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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Jodie Devos, Pierre Bleuse, Brussels Philharmonic - Bijoux perdus (2022)

    Posted By: ArlegZ
    Jodie Devos, Pierre Bleuse, Brussels Philharmonic - Bijoux perdus (2022)

    Jodie Devos, Pierre Bleuse, Brussels Philharmonic - Bijoux perdus (2022)
    EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 64:33 | Scans included
    Classical | Label: Alpha Classics | # ALPHA877 | Recorded: 2022

    After her triumph with the album Offenbach Colorature (ALPHA437), Jodie Devos has chosen to follow in the footsteps of one of her compatriots, the Belgian coloratura soprano Marie Cabel (1827 -1885), who at the age of twenty-six scored a phenomenal success in Adolphe Adam’s opéracomique Le Bijou perdu, which she premiered in Paris. She then took on a more dramatic role in Halévy’s Jaguarita l’Indienne, whose great Invocation with chorus (‘À moi ma cohorte!’) again hit the bullseye in a run of 124 performances over just a few months.

    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Visions (2017)

    Posted By: ArlegZ
    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Visions (2017)

    Véronique Gens, Hervé Niquet, Münchner Rundfunkorchester - Visions (2017)
    EAC | FLAC | Image (Cue & Log) ~ 236 Mb | Total time: 55:43 | Scans included
    Classical | Label: Alpha Classics | # ALPHA 279 | Recorded: 2017

    After an album of French songs (Néère, Alpha 215) that earned her a Gramophone Award in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s.

    Hervé Niquet, Orchestre de chambre de Paris - Fromental Halévy: La Reine de Chypre (2018)

    Posted By: ArlegZ
    Hervé Niquet, Orchestre de chambre de Paris - Fromental Halévy: La Reine de Chypre (2018)

    Hervé Niquet, Orchestre de chambre de Paris - Fromental Halévy: La Reine de Chypre (2018)
    EAC | FLAC | Image (Cue & Log) ~ 748 Mb | Total time: 73:37+79:09 | Scans included
    Classical | Label: Ediciones Singulares | # ES10328RSK | Recorded: 2017

    Berlioz wrote of Halévy’s La Reine de Chypre (1841): ‘Its success will at least equal that of La Juive. And Wagner added: ‘It is in La Reine de Chypre that Halévy’s new style has appeared with the most brilliance and success.’ So several voices – and those by no means insignificant – have declared this work, written six years after La Juive, to be its composer’s masterpiece. Premiered on 22 December 1841, Halévy’s opera offered the limelight to Rosine Stoltz in the title role: she was the only woman in the cast, for it had been found preferable to isolate her, following her incessant disputes with the other female singers in the company.

    Vjekoslav Šutej, Orchester der Wiener Staatsoper, Neil Shicoff - Jacques-François-Fromental-Élie Halévy: La Juive (2004)

    Posted By: ArlegZ
    Vjekoslav Šutej, Orchester der Wiener Staatsoper, Neil Shicoff - Jacques-François-Fromental-Élie Halévy: La Juive (2004)

    Vjekoslav Šutej, Orchester der Wiener Staatsoper, Neil Shicoff - Jacques-François-Fromental-Élie Halévy: La Juive (2004)
    NTSC 16:9 (720x480) | Français (LinearPCM, 2 ch) | (DTS, 5 ch) | (Dolby AC3, 5 ch) | 176 min | 6,90 Gb+6,83 Gb (2xDVD9)
    Classical | Label: Deutsche Grammophon | Sub: Francais, English, Francais, Deutsch, Espanol | Recorded: 2003

    The undeniable merit of this recording is that it preserves what a vividly marvelous piece of musical melodrama this opera is, abounding with lyrical moments and cracklingly powerful scenes, and marked throughout by engaged and engaging acting by the principals. It also allows one to contemplate how rich in influences this opera was upon the young Verdi and Wagner, in equal measure. There are pre-echoes here of the choral writing in Flying Dutchman, Wotan’s Spear, even the “Magic Fire Music,” as well as Verdi’s dispensation of groundswell choral scenes and dramatic use of parlando.

    Pierre Jourdan, Théâtre Impérial de Compiègne - Georges Bizet & Fromental Halévy: Noé (2005)

    Posted By: Vilboa
    Pierre Jourdan, Théâtre Impérial de Compiègne - Georges Bizet & Fromental Halévy: Noé (2005)

    Pierre Jourdan, Théâtre Impérial de Compiègne - Georges Bizet & Fromental Halévy: Noé (2005)
    PAL 16:9 (720x576) | Français | Dolby AC3, 2 ch | Dolby AC3, 6 ch | DTS, 5 ch | 7.77 Gb (DVD9) | 140 min
    Classical | Kultur | Sub.: Français, English

    Halevy's Noé is another one of those operas that is rather obscure, but doesn't deserve to be. One may criticise it for the story stretching slightly longer than it needed to be, and occasionally one can tell that it was left incomplete, and the music not having any memorable arias (similar problems with Clari), but the story itself is quite good, after all it is based on the biblical story of Noah and the music is beautiful, it is unmistakably Halevy but Bizet's (who was responsible for completing the opera) style does come through in the orchestration.

    Adam Fischer, Orchestra La Scintilla of the Opernhaus Zurich, Cecilia Bartoli - Fromental Halévy: Clari (2010)

    Posted By: ArlegZ
    Adam Fischer, Orchestra La Scintilla of the Opernhaus Zurich, Cecilia Bartoli - Fromental Halévy: Clari (2010)

    Adam Fischer, Orchestra La Scintilla of the Opernhaus Zurich, Cecilia Bartoli - Fromental Halévy: Clari (2010)
    NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 5 ch) | 158 min | 4,14+5,18 Gb (DVD5+DVD9)
    Classical | Label: DECCA | Sub: English, Francais, Deutsch, Italiano, Espanol | Recorded: 2008

    Cecilia Bartoli recreates the 1828 triumph of the legendary Maria Malibran - original star and dedicatee of Halévy's "tragi-comedy", Clari. Tracing the love of a callow country-girl for a duplicitous Duke, this hugely entertaining and first-ever modern production of Clari proved the overwhelming hit of the Zurich Opera season. Zurich Opera's own period-instrument orchestra, La Scintilla, under Adam Fischer, contribute a thoroughly researched, stylistically and historically well-informed accompaniment, yet without neglecting the liveliness and spirit of Italian opera.