clarinet, he has premiered works by some of todays most highly regarded composers, including John Adams, Elliott Carter, Brett Dean and Mark-Anthony Turnage. In addition to commissioning and supporting new compositions, he is also a champion of well-crafted arrangements of other works for the clarinet.

With this programme of music for cello and piano, Steven Isserlis and Connie Shih transport us to the world immortalized in Marcel Proust’s À la recherche du temps perdu – the Parisian high society and its glittering salons. For the composers of the time these provided a perfect platform for the introduction of new works, performed by the finest musicians in France for a sympathetic, educated and rich (!) audience. And for the music-loving Proust they offered countless opportunities to meet the composers that he so admired (and others that he may have admired a bit less…)

It is one of the highlights in the calendar of every classical music fan in Berlin - and beyond: On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together the musicians bid farewell to the old year and welcome the new. In 2015, the orchestra has invited German violinist Anne-Sophie Mutter. Together, they performed works by Saint-Saëns, Massenet, Ravel, Poulenc and Chabrier.

The 2010 New Year’s Eve concert from Berlin frames two of the most prominent stars on DG’s roster: Elina Garanca and Gustavo Dudamel. Recorded live, this gala performance sparkles with a selection of arias and orchestral works that include excerpts from one of Garanca’s most celebrated roles, Bizet’s Carmen, and Marguerite in Berlioz’s Damnation of Faust. As well as providing world-class accompaniment, the Berlin Philharmonic makes a stirring contribution to the program with the overture to Berlioz’s thrilling Roman Carnival and excerpts from Manuel de Falla’s ballet, The Three-Cornered Hat.

Soprano Sandrine Piau has been known mostly as a Baroque specialist, but she has recorded several albums of 19th century French mélodies with spectacular results. Si j'ai aimé (the title comes from one of three songs by the little-known Théodore Dubois) will be very hard for her to outdo. The list of attractions is very long and begins with the repertory. There are some familiar pieces here, such as the opening pair of songs by Saint-Saëns, but many of the composers – Dubois, Charles Bordes, Alexandre Guilmant – are rarely performed, at least outside France, and all the songs here are top-notch.

After an album of French songs (Néère, Alpha 215) that earned her a Gramophone Award in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s.

DG s iconic artist Anne-Sophie Mutter is breaking new grounds with her new album Live from Yellow Lounge. Inspired by the huge success of her first Yellow Lounge in Berlin in 2013, the new album was recorded live at two special Yellow Lounges, which makes for the first ever YL production on tape, 15 years after the concept was introduced. The events took place on two consecutive nights on 7 and 8 May, 2015 at one of Berlin s hippest venues Neue Heimat and was filmed in cooperation with ZDF and DEF Media.

DG s iconic artist Anne-Sophie Mutter is breaking new grounds with her new album Live from Yellow Lounge. Inspired by the huge success of her first Yellow Lounge in Berlin in 2013, the new album was recorded live at two special Yellow Lounges, which makes for the first ever YL production on tape, 15 years after the concept was introduced. The events took place on two consecutive nights on 7 and 8 May, 2015 at one of Berlin s hippest venues Neue Heimat and was filmed in cooperation with ZDF and DEF Media.

Markus Maskuniittys debut recording together with the Royal Stockholm Philharmonic Orchestra together with its chief conductor Sakari Oramo, showcases four concertante works for horn and orchestra covering a period of one hundred years (from 1849 to 1951). Robert Schumann described the horn as the soul of the orchestra and he had a profound affinity with the instrument. The most substantial of Schumanns works featuring the horn is the Konzertstück for four horns and orchestra, Op. 86. Schumann considered the work as one of his best achievements as a composer. During 1849, Schumann wrote a total of three works featuring the valve horn.