Marvin Gaye - Trouble Man (1972) [1987, Reissue]

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Marvin Gaye - Trouble Man (1972) [1987, Reissue]

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"Trouble Man" is a soundtrack and twelfth studio album by American soul singer Marvin Gaye, released on December 8, 1972, on Motown-subsidiary label Tamla Records. As the soundtrack to the 1972 Blaxploitation film of the same name, the Trouble Man soundtrack was a more contemporary move for Gaye, following his landmark politically charged album "What's Going On." Following the success of What's Going On, Marvin Gaye had not only won creative control, but a renewed $1 million contract with Motown subsidiary Tamla had made the musician the most profitable R&B artist of all time. Signing the contract in early 1972, Gaye sought to take advantage of his opportunities. Bolstered by the successes of film soundtracks such as Shaft and Superfly, Motown offered the musician a chance to compose his own film soundtrack after winning rights to produce the crime thriller, Trouble Man. Unlike Isaac Hayes and Curtis Mayfield, who mixed social commentary with sexual songs in their respective soundtracks, Gaye chose to focus primarily on the film's character, "Mister T", producing and composing both the film's score while entirely producing the film's soundtrack, which was recorded at Motown Studios (or "Hitsville West") in Hollywood. Following the closing of Detroit's Hitsville USA studios in 1972, Motown had primarily moved its location to Los Angeles, where Gaye also relocated where he recorded the Trouble Man album. Gaye invited several musicians, including some from the Funk Brothers and musicians from Hamilton Bohannon's band. Gaye would compose five different versions of the title track, including an alternate vocal version, which was used primarily for the film's intro. The alternate version featured Gaye double-tracking two lead vocal parts into one, bringing his falsetto vocals with his tenor on top of the falsetto. The single version, which was also featured on the soundtrack, would feature a single lead vocal take. The other three versions were put on the album as instrumentals with Gaye providing synthesizer keyboards while saxophone solos (and occasionally guitar) accompany him. The only other songs in which Gaye vocalized harmonies or perform lead vocals included "Poor Abbey Walsh", "Cleo's Apartment", "Life is a Gamble", "Don't Mess with Mister T" and "There Goes Mister T". Bolstered by the hit success of the title track, which returned Gaye to a blues format, the album followed in December where it reached the top 20 of the Billboard 200, peaking at #12. It would become Gaye's only soundtrack and film score. Critics gave the album favorable reviews while sometimes comparing Gaye's soundtrack efforts to that of Hayes' and Mayfield's. Following this, other R&B musicians would produce soundtracks of their own, including James Brown, Barry White and fellow Motown acts, Willie Hutch and Edwin Starr.

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Marvin Gaye - Trouble Man (1972) [1987, Reissue]

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In 1972, things were rapidly shifting in Marvin Gaye's world. He was coming off of one of his most wide-reaching hit albums with 1971's instant classic What's Going On, and his recording contract with Motown subsidiary Tamla was renewed for a cool million dollars and total creative control, making him one of the most successful R&B artists of his day. With Motown's offices migrating west from Detroit to Los Angeles, Gaye followed suit, beginning work on Trouble Man, both the score to a blaxploitation film of the same name and the soundtrack that would be his next album. With minimal singing (Gaye sings through only the title track, adding fragmentary vocalizations minimally throughout the rest of the album), Gaye wrote, arranged, and conducted the entire soundtrack, working with both Motown players and a full orchestra over the course of its recording. It's been speculated by some that Trouble Man was a concerted effort to move away from the expectations of a carbon-copy follow-up to the almost immeasurably high standards of What's Going On, but it's best to look at the record as an entity unto itself rather than the next Marvin Gaye album in the chain. Though largely absent of his one-of-a-kind vocal presence, the arrangements are richer and more sophisticated than the majority of early blaxploitation fare, with some of the same theatricality and filmic urgency of the best Morricone or David Axelrod soundtracks. With instrumentation more ambitious than even the enormity of What's Going On, Trouble Man never stays in one place for long. "'T' Plays It Cool" paints a hustling cityscape with its solid beat and nervous synthesizer bubbles. Plaintive sax trades verses with rudimentary keyboards and Marvin's soulful wails on "Life Is a Gamble," and mournful passages of chamber strings give way to bounding funk grooves. Isaac Hayes' Shaft soundtrack would become debatably more widely remembered than the movie it scored, and Curtis Mayfield's Superfly soundtrack had a similar reception. Likewise, Trouble Man the soundtrack album outperformed Trouble Man the movie by leaps and bounds, enjoying Top 20 chart success in its day while the movie sank rapidly into obscurity. Looking at the album outside the trends of its era and inward to the art that Gaye was sculpting shows Trouble Man as a mostly wordless statement on the rapidly changing times for both young black America and Marvin's personal life. The compositions well over with equal parts tension and detached cool, moving through modes of heartbreaking struggle, searching wonder, and playful street scenes. While it's been relegated to the lesser status of Gaye's one-off blaxploitation soundtrack, it rises far above the wandering wah-wah guitars and dated bongos of its peers. Trouble Man might not be as immediate or universally relatable as Gaye's soul-searching on What's Going On or his later sensual fixations, but a deep listen will show it's very much part of the same overarching genius that touched all of his work.

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Marvin Gaye - Trouble Man (1972) [1987, Reissue]

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Marvin Gaye - Trouble Man (1972) [1987, Reissue]

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