This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.

With his Elektric Band in full swing in the `80s, Chick created its perfect complement: the Akoustic Band. With Elektric Band veterans John Patitucci on upright bass and Dave Weckl on drums, the group carved a totally new path in the world of the piano trio: the kinetic interplay of all three members honed on high-velocity Corea originals. As a follow-up to the Akoustic Band's Standards & More (1989) and Alive (2007), this third album was recorded live during the band's 2018 tour.

This album features the pioneer fusion guitarist Larry Coryell with quite an all-star group. Two selections match Coryell with fellow guitarist John McLaughlin, bassist Miroslav Vitous (doubling on cello) and drummer Billy Cobham, all important fusion players at the time.

Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists).

Chick Corea's Elektric Band II found bassist John Patitucci, drummer Dave Weckl and guitarist Frank Gambale going out on their own and being replaced by Jimmy Earl, Gary Novak and Mike Miller. Saxophonist Eric Marienthal was the only sideman from the first Elektric Band to stick with Corea. Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.

Back in the late 1960s, Solid State put out four LPs in their series Jazz for a Sunday Afternoon. The five titles with Dizzy Gillespie have been more recently reissued on a two-CD Blue Note set titled Live at the Village Vanguard. Laserlight improves upon the packaging by including two additional titles (from Vol. 3) on their first two CDs; unfortunately, the two lengthy songs ("Satin Doll" and "Straight No Chaser") from a Harry "Sweets" Edison date that comprised Vol. 4 remain out of print. The first disc of this three-CD set has a very interesting, if sometimes erratic date matching Gillespie with violinist Ray Nance (sometimes replaced by trombonist Garnett Brown), baritonist Pepper Adams, pianist Chick Corea, bassist Richard Davis, and either Mel Lewis or Elvin Jones on drums. Nance's violin playing is adventurous and eccentric, and there are some loose moments, but Dizzy holds the music together and Pepper Adams is in top form.

Start with a pair of virtuoso musicians, two guys who have twenty Grammys between them but have worked together only sporadically. Add in the freedom to explore and create, and then turn them loose. That's the recipe for this exciting new Concord album, The Enchantment, featuring legendary jazz pianist Chick Corea and Bйla Fleck, the banjo wizard known for pushing the boundaries of an instrument that's normally part of folk or country music. The only problem I'm going to encounter in reviewing this album is in trying to restrain my galloping enthusiasm - it's that good. I would not have guessed that a collection of songs this enjoyable could have been created with only piano and banjo, but these guys are so talented and innovative that it works.

This 2CD set by Chick Corea - recorded in Quebec - contains several tracks called Chick Talks. During the first, he explains, "I have to begin by getting a feel for this piano…I have no plan for this evening", so I was prepared for free improvisations and a scholarly lecture. But when Corea says "Welcome to my living room" we are transported from the concert hall to an intimate solo recital that is coloured by his relaxed, conversational introductions. How Deep is the Ocean? eventually emerges empirically from a collection of apparently unrelated phrases, after which Corea comments, "I don’t know where that came from". Although there is a lot of improvisation in this piece, all of the other pieces are premeditated. Corea prefaces each batch of tunes with background details and personal reminiscences.

The fourth edition of Return to Forever was a band that emphasized the screaming wah-wah guitar of Al Di Meola and every electric keyboard Chick Corea could get his hands on to play furiously fast runs. Where the initial, airy Flora Purim/Airto/Joe Farrell edition gave way to the second undocumented group featuring Earl Klugh, and the third band with electric guitarist Bill Connors, this RTF was resplendently and unapologetically indulgent, ripping through riffs and charted, rehearsed melodies, and polyrhythms like a circular saw through a thin tree branch…

Vocalist Bobby McFerrin, best known for his pop hit, "Don't Worry, Be Happy," is a talented vocalist and all-around musician. This recording is a true reflection of his genius, and it takes jazz-fusion to another level. Joining McFerrin is the great pianist Chick Corea, with Gil Goldstein on accordion, Cameroonian bassist Richard Bona, Brazilian percussionist Cyro Baptista, and drummer Omar Hakim. Their music is a 21st-century blend of Return to Forever and Weather Report. McFerrin's superhuman vocalese investigates and invigorates a number of musical genres. Corea's spellbinding piano motifs grace the calypso-like "Invocation."

Official 2016 remastered collection of Verve albums in replica card sleeves! Includes 'Light As A Feather', 'Hymn of The Seventh Galaxy', 'Where Have I Known You Before', 'No Mystery' & 'My Spanish Heart'. A masterful and creatively wide-ranging jazz pianist, Chick Corea was a celebrated performer whose influential albums found him exploring harmonically adventurous post-bop, electric fusion, Latin traditions, and classical. Initially emerging in the 1960s, Corea gained early notice for his solo albums, including 1968's Now He Sings, Now He Sobs, and sideman work with Willie Bobo, Blue Mitchell, and Stan Getz. He joined Miles Davis' first electric ensemble and appeared on the landmark 1969 album Bitches Brew.

During an engagement at the Blue Note in New York, pianist Chick Corea had an opportunity to stretch out with his new group, Origin, a sextet also including Steve Wilson on alto, soprano, flute and clarinet, Bob Sheppard on tenor, bass clarinet, flute and soprano, trombonist Steve Davis, bassist Avishai Cohen, and drummer Adam Cruz. A single disc was released by Stretch late in 1998. This six-CD set has all of the other music recorded on January 1, 3 and 4, 1998 during a total of six sets. Although most of the songs are repeated along the way, none of this music duplicates the single CD.

The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke. It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms…

This Return to Forever set finds guitarist Al DiMeola debuting with the pacesetting fusion quartet, an influential unit that also featured keyboardist Chick Corea, electric bassist Stanley Clarke and drummer Lenny White. On this high energy set, short interludes separate the main pieces: "Vulcan Worlds," "The Shadow of Lo," "Beyond the Seventh Galaxy," "Earth Juice" and the lengthy "Song to the Pharoah Kings."…

The second incarnation of Chick Corea's influential fusion group released only a single record, the magnificent Hymn of the Seventh Galaxy. Featuring a more rock-oriented approach than the Flora Purim-Joe Farrell band that was responsible for both Return to Forever and Light as a Feather, Corea and old standby Stanley Clarke join forces here with propulsive drummer Lenny White and electric guitarist Bill Connors…