Basil Poledouris - Conan The Barbarian: The Complete Original Motion Picture Soundtrack (1982) 3 CDs Expanded Reissue 2012
Basil Poledouris - Conan The Barbarian (1982)
The Complete Original Motion Picture Soundtrack
3 CDs Expanded Remastered Reissue 2012, Mary Ann Fake Series
EAC | FLAC (Image) + cue.+log ~ 1 Gb | Mp3, CBR320 kbps ~ 432 Mb | Scans ~ 335 Mb
Soundtrack, Score | Label: Intrada | # MAF 7123 | 03:07:44
The Complete Original Motion Picture Soundtrack
3 CDs Expanded Remastered Reissue 2012, Mary Ann Fake Series
EAC | FLAC (Image) + cue.+log ~ 1 Gb | Mp3, CBR320 kbps ~ 432 Mb | Scans ~ 335 Mb
Soundtrack, Score | Label: Intrada | # MAF 7123 | 03:07:44
At last! Complete soundtrack by Basil Poledouris to John Milius epic with Arnold Schwarzenegger as Conan, James Earl Jones as Thulsa Doom, Sandahl Bergman as Valeria. Legendary music needs little introduction but long journey to 3-CD set warrants spotlight. Thought missing for decades, even by composer, Universal vaults reveal recently discovered 2" 24-track & 1/2" 3-track stereo session masters in mint condition for entire project, right down to rehearsal takes! (Assorted extra tracks on earlier Varese Sarabande release were made from composer's own incomplete 1/4" two-track copy.) Having complete multi-track session elements allows Intrada to newly mix and master everything, finding cool extras in the process! All of them are here! Poledouris originally scores main title with high trumpets joining horns on primary theme plus dynamic horn counter-melody playing in mid-section. Only one raw take is made before re-writes on podium create familiar final version. Other previously unreleased cues include rich version of "The Awakening" with lengthy never-before-heard woodwind bridge section dropped from final film version plus haunting early versions of "Orphans Of Doom", one scored for orchestra plus solo mezzo-soprano, one scored for chorus with harp alone. Three versions of opening prologue, alternate version of "Battle Of The Mounds Part II" add more fun! Original Poledouris music for snake sequence, savage "Pit Fights" are more highlights. Poledouris didn't write music for kitchen battle sequence as scene was scored editorially from other cues. For Conan purists, we have recreated entire sequence (including awkward edits) for this segment as well as for closing "End Credits", also created editorially in picture itself. Many of composer's unique percussion sequences were created through experimentation right at sessions, including size and pitch of tunable drums, volume of tam tams, density of rhythmic figures, so forth. It's all here! Poledouris was fond of his own 48-minute distillation of highlights from massive score so we have licensed that original 1982 MCA album from UMG as well, newly mastered from original album tapes. Two final extras: opening prologue with Mako narration plus actual mono tape master for film version of snake sequence preferred by director Milius. Fascinating, personalized notes by Nick Redman plus musical coverage by Douglass Fake give listener something to read, exciting graphic design by Joe Sikoryak featuring Schwarzenegger and other cast give listener something to look at. Primal intensity and crisp, vibrant details of original performances are without equal. Basil Poledouris conducts. MAF series 3-disc release!
When director John Milius and his college buddy Basil Poledouris collaborated to produce their first fantasy adventure film, little did they know that they would be catapulting their own careers, as well as that of emerging muscleman Arnold Schwarzenegger, into the bright lights of both cult and mainstream attention. Hollywood was hitting the peak of its "sword and sorcery" phase (which some instead termed the "swords and steroids" phase) when Conan the Barbarian hit the theatres in 1982, and producers and directors struggled to create authentic representations of a fantasy mould of Earth from the Middle Ages on limited budgets and do so during a time when audiences were being awed by the special effects of stories of galactic proportions. The story of a boy's ascension from slave to king during the Hyborean age was the creation of pulp writer Robert E. Howard, and the concept was greeted on screen with enough enthusiasm to warrant a sequel (albeit frightfully inferior) a few years later. Film scores were also undergoing a renaissance in the early 1980's, pointed by John Williams' orchestral adventure works back towards large, symphonic representations of the fantasy genre. The producer of Conan the Barbarian, Dino De Laurentiis, was an advocate of experimenting with pop scores in the epic fantasy genre, and he recommended such an approach for this film. Milius and Poledouris were on a different page, though; the friends were so loyal to each other that the composer would turn down the assignment of Kevin Costner's Dances With Wolves to score the director's Flight of the Intruder. The two men recognized that a rock/pop score would not function for Conan the Barbarian because of the production would rely on the music and cinematography to take the place of dialogue in painting the correct canvas for the film's depiction of the Hyborean age. De Laurentiis, of course, would take his pop score ideas to Dune instead, with a surprisingly effective result. Nothing but Poledouris' heavy symphonic and choral approach would function for Conan the Barbarian, however, and the composer would have to dig deep into Middle Age musical construction (abandoning modern, lyrical strategies) in order to achieve a convincing pre-historic score.
The result of Poledouris' efforts is a complex score that sounds surprisingly primitive and brutal, and the composer reinforced this approach by utilizing the sheer, awesome power of a huge orchestral and choral ensemble. He employed players from two separate orchestras and combined them with a chorus for a recording of monumental proportions in Rome. Unlike other modern composers, Poledouris successfully took Milius' suggestion of adapting the sounds of Carl Orff's "Carmina Burana" (already popularly utilized in Excalibur) and the Gregorian chanting of "Dies Irae" and provided similar emotional constructs without allowing the score to sound like a cheap and unaccomplished imitation. Thrown into the mix, of course, is Poledouris' own knowledge of ancient folk music, a style that would inform his subsequent score for Flesh + Blood to an even greater degree. He accomplishes a consistent Middle Age atmosphere by utilizing powerful arrays of brass and percussion throughout several different memorable motifs that carry the film along as though it were a concert piece with several distinct parts. First, the film begins with the theme that many associate with Conan incorrectly; rather, "Anvil of Crom" is meant as a representation of the period in time and its primitive human behavior. It follows the prologue in the film with a powerful performance by timpani drums and 24 French horns. In the string interlude of that title theme, Conan's true theme is introduced. This more heroic idea is also developed during the "Riddle of Steel" cue and would accompany Conan on his journey of revenge throughout the film. The third theme utilized by Poledouris is the Orff-inspired "Riders of Doom" composition to represent the evil Thulsa Doom (James Earl Jones) during his attacks through the land to collect slaves and followers. This stunning piece, while bothering some listeners with its Orff-like qualities and often performed poorly in concerts by undersized performing groups, is a continuation of unabashed percussion and brass, with a Latin chorus providing an intriguingly melodic sense of horror. A monumental solo sequence for the timpani in this cue (at 4:25) is extremely engaging. This theme, tracked artificially for the "Orgy Fight," returns in different arrangements but with equal force during the climactic battle between Conan and Doom's warriors near the end of the film, and a disappointingly shallow and fragmented version of the idea would carry over to Conan the Destroyer.
For Thulsa Doom's more hauntingly pleasant side, Poledouris worked with a simple theme inspired by the musical tinkering of his young daughter, Zoe, for "The Orgy," a basic, but effectively rolling representation of the barbaric sexual environment of the villain. The love theme for Conan, sometimes included as a passage within Conan's own similarly rendered theme, is performed with an appealing, lush heart by woodwinds, instruments that often act as the soul of the characters in the film. Among the smaller motifs are the relentlessly grinding rhythms of "Wheel of Pain" and the light-hearted, percussively festive "Civilization" theme that accompanies Conan's Mongol friend and flourishes in grandeur as Conan is rescued from "The Tree of Woe." To finish a commentary about Conan the Barbarian by suggesting that these are the only superior ideas in the work would be an insult to Poledouris, because nearly every cue contains an equally effective motif of some kind, culminating in the harmonically lovely and chorally lamenting "Orphans of Doom" at the conclusion of the film. While the score is never completely integrated so that all of the themes come together in a suite format (outside of artificial editing of sequences in the film to collect the best portions for multiple uses), Poledouris does manage to restate most of his ideas consistently throughout the film, providing the perfect musical canvas for the rather predictable characters. The score is rich in exotic percussion, heart-pounding rhythms, and mesmerizing instrumentation, proving what level of magic can result when a composer and director work towards a common goal with a massive ensemble of performers collected from two orchestras and a broad, expansive scope in mind from the outset. Because most of the constructs in the score maintain accessibility through their common, harmonic foundation, Conan the Barbarian translates very well to album, where the music has had another storied history. A very early CD was issued not long after the identical LPs hit stores in 1982. Most of the early Milan/MCA Records pressings were sold outside the United States, with the only CD representation for many years being a Milan album originating from France. This album contains the rather silly and disjointed (but still inexplicably cool) spoken prologue from the film by the Mongol wizard (Mako), the classic text of which you can view at the bottom of this review page. Featuring about 48 minutes of score, the Milan album has been reprinted several times (in 1992, 1999, and 2003), and all of these products feature identical contents at a low retail cost for casual listeners.
In 1992, following Milan's initial offering, Varèse Sarabande released the scores for both Conan the Barbarian and its less impressive sequel, Conan the Destroyer, on their own CDs, with the album for the first score adding 20 minutes of previously unreleased material to the contents of the preceding CDs and LP. Among the extra cues are the fantastic "Tree of Woe" and "Recovery" back to back, both of which featuring strong extensions of the civilization and love themes that are not to be missed. Also added are lengthy cues from the latter half of the film, including the orgy scene and Doom's classic head-rolling execution by Conan. Unfortunately, these Varèse albums for the franchise fell completely out of print and hit $100 apiece in value on the used CD market. All the early CDs, largely assembled from unsatisfactory tapes held by Poledouris himself, exhibit the archival sound quality to be expected for the era, reflecting the same consequent harshness in brass that is typically heard in James Horner's early recordings. The Varèse release of Conan the Barbarian, although it is unfortunately missing the catchy prologue, features slightly more dynamic sound quality and an excellent 20 minutes of extra score, and this product was for a long time considered highly preferable. In 2012, Intrada Records finally obtained the studio's original tapes and produced a 3-CD set of the complete score with newly-released alternate takes, many of which raw and interesting in their revelations about the score's evolution. While this presentation suffers from the inclusion of the lengthy source-like usage of solo percussion and oboes, it's a tremendous treat for any enthusiast of the score. Be aware that the new mix of the score by Intrada may sound awkward at first to those very familiar with the previous albums, and a fair amount of archival sound issues inevitably remain. That said, it is a classic album for a classic score, presenting the early highlight of a career sadly cut short just two decades later. When Poledouris was nearing the end of his battle with cancer in 2006, he set his focus on traveling from America to a film music conference in Ubeda, Spain, in July of that year. Despite his scars from brain tumors and the effects of chemotherapy, he managed to miraculously make the trip so that he could conduct a significant portion of reconstructed music from Conan the Barbarian (albeit transcribed for a smaller orchestra) for adoring fans. Upon returning to the United States after that successful and widely publicized concert, the composer ceased his chemo and passed away within months. This score stands, therefore, as not only a highlight of Poledouris' career in a technical sense, but also as a tribute to his own spirit of adventure.
One of the only lingering elements of serious dissatisfaction involving Conan the Barbarian that will forever haunt its original recording is its uncorrectable issue of sound quality. That problem was compounded when many ensembles failed to capture the score's brutal tone in re-recordings of individual cues. Poledouris himself had never been pleased with how his score was performed and preserved, fueling long discussions about reconstructing the score and re-recording its entirety in vibrant digital sound. Through a partnership between James Fitzpatrick and Luc Van de Ven in 2010, Tadlow Music and Prometheus Records were able to give this monumental score a second life. The assembly of the score included the use of Poledouris' original manuscripts and a precise, careful assembly of the right instrumentation, including percussive effects not rendered as intended in the original recording, to constitute the City of Prague Philharmonic (joined by its usual choral supplement). The Eastern European tone of the 100 singers of the chorus was an additional fortune given the weightier force of sound they could naturally supply to the Latin texts. The reconstruction of the actual lyrics used by Poledouris was another painstaking detail not overlooked for the recreation. This ensemble, conducted by Nic Raine, consists of veterans of many film score recreations, and their recordings are well known for their outstanding balance between detail and a wet ambient mix that gives the impression of a live performance. All of the best attributes of the group's top efforts through the years, from their memorable performance of John Barry's Raise the Titanic to their rousing rendition of Jerry Goldsmith's theme from Capricorn One, are matched for Conan the Barbarian. It is often said in reviews of music from the fantasy renaissance of the 1980's that a precise re-recording of the full scores would be their own form of fantasy, and Conan the Barbarian has always been among such deserving candidates. To actually hear such an endeavor executed so well is stunning in a practical sense, not only from the technical performance aspect, but also given how expensive such prospects are. Thankfully, the 2010 re-recording of Conan the Barbarian is everything you could hope it to be. It's a rare case in which your high expectations are actually exceeded, with perfect execution across the board and a collection of extras on the second CD of its set that includes a fantastic hidden gem in the form of seven minutes from Conan the Destroyer. To hear over two hours of Poledouris' music for the franchise in this fashion is the kind of treat that every film score should greet with an open wallet. Simply put, no better film score album debuted in all of 2010. Between the albums from Intrada and Prometheus, now is the time to appreciate the music of Aquilonia.Editorial Review, FilmTracks.com
Basil Poledouris - Conan The Barbarian: The Complete Original Motion Picture Soundtrack (1982) 3 CDs Expanded Reissue 2012
~ Basil Poledouris at Allmusic
~ Basil Poledouris at Wiki
~ Film at IMDB
~ Film at Wiki
Tracklist:
CD1: Complete Score (56:51)
01. Prologue/Anvil Of Crom (3:41)
02. Riddle Of Steel/Riders Of Doom (5:40)
03. Gift Of Fury (3:53)
04. Column Of Sadness/Wheel Of Pain (4:12)
05. Pit Fights (2:41)
06. Discipline Of Steel/Freedom Council (1:32)
07. Atlantean Sword (4:03)
08. Warm Welcome (2:05)
09. Wolf Witch (3:11)
10. Theology/Civilization (3:16)
11. Street Of Deviants (0:30)
12. Hopefuls at the Tower of Set (2:23)
13. The Tower Of Set (5:39)
14. The Snake/Infidels (2:01)
15. The Tavern (1:14)
16. Wifeing (Love Theme) (2:11)
17. Indulgence/Mettle (1:16)
18. The Hall of King Osric (1:24)
19. The Leaving/The Search (6:00)
CD2: Complete Score (Continued…) (1:18:48)
01. The Mountain Of Power Procession (3:25)
02. Capture (0:54)
03. Tree Of Woe/Recovery (5:47)
04. Warpaint (1:01)
05. The Kitchen/The Orgy (6:30)
06. The Defilers (5:18)
07. Funeral Pyre (4:33)
08. Battle Of The Mounds Part I (4:52)
09. Battle Of The Mounds Part II (2:17)
10. Battle Of The Mounds Part III (Revised)/Night of Doom (5:37)
11. Head Chop (0:59)
12. Orphans Of Doom/The Awakening (5:32)
13. End Title (5:13)
The Extras
14. Prologue [First Version] (0:49)
15. Anvil Of Crom [First Version] (2:31)
16. The Tower Of Set Part 1 [First Version] (3:47)
17. Battle Of The Mounds Part II [First Version] (2:18)
18. Battle Of The Mounds Part III [First Version] (3:04)
19. Orphans Of Doom [Orchestra And Solo Voice] (1:24)
20. The Awakening [First Version] (6:47)
21. 'Las Cantigas De Santa Maria' (The Snake) (6:08)
CD3: Original 1982 Soundtrack Album (52:04)
01. Anvil Of Crom (2:37)
02. Riddle Of Steel/Riders Of Doom (5:40)
03. Gift Of Fury (3:53)
04. Wheel Of Pain (4:12)
05. Atlantean Sword (3:54)
06. Theology/Civilization (3:17)
07. Wifeing (Theme Of Love From Conan The Barbarian) (2:12)
08. The Search (3:12)
09. The Orgy [Written by Basil Poledouris & Zoe Poledouris] (4:17)
10. Funeral Pyre (4:32)
11. Battle Of The Mounds (4:56)
12. Orphans Of Doom/The Awakening (5:40)
One Last Extra
13. Prologue (W/Narration)/Anvil Of Crom (3:43)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
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Basil Poledouris / Conan The Barbarian (Complete Score)
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EAC extraction logfile from 12. September 2013, 14:08
Basil Poledouris / Conan The Barbarian (Complete Score)
Used drive : ASUS DRW-24B3LT Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:40.46 | 0 | 16545
2 | 3:40.46 | 5:39.48 | 16546 | 42018
3 | 9:20.19 | 3:52.74 | 42019 | 59492
4 | 13:13.18 | 4:11.70 | 59493 | 78387
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6 | 20:06.20 | 1:31.71 | 90470 | 97365
7 | 21:38.16 | 4:03.32 | 97366 | 115622
8 | 25:41.48 | 2:05.36 | 115623 | 125033
9 | 27:47.09 | 3:10.41 | 125034 | 139324
10 | 30:57.50 | 3:15.69 | 139325 | 154018
11 | 34:13.44 | 0:29.70 | 154019 | 156263
12 | 34:43.39 | 2:22.44 | 156264 | 166957
13 | 37:06.08 | 5:38.63 | 166958 | 192370
14 | 42:44.71 | 2:01.07 | 192371 | 201452
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16 | 46:00.03 | 2:10.72 | 207003 | 216824
17 | 48:11.00 | 1:16.03 | 216825 | 222527
18 | 49:27.03 | 1:23.60 | 222528 | 228812
19 | 50:50.63 | 6:00.33 | 228813 | 255845
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Copy OK
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log date: 2017-08-03 01:23:49
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Analyzed: Basil Poledouris / Conan The Barbarian (Complete Score)
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DR Peak RMS Duration Track
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DR13 -5.60 dB -21.97 dB 2:23 12-Hopefuls at the Tower of Set
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DR12 -2.64 dB -18.76 dB 2:01 14-The Snake/Infidels
DR16 -4.17 dB -23.65 dB 1:14 15-The Tavern
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================================================================================
log date: 2017-08-03 01:23:49
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Analyzed: Basil Poledouris / Conan The Barbarian (Complete Score)
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. January 2014, 0:22
Basil Poledouris / Conan The Barbarian Complete Score (Continued…)
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Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:24.57 | 0 | 15356
2 | 3:24.57 | 0:54.34 | 15357 | 19440
3 | 4:19.16 | 5:46.59 | 19441 | 45449
4 | 10:06.00 | 1:01.23 | 45450 | 50047
5 | 11:07.23 | 6:30.07 | 50048 | 79304
6 | 17:37.30 | 5:18.04 | 79305 | 103158
7 | 22:55.34 | 4:33.28 | 103159 | 123661
8 | 27:28.62 | 4:52.25 | 123662 | 145586
9 | 32:21.12 | 2:17.25 | 145587 | 155886
10 | 34:38.37 | 5:36.58 | 155887 | 181144
11 | 40:15.20 | 0:59.05 | 181145 | 185574
12 | 41:14.25 | 5:32.37 | 185575 | 210511
13 | 46:46.62 | 5:12.44 | 210512 | 233955
14 | 51:59.31 | 0:48.38 | 233956 | 237593
15 | 52:47.69 | 2:31.10 | 237594 | 248928
16 | 55:19.04 | 3:46.66 | 248929 | 265944
17 | 59:05.70 | 2:18.03 | 265945 | 276297
18 | 61:23.73 | 3:04.33 | 276298 | 290130
19 | 64:28.31 | 1:24.02 | 290131 | 296432
20 | 65:52.33 | 6:47.37 | 296433 | 326994
21 | 72:39.70 | 6:08.05 | 326995 | 354599
Range status and errors
Selected range
Filename D:\Elena\Desktop\Test&Copy\Basil Poledouris - Conan The Barbarian Complete Score (Continued…).wav
Peak level 100.0 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 33C0AD46
Copy CRC 33C0AD46
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 30) [90ED33F1] (AR v2)
Track 2 accurately ripped (confidence 30) [D57AA311] (AR v2)
Track 3 accurately ripped (confidence 30) [E2661884] (AR v2)
Track 4 accurately ripped (confidence 30) [D253BA3D] (AR v2)
Track 5 accurately ripped (confidence 30) [7B97A16A] (AR v2)
Track 6 accurately ripped (confidence 30) [EF12BA87] (AR v2)
Track 7 accurately ripped (confidence 30) [C3C0B37B] (AR v2)
Track 8 accurately ripped (confidence 30) [60778B88] (AR v2)
Track 9 accurately ripped (confidence 30) [4FD65C08] (AR v2)
Track 10 accurately ripped (confidence 30) [31B19E8F] (AR v2)
Track 11 accurately ripped (confidence 29) [832DC2FD] (AR v2)
Track 12 accurately ripped (confidence 30) [5504A6FF] (AR v2)
Track 13 accurately ripped (confidence 30) [CBB48CBC] (AR v2)
Track 14 accurately ripped (confidence 29) [88AECF23] (AR v2)
Track 15 accurately ripped (confidence 29) [C201CF57] (AR v2)
Track 16 accurately ripped (confidence 29) [4340DBE1] (AR v2)
Track 17 accurately ripped (confidence 29) [F8CD061B] (AR v2)
Track 18 accurately ripped (confidence 29) [02312FA4] (AR v2)
Track 19 accurately ripped (confidence 29) [BAF81A9D] (AR v2)
Track 20 accurately ripped (confidence 29) [755DF86F] (AR v2)
Track 21 accurately ripped (confidence 29) [3530A553] (AR v2)
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. January 2014, 0:22
Basil Poledouris / Conan The Barbarian Complete Score (Continued…)
Used drive : hp DVDRAM GT31N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:24.57 | 0 | 15356
2 | 3:24.57 | 0:54.34 | 15357 | 19440
3 | 4:19.16 | 5:46.59 | 19441 | 45449
4 | 10:06.00 | 1:01.23 | 45450 | 50047
5 | 11:07.23 | 6:30.07 | 50048 | 79304
6 | 17:37.30 | 5:18.04 | 79305 | 103158
7 | 22:55.34 | 4:33.28 | 103159 | 123661
8 | 27:28.62 | 4:52.25 | 123662 | 145586
9 | 32:21.12 | 2:17.25 | 145587 | 155886
10 | 34:38.37 | 5:36.58 | 155887 | 181144
11 | 40:15.20 | 0:59.05 | 181145 | 185574
12 | 41:14.25 | 5:32.37 | 185575 | 210511
13 | 46:46.62 | 5:12.44 | 210512 | 233955
14 | 51:59.31 | 0:48.38 | 233956 | 237593
15 | 52:47.69 | 2:31.10 | 237594 | 248928
16 | 55:19.04 | 3:46.66 | 248929 | 265944
17 | 59:05.70 | 2:18.03 | 265945 | 276297
18 | 61:23.73 | 3:04.33 | 276298 | 290130
19 | 64:28.31 | 1:24.02 | 290131 | 296432
20 | 65:52.33 | 6:47.37 | 296433 | 326994
21 | 72:39.70 | 6:08.05 | 326995 | 354599
Range status and errors
Selected range
Filename D:\Elena\Desktop\Test&Copy\Basil Poledouris - Conan The Barbarian Complete Score (Continued…).wav
Peak level 100.0 %
Extraction speed 2.3 X
Range quality 99.9 %
Test CRC 33C0AD46
Copy CRC 33C0AD46
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 30) [90ED33F1] (AR v2)
Track 2 accurately ripped (confidence 30) [D57AA311] (AR v2)
Track 3 accurately ripped (confidence 30) [E2661884] (AR v2)
Track 4 accurately ripped (confidence 30) [D253BA3D] (AR v2)
Track 5 accurately ripped (confidence 30) [7B97A16A] (AR v2)
Track 6 accurately ripped (confidence 30) [EF12BA87] (AR v2)
Track 7 accurately ripped (confidence 30) [C3C0B37B] (AR v2)
Track 8 accurately ripped (confidence 30) [60778B88] (AR v2)
Track 9 accurately ripped (confidence 30) [4FD65C08] (AR v2)
Track 10 accurately ripped (confidence 30) [31B19E8F] (AR v2)
Track 11 accurately ripped (confidence 29) [832DC2FD] (AR v2)
Track 12 accurately ripped (confidence 30) [5504A6FF] (AR v2)
Track 13 accurately ripped (confidence 30) [CBB48CBC] (AR v2)
Track 14 accurately ripped (confidence 29) [88AECF23] (AR v2)
Track 15 accurately ripped (confidence 29) [C201CF57] (AR v2)
Track 16 accurately ripped (confidence 29) [4340DBE1] (AR v2)
Track 17 accurately ripped (confidence 29) [F8CD061B] (AR v2)
Track 18 accurately ripped (confidence 29) [02312FA4] (AR v2)
Track 19 accurately ripped (confidence 29) [BAF81A9D] (AR v2)
Track 20 accurately ripped (confidence 29) [755DF86F] (AR v2)
Track 21 accurately ripped (confidence 29) [3530A553] (AR v2)
All tracks accurately ripped
End of status report
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-03 01:24:34
––––––––––––––––––––––––––––––––––––––––
Analyzed: Basil Poledouris / Conan The Barbarian Complete Score (Continued…)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.25 dB -16.39 dB 3:25 01-The Mountain Of Power Procession
DR10 -3.28 dB -20.41 dB 0:54 02-Capture
DR11 -4.61 dB -18.47 dB 1:01 04-Warpaint
DR11 0.00 dB -15.23 dB 5:18 06-The Defilers
DR14 -0.14 dB -20.67 dB 4:33 07-Funeral Pyre
DR11 -0.01 dB -15.20 dB 4:52 08-Battle Of The Mounds Part I
DR13 -0.17 dB -20.09 dB 2:17 09-Battle Of The Mounds Part II
DR12 -2.01 dB -22.57 dB 0:59 11-Head Chop
DR11 -5.20 dB -22.40 dB 0:49 14-Prologue [First Version] (The Extras)
DR11 0.00 dB -16.29 dB 2:31 15-Anvil Of Crom [First Version] (The Extras)
DR15 -5.33 dB -24.77 dB 3:47 16-The Tower Of Set Part 1 [First Version] (The Extras)
DR13 -2.06 dB -21.04 dB 2:18 17-Battle Of The Mounds Part II [First Version] (The Extras)
DR14 -2.39 dB -23.37 dB 3:04 18-Battle Of The Mounds Part III [First Version] (The Extras)
DR9 -12.99 dB -26.95 dB 1:24 19-Orphans Of Doom [Orchestra And Solo Voice] (The Extras)
DR14 -2.36 dB -21.31 dB 6:08 21-'Las Cantigas De Santa Maria' (The Snake) (The Extras)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Battle Of The Mounds Part III [Revised] / Conan The Barbarian Complete Score (Continued…) (1)
Conan The King / Conan The Barbarian Complete Score (Continued…) (2)
Orphans Of Doom [Chorus And Harp] / Conan The Barbarian Complete Score (Continued…) (3)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.95 dB -18.95 dB 5:37 10-Battle Of The Mounds Part III (Revised)/Night of Doom
DR11 0.00 dB -14.39 dB 5:13 13-End Title
DR13 -2.39 dB -23.21 dB 6:47 20-The Awakening [First Version] (The Extras)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Orphans Of Doom/The Awakening
Number of samples: 14662956
Duration: 5:32
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.70 dB –- -0.21 dB
Avg RMS: -18.94 dB –- -18.41 dB
DR channel: 13.07 dB –- 12.62 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 05-The Kitchen/The Orgy
Number of samples: 17203116
Duration: 6:30
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -2.05 dB –- -1.85 dB
Avg RMS: -16.27 dB –- -16.91 dB
DR channel: 11.76 dB –- 12.74 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 03-Tree Of Woe/Recovery
Number of samples: 15293292
Duration: 5:47
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -5.63 dB –- -4.80 dB
Avg RMS: -24.08 dB –- -24.31 dB
DR channel: 13.68 dB –- 14.92 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
log date: 2017-08-03 01:24:34
––––––––––––––––––––––––––––––––––––––––
Analyzed: Basil Poledouris / Conan The Barbarian Complete Score (Continued…)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -2.25 dB -16.39 dB 3:25 01-The Mountain Of Power Procession
DR10 -3.28 dB -20.41 dB 0:54 02-Capture
DR11 -4.61 dB -18.47 dB 1:01 04-Warpaint
DR11 0.00 dB -15.23 dB 5:18 06-The Defilers
DR14 -0.14 dB -20.67 dB 4:33 07-Funeral Pyre
DR11 -0.01 dB -15.20 dB 4:52 08-Battle Of The Mounds Part I
DR13 -0.17 dB -20.09 dB 2:17 09-Battle Of The Mounds Part II
DR12 -2.01 dB -22.57 dB 0:59 11-Head Chop
DR11 -5.20 dB -22.40 dB 0:49 14-Prologue [First Version] (The Extras)
DR11 0.00 dB -16.29 dB 2:31 15-Anvil Of Crom [First Version] (The Extras)
DR15 -5.33 dB -24.77 dB 3:47 16-The Tower Of Set Part 1 [First Version] (The Extras)
DR13 -2.06 dB -21.04 dB 2:18 17-Battle Of The Mounds Part II [First Version] (The Extras)
DR14 -2.39 dB -23.37 dB 3:04 18-Battle Of The Mounds Part III [First Version] (The Extras)
DR9 -12.99 dB -26.95 dB 1:24 19-Orphans Of Doom [Orchestra And Solo Voice] (The Extras)
DR14 -2.36 dB -21.31 dB 6:08 21-'Las Cantigas De Santa Maria' (The Snake) (The Extras)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Battle Of The Mounds Part III [Revised] / Conan The Barbarian Complete Score (Continued…) (1)
Conan The King / Conan The Barbarian Complete Score (Continued…) (2)
Orphans Of Doom [Chorus And Harp] / Conan The Barbarian Complete Score (Continued…) (3)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.95 dB -18.95 dB 5:37 10-Battle Of The Mounds Part III (Revised)/Night of Doom
DR11 0.00 dB -14.39 dB 5:13 13-End Title
DR13 -2.39 dB -23.21 dB 6:47 20-The Awakening [First Version] (The Extras)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 12-Orphans Of Doom/The Awakening
Number of samples: 14662956
Duration: 5:32
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.70 dB –- -0.21 dB
Avg RMS: -18.94 dB –- -18.41 dB
DR channel: 13.07 dB –- 12.62 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 05-The Kitchen/The Orgy
Number of samples: 17203116
Duration: 6:30
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -2.05 dB –- -1.85 dB
Avg RMS: -16.27 dB –- -16.91 dB
DR channel: 11.76 dB –- 12.74 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 03-Tree Of Woe/Recovery
Number of samples: 15293292
Duration: 5:47
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -5.63 dB –- -4.80 dB
Avg RMS: -24.08 dB –- -24.31 dB
DR channel: 13.68 dB –- 14.92 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 764 kbps
Codec: FLAC
================================================================================
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. September 2013, 17:53
Basil Poledouris / Conan The Barbarian (Original 1982 Soundtrack Album)
Used drive : ASUS DRW-24B3LT Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:37.31 | 0 | 11805
2 | 2:37.31 | 5:39.72 | 11806 | 37302
3 | 8:17.28 | 3:53.00 | 37303 | 54777
4 | 12:10.28 | 4:12.19 | 54778 | 73696
5 | 16:22.47 | 3:53.54 | 73697 | 91225
6 | 20:16.26 | 3:16.39 | 91226 | 105964
7 | 23:32.65 | 2:12.37 | 105965 | 115901
8 | 25:45.27 | 3:11.43 | 115902 | 130269
9 | 28:56.70 | 4:17.34 | 130270 | 149578
10 | 33:14.29 | 4:31.64 | 149579 | 169967
11 | 37:46.18 | 4:55.49 | 169968 | 192141
12 | 42:41.67 | 5:39.62 | 192142 | 217628
13 | 48:21.54 | 3:42.48 | 217629 | 234326
Range status and errors
Selected range
Filename D:\Osieron\Desktop\Test&Copy\Basil Poledouris - Conan The Barbarian (Original 1982 Soundtrack Album).wav
Peak level 100.0 %
Extraction speed 3.4 X
Range quality 100.0 %
Test CRC 48D7602A
Copy CRC 48D7602A
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 27) [C2DBF909] (AR v2)
Track 2 accurately ripped (confidence 26) [0D847BBD] (AR v2)
Track 3 accurately ripped (confidence 26) [9482B482] (AR v2)
Track 4 accurately ripped (confidence 26) [69C57684] (AR v2)
Track 5 accurately ripped (confidence 26) [E80BAA1D] (AR v2)
Track 6 accurately ripped (confidence 26) [DD030F2A] (AR v2)
Track 7 accurately ripped (confidence 26) [4AA745B0] (AR v2)
Track 8 accurately ripped (confidence 27) [600883A5] (AR v2)
Track 9 accurately ripped (confidence 26) [58E8A245] (AR v2)
Track 10 accurately ripped (confidence 26) [94BECF94] (AR v2)
Track 11 accurately ripped (confidence 27) [3264101B] (AR v2)
Track 12 accurately ripped (confidence 26) [0B2F5E74] (AR v2)
Track 13 accurately ripped (confidence 27) [74BFE7F4] (AR v2)
All tracks accurately ripped
End of status report
EAC extraction logfile from 12. September 2013, 17:53
Basil Poledouris / Conan The Barbarian (Original 1982 Soundtrack Album)
Used drive : ASUS DRW-24B3LT Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:37.31 | 0 | 11805
2 | 2:37.31 | 5:39.72 | 11806 | 37302
3 | 8:17.28 | 3:53.00 | 37303 | 54777
4 | 12:10.28 | 4:12.19 | 54778 | 73696
5 | 16:22.47 | 3:53.54 | 73697 | 91225
6 | 20:16.26 | 3:16.39 | 91226 | 105964
7 | 23:32.65 | 2:12.37 | 105965 | 115901
8 | 25:45.27 | 3:11.43 | 115902 | 130269
9 | 28:56.70 | 4:17.34 | 130270 | 149578
10 | 33:14.29 | 4:31.64 | 149579 | 169967
11 | 37:46.18 | 4:55.49 | 169968 | 192141
12 | 42:41.67 | 5:39.62 | 192142 | 217628
13 | 48:21.54 | 3:42.48 | 217629 | 234326
Range status and errors
Selected range
Filename D:\Osieron\Desktop\Test&Copy\Basil Poledouris - Conan The Barbarian (Original 1982 Soundtrack Album).wav
Peak level 100.0 %
Extraction speed 3.4 X
Range quality 100.0 %
Test CRC 48D7602A
Copy CRC 48D7602A
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 27) [C2DBF909] (AR v2)
Track 2 accurately ripped (confidence 26) [0D847BBD] (AR v2)
Track 3 accurately ripped (confidence 26) [9482B482] (AR v2)
Track 4 accurately ripped (confidence 26) [69C57684] (AR v2)
Track 5 accurately ripped (confidence 26) [E80BAA1D] (AR v2)
Track 6 accurately ripped (confidence 26) [DD030F2A] (AR v2)
Track 7 accurately ripped (confidence 26) [4AA745B0] (AR v2)
Track 8 accurately ripped (confidence 27) [600883A5] (AR v2)
Track 9 accurately ripped (confidence 26) [58E8A245] (AR v2)
Track 10 accurately ripped (confidence 26) [94BECF94] (AR v2)
Track 11 accurately ripped (confidence 27) [3264101B] (AR v2)
Track 12 accurately ripped (confidence 26) [0B2F5E74] (AR v2)
Track 13 accurately ripped (confidence 27) [74BFE7F4] (AR v2)
All tracks accurately ripped
End of status report
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-03 01:24:12
––––––––––––––––––––––––––––––––––––––––
Analyzed: Basil Poledouris / Conan The Barbarian (Original 1982 Soundtrack Album)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.32 dB -13.16 dB 2:37 01-Anvil Of Crom
DR11 -0.35 dB -15.78 dB 5:40 02-Riddle Of Steel/Riders Of Doom
DR11 -2.21 dB -18.22 dB 3:53 03-Gift Of Fury
DR10 -0.46 dB -15.62 dB 4:12 04-Wheel Of Pain
DR12 -1.45 dB -18.66 dB 3:54 05-Atlantean Sword
DR11 0.00 dB -16.32 dB 3:17 06-Theology/Civilization
DR10 -1.39 dB -16.27 dB 2:12 07-Wifeing (Theme Of Love From Conan The Barbarian)
DR11 -2.12 dB -17.25 dB 3:12 08-The Search
DR12 -0.82 dB -15.22 dB 4:17 09-The Orgy [Written by Basil Poledouris & Zoe Poledouris]
DR10 -1.56 dB -17.38 dB 4:32 10-Funeral Pyre
DR11 -0.09 dB -14.72 dB 4:56 11-Battle Of The Mounds
DR12 -0.71 dB -17.26 dB 5:40 12-Orphans Of Doom/The Awakening
DR11 -0.02 dB -14.68 dB 3:43 13-Prologue (W/Narration)/Anvil Of Crom [One Last Extra]
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 775 kbps
Codec: FLAC
================================================================================
log date: 2017-08-03 01:24:12
––––––––––––––––––––––––––––––––––––––––
Analyzed: Basil Poledouris / Conan The Barbarian (Original 1982 Soundtrack Album)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.32 dB -13.16 dB 2:37 01-Anvil Of Crom
DR11 -0.35 dB -15.78 dB 5:40 02-Riddle Of Steel/Riders Of Doom
DR11 -2.21 dB -18.22 dB 3:53 03-Gift Of Fury
DR10 -0.46 dB -15.62 dB 4:12 04-Wheel Of Pain
DR12 -1.45 dB -18.66 dB 3:54 05-Atlantean Sword
DR11 0.00 dB -16.32 dB 3:17 06-Theology/Civilization
DR10 -1.39 dB -16.27 dB 2:12 07-Wifeing (Theme Of Love From Conan The Barbarian)
DR11 -2.12 dB -17.25 dB 3:12 08-The Search
DR12 -0.82 dB -15.22 dB 4:17 09-The Orgy [Written by Basil Poledouris & Zoe Poledouris]
DR10 -1.56 dB -17.38 dB 4:32 10-Funeral Pyre
DR11 -0.09 dB -14.72 dB 4:56 11-Battle Of The Mounds
DR12 -0.71 dB -17.26 dB 5:40 12-Orphans Of Doom/The Awakening
DR11 -0.02 dB -14.68 dB 3:43 13-Prologue (W/Narration)/Anvil Of Crom [One Last Extra]
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 775 kbps
Codec: FLAC
================================================================================
Basil Poledouris - Conan The Barbarian: The Complete Original Motion Picture Soundtrack (1982) 3 CDs Expanded Reissue 2012
