Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)
    EAC | FLAC | Image (Cue & Log) ~ 342 Mb | Total time: 69:51 | Scans included
    Classical | Label: Glossa | # GCD 924601 | Recorded: 2019

    The so-called “Anna Maria Partbook” consists of an elegantly bound volume in red leather containing the violin parts of 31 violin concertos, of which 26 are by Antonio Vivaldi. It was the personal repertoire of Vivaldi's most gifted pupil, the famous “Anna Maria della Pietà”, who played also the viola d'amore, the mandolin, the theorbo, and the harpsichord. Anna Maria's partbook represents an extraordinary collection of violin concerts of high virtuosity.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)
    EAC | FLAC | Image (Cue & Log) ~ 541 Mb | Total time: 51:41+45:27 | Scans included
    Classical | Label: Dynamic | # CDS7778.02 | Recorded: 2017

    An innovator and a revolutionary composer, its thanks to the Red Priest that the solo concerto made its way through Europe, influencing the likes of J. S. Bach and Handel and the subsequent course of music history. Published in 1714 (or 1716 as most scholars today tend to believe) and reprinted illegally numerous times in pre-copyright Europe, La Stravaganza, Op. 4 contains 12 solo concertos which can be defined as unsurpassed models of their kind, and the manifesto of Vivaldis aesthetic.

    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)

    Posted By: ArlegZ
    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)

    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 59:04 | Scans included
    Classical | Label: Deutsche Grammophon | 477 8361 | Recorded: 2009

    Handel Arias is the solo debut of one of the most exciting bass-baritones of today. Expertly advised by Baroque expert, Francesco Lora, Ildebrando fashions his debut album into a panoramic sweep of Italian Handel arias for bass-baritone. Mixing well-known and rare, lyric with highly virtuosic, Ildebrando’s phenomenal Handel shows the versatility and wide range of Handel’s compositions for bass-baritone and the vocal capacity of the singer to master this programme. Undeniably appealing to all voice and Baroque music lovers, this album will excite music lovers well beyond.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)
    EAC | FLAC | Image (Cue & Log) ~ 1,05 Gb | Total time: 219:55 | Scans included
    Classical | Label: Naïve | # OP 30438 | Recorded: 2007

    Naïve continues its admirable series of complete recordings of Vivaldi's operas with Atenaide, an opera seria that was not successful at its 1728 premiere, and received no further performances during the composer's lifetime. This recording was made as a result of the first modern production, which was presented in the same Florentine theater in which the opera had received its premiere. With an unusually convoluted plot, and lasting over three-and-a-half hours, its unlikely that Atenaide will ever make its way into the repertoire, but especially for the Vivaldi enthusiast and the lover of virtuosic Baroque vocal display, the opera should be very attractive.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)
    EAC | FLAC | Image (Cue & Log) ~ 775 Mb | Total time: 166:12 | Scans included
    Classical | Label: CPO | # 999 740-2 | Recorded: 2001

    Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant'Angelo in the fall of 1716. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier. Domenico Lalli, his librettist, who settled in Venice in 1710 after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)
    EAC | FLAC | Image (Cue & Log) ~ 964 Mb | Total time: 194:54 | Scans included
    Classical | Label: CPO | # 777 096-2 | Recorded: 2003

    The general wall of obscurity surrounding Vivaldi's operas seems to be lifting. Tito Manlio, a large work composed in 1719 for a royal wedding that was called off at the last minute, was recorded on LPs in the 1970s and in 2006 received two new recordings, released at nearly the same time. So much for the theory that opera on recordings is dying! The opera is a compelling one, with a convincing father-son drama: the ancient Roman consul Tito Manlio (or Titus Manlius) plans to have his son executed for disobedience, but the younger Manlio is saved by a flood of acclamation for his military deeds. The opera seria libretto was set by several other composers of the early eighteenth century. Its central role is the young Manlio, intended for a castrato and sung here by soprano Elisabeth Scholl.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)
    EAC | FLAC | Image (Cue & Log) ~ 882 Mb | Total time: 166:53 | Scans included
    Classical | Label: CPO | # 777 095-2 | Recorded: 2002

    Vivaldi's operas are rarely recorded and even less often performed, but happily they are gradually gaining more exposure. The most familiar and most frequently recorded is his 1727 Orlando Furioso. The fact that it has been on the public's radar is due largely to an excellent 1977 recording starring Marilyn Horne and Victoria de los Angeles, which has been reissued on Erato. The opera has since been recorded twice, and a DVD of a 1989 San Francisco Opera production featuring Horne and Kathleen Kuhlmann has been released. The newer CDs are extraordinarily fine; in choosing between Naïve's 2005 version led by Jean-Christophe Spinosi and this CPO release conducted by Federico Maria Sardelli, the listener is in a win-win position. Both feature stellar soloists, who are also compelling actors, and beautiful orchestral playing.

    Frederico Maria Sardelli, Modo Antiquo, Sandrine Piau, Paul Agnew, Ann Hallenberg - Vivaldi: Arie d'Opera (2005)

    Posted By: tirexiss
    Frederico Maria Sardelli, Modo Antiquo, Sandrine Piau, Paul Agnew, Ann Hallenberg - Vivaldi: Arie d'Opera (2005)

    Frederico Maria Sardelli, Modo Antiquo, Sandrine Piau, Paul Agnew, Ann Hallenberg - Vivaldi: Arie d'Opera (2005)
    MP3 (CBR 320 kbps) | 01:04:35 | 167 MB
    Genre: Classical | Label: Naive

    A CD of world premiere recordings of music not heard since Vivaldi’s day. Volume 28 of the Foà Collection is Vivaldi’s personal collection of opera arias, and includes variants on the arias performed in the operas. The performances under the stylish direction of Federico Maria Sardelli, who also contributes a dazzling recording obbligato in the concluding aria, are splendid.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)
    EAC | FLAC | Image (Cue & Log) ~ 752 Mb | Total time: 56:36+54:30 | Scans included
    Classical | Label: Naïve | # OP30540 | Recorded: 2012

    Naïve are delighted to announce the world premiere recording of 'Orlando Furioso', the 1714 version. It scored a huge success at the Teatro San Angelo in Venice, where it was directed by none other than Vivaldi and his father. The manuscript, rediscovered 250 years later in Vivaldi’s personal library, now in Turin, was thought to be a revision of an existing 'Orlando' of 1713 by Bolognese composer Ristori. However, the musicologists in charge of the numbering of the works of Vivaldi, Peter Ryom and his successor Federico Maria Sardelli, wondered why Vivaldi should have kept this music in his personal corpus among all his other scores, and noticed that the manuscript featured many different hands and numerous pasted-in corrections of the parts.

    Modo Antiquo, Federico Maria Sardelli - Vivaldi: New Discoveries (2009)

    Posted By: tirexiss
    Modo Antiquo, Federico Maria Sardelli - Vivaldi: New Discoveries (2009)

    Modo Antiquo, Federico Maria Sardelli - Vivaldi: New Discoveries (2009)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 01:08:39 | 395 MB
    Genre: Classical | Label: Naïve | Catalog: 30480

    In his definitive study of the composer's life and work, Michael Talbot spoke of the prospect of 'perpetual discovery' in respect of Vivaldi, resulting from a neglect spanning centuries. 'Scarcely a year passes,' he wrote in 1978, 'without the announcement of some fresh discovery'. This CD gives an excellent example of what we might expect even now, 30 years after Talbot's study, with a collection of new finds from just the last year and a half!

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Sinfonie dai drammi per musica (2002)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Sinfonie dai drammi per musica (2002)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Sinfonie dai drammi per musica (2002)
    EAC | APE | Image (Cue & Log) ~ 361 Mb | Total time: 67:12 | Scans included
    Classical | Label: Frame | # FR0139-2 | Recorded: 2002

    Recorded in 2002, this release contains a unique program of the complete overtures of all Vivaldi’s operas. As an opera composer, Vivaldi has long been neglected, but these works showcase his great dramatic genius. Performances on period instruments by Modo Antiquo, conducted by Federico Maria Sardelli, one of the foremost specialists in this field, who has also recorded for full price labels such as Naïve and Deutsche Grammophon.

    Elena Cecchi Fedi, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Le Cantate Parte seconda (1997)

    Posted By: ArlegZ
    Elena Cecchi Fedi, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Le Cantate Parte seconda (1997)

    Elena Cecchi Fedi, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Le Cantate Parte seconda: RV 669, 655, 657, 658, 659, 660 (1997)
    EAC | FLAC | Image (Cue & Log) ~ 279 Mb | Total time: 61:49 | Scans included
    Classical | Tactus | TC.672208 | Recorded: 1997

    This series of CDs by Tactus and Modo Antiquo represents the first complete recording of the cantatas of Antonio Vivaldi. Up until now, these works have appeared only sporadically on record, yet they constitute quite an important body of works in Vivaldi’s total production. Dedicated exclusively to female voices, the cantatas have here been divided according to the classifications used in the Ryom catalogue: cantatas for soprano and continuo, cantatas for contralto and continuo, cantatas for soprano and instruments, cantatas for contralto and instruments. Modo Antiquo has approached this first complete recording of the cantatas by Vivaldi with full respect for the original texts and the performance practices of the period.

    Federico Maria Sardelli, Modo Antiquo, Elisabeth Scholl - Alessandro Scarlatti: Inferno - Cantate drammatiche (2006)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo, Elisabeth Scholl - Alessandro Scarlatti: Inferno - Cantate drammatiche (2006)

    Federico Maria Sardelli, Modo Antiquo, Elisabeth Scholl - Alessandro Scarlatti: Inferno - Cantate drammatiche (2006)
    EAC | FLAC | Image (Cue & Log) ~ 304 Mb | Total time: 65:02 | Scans included
    Classical | Label: CPO | # 777 141-2 | Recorded: 2004

    Alessandro Scarlatti is generally considered one of the most important Italian composers of the late 17th and early 18th centuries. But his music, although it has received more attention in recent years, is still largely unknown. This is partly due to the large quantity of his output: in the genre of the chamber cantata alone at least six hundred compositions are with certainty attributable to him.