Its hard to think of another jazz musician, outside of George Benson, who has released as many high level pop jazz recordings as Ramsey Lewis. Ramsey is probably one of the top pianists of the modern jazz era, but he has always been more of a crowd pleaser than an adventurer, but that doesn’t mean his playing is light weight at all. “Ivory Pyramid”, released in 1992, is typical of Lewis’ repertoire with masterful renditions of tunes he wrote plus a few covers.

Diane Joan Schuur (born December 10, 1953), nicknamed "Deedles", is an American jazz singer and pianist. As of 2015, Schuur had released 23 albums, and had extended her jazz repertoire to include essences of Latin, gospel, pop and country music. Her most successful album is Diane Schuur & the Count Basie Orchestra, which remained number one on the Billboard Jazz Charts for 33 weeks. She won Grammy Awards for best female jazz vocal performance in both 1986 and 1987 and has had three other Grammy nominations.

This album was released on the occasion of the 20th anniversary of the North Sea Jazz Festival. It contains live recordings of John Patitucci, Spyro Gyra, Russ Freeman & The Rippingtons, B.B. King, Chick Corea, Robben Ford and Gary Burton. All songs were recorded live during various editions of this festival.

Combining Latin and African rhythms with the light textures of MOR jazz, Special EFX emerged as one of the most prominent world fusion groups of their era. Formed in New York in 1982, Special EFX was essentially a duo comprised of guitarist Chieli Minucci and Hungarian-born drummer/percussionist George Jinda; debuting in 1985 with the album Modern Manners, they often recruited other musicians to help flesh out their state-of-the-art sound, among them Dave Grusin, Omar Hakim, and McCoy Tyner. Long favoring an accessible and slick jazz-pop sound, the duo significantly altered their identity with 1990's Just Like Magic, adopting a more acoustic texture and exchanging Jinda's electronic percussion for what he dubbed "wooden world music."

During an era when the word "fusion" was applied to any mixture of jazz with pop or funk, Chick Corea's Elektric Band reinforced the word's original meaning: a combination of jazz improvisations with the power, rhythms and sound of rock. Eye of the Beholder, which found guitarist Frank Gambale, saxophonist Eric Marienthal and bassist John Patitucci displaying increasingly original solo voices, is one of this group's finest recordings and ranks with the best fusion of the latter half of the 1980s.

Shadow Prophets was a marked improvement over The Heat of Heat, but it was obvious that GRP was trying desperately to find a niche for Kevin Eubanks. Despite a distinctive guitar style and an endless stream of ideas, Eubanks was again being molded in the same style as George Benson (the pop version). The inclusion of Mark Ledford also indicates an effort to ride the Pat Metheny wave that was so popular on contemporary radio stations at this time.

Jungle Garden is just another real gem by one of the greatest flutist in the Jazz realm, and the best in Latin Jazz. The best two cuts by far are "Very Nice Indeed" with Tania Maria on the piano, and the killer cut Tabasco. Those were the days when a flutist had to prove themselves and Valentin does it.

On this well-intentioned set, Diane Schuur sings 13 standards that she individually dedicated to 12 singers: Billie Holiday (who is saluted with two songs), Helen Morgan, Anita O'Day, Sarah Vaughan, Carmen McRae, Ella Fitzgerald, Libby Holman, Peggy Lee, Dinah Washington, Ivie Anderson, Nancy Wilson and Mabel Mercer. In most cases, the arrangements for the huge string orchestra (contributed by Billy May, Johnny Mandel, Jeremy Lubbock, Clare Fischer or Alan Broadbent) weigh down the music a bit, and none of Schuur's renditions quite reach the heights of her role models. Still, Diane Schuur's voice is quite attractive, and taken on its own merit, this sincere CD (which has an informative 40-page booklet) is generally enjoyable.

This CD may be scoffed at by serious jazz listeners, and even by big-band devotees wary of modern "ghost band" performances, but the fact is that it sold over 100,000 pieces when it first appeared in 1983, and its CD version was among the very earliest compact discs ever released commercially in the United States (indeed, so early that the actual CDs had to be imported from Japan). The second-ever release by GRP Records, it put the label on the map, and it also stood as testimony to how good those original arrangements of the Glenn Miller Orchestra were. So how is it as music?

Starting in the mid-'80s, guitarist Chieli Minucci and percussionist George Jinda co-led Special EFX, an unclassifiable group who combined together aspects of fusion, world music, rock, and pop in their own unique sound. Special EFX was a fixture on the GRP label during 1985-1993. This CD has 15 selections drawn from eight of their GRP sets and features the co-leaders (who take "Udu Voodoo" as a duo) joined by up to five other musicians, including several keyboardists, bassist Mark Egan, and drummer Dave Weckl. The melodic music (which often has electric keyboards as the lead along with Chielli's guitars) is full of complex pop rhythms, catchy themes, passionate solos, and subtle surprises. Although certainly not for jazz purists, Special EFX has their own interesting appeal and this sampler CD acts as an excellent introduction to their unusual and accessible music.

In 1990, the GRP record label took over MCA’s jazz artists, and as a result, Spyro Gyra had changed labels. Their next effort, Fast Forward, was released on GRP. After the release of Three Wishes in 1992, Spyro Gyra recruited Scott Ambush on bass. The following year, Dave Samuels decided to leave the band, although he periodically contributed to subsequent studio recordings. In 1997, Spyro Gyra celebrated their twentieth album release in 20 years with 20/20. Despite the ever-changing lineup, Beckenstein remained committed to the project over the years, as did their audiences.

Spyro Gyra's constantly evolving musical vision has made them the most consistent, popular, and enduring of all contemporary jazz ensembles. While their previous effort, the stirring Dreams Beyond Control, aimed for an expansive array of sounds and colors in larger settings, Love & Other Obsessions featured a more focused direction and a definite leaning towards modern R&B and African influences. In an effort to keep things fresh, Beckenstein also chose this time to work with more outside arrangers like Russell Ferrante, Chieli Minucci (of Special EFX), Alex Acuna, and Scott Kreitzer, who contributed the collection's two vocal pieces.

Although Dave Grusin is best known as a soundtrack composer and for his jazz-pop recordings, he has always had a great admiration for jazz. This CD (released in a fairly deluxe package) gave Grusin an opportunity to pay tribute to Duke Ellington. He performs ten mostly familiar songs associated with Ellington and wisely features fluegelhornist Clark Terry on five of the selections. Other prominent soloists include tenor saxophonist Pete Christlieb, trombonist George Bohanon, tenor saxophonist Tom Scott (returning to his roots), clarinetist Eddie Daniels (on an orchestrated version of "Mood Indigo"), and pianist Grusin himself. This is a respectful and well-conceived tribute.

The Crusaders became a part-time group after the early '80s and by 1986 drummer Stix Hooper had departed. This final set by what was left of the group finds the two original members (keyboardist Joe Sample and saxophonist Wilton Felder) sharing the spotlight with bassist-producer Marcus Miller and an oversized rhythm section. The funky music (which includes originals by Sample and Miller in addition to "Mercy, Mercy, Mercy" and a Stevie Wonder piece) is pleasant but not too memorable. Considering the upcoming infighting that found Felder and the group's former trombonist Wayne Henderson forming a "New Crusade" over Sample's objections, the title of this CD is rather ironic.

GRP Promo Sampler CD from 1998 featuring highlights from up and coming releases. Features Ramsey Lewis, Acoustic Alchemy, George Benson, Michael Brecker & Other.