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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall - Antonio Vivaldi Operas Vol. 2 (2013)

    Posted By: ArlegZ
    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall - Antonio Vivaldi Operas Vol. 2 (2013)

    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall, Rinaldo Alessandrini - Antonio Vivaldi Operas Vol. 2 (2013)
    EAC | FLAC | Image (Cue & Log) ~ 198 Mb | Total time: 75:04 | Scans included
    Classical | Label: Naïve | # OP 30547 | Recorded: 2004-2012

    The most beautiful arias from the Vivaldi Edition: Orlando Furioso, Atenaide, Farnace, Teuzzone, Armida, La Fida Ninfa, Orlando 1714, Griselda, Ottone in villa and much more. The album includes outstanding singers and arias that were sensational discoveries when first introduced in this series.

    Ann Hallenberg, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries II ( (2012)

    Posted By: ArlegZ
    Ann Hallenberg, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries II ( (2012)

    Ann Hallenberg, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries II ( (2012)
    EAC | FLAC | Image (Cue & Log) ~ 354 Mb | Total time: 58:20 | Scans included
    Classical | Label: Naïve | OP 30534 | Recorded: 2011

    This is the 45th title in the Vivaldi Edition, 3 years after the first recording dedicated to Vivaldi scores discovered in Europe between 2000 and 2007, now in its 12th year. This second volume features the most recent discoveries in world premiere recordings and will further contribute to complete one of the most fascinating jigsaw puzzles in musical history Federico Maria Sardelli is a member of the musicological committee of the Istituto Italiano Antonio Vivaldi at the Fondazione Cini in Venice, for which he has published numerous scholarly essays. In July 2007 Peter Ryom chose him to continue his monumental work of cataloguing the music of Antonio Vivaldi; since then, Sardelli has been the editor of the Vivaldi Werkverzeichnis (RV).

    Romina Basso, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries (2009)

    Posted By: ArlegZ
    Romina Basso, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries (2009)

    Romina Basso, Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: New Discoveries (2009)
    EAC | FLAC | Image (Cue & Log) ~ 353 Mb | Total time: 68:40 | Scans included
    Classical | Label: Naïve | OP 30480 | Recorded: 2008

    Over the past ten years, thanks in part to the stimulus of the Vivaldi Edition project, several manuscripts by Vivaldi have surfaced in different countries. Federico Maria Sardelli has decided to record the finest of them. So this recording does indeed present new works by Vivaldi. The content is very diverse, ranging from a motet, which is performed by the mezzo-soprano Romina Basso, to an Oboe Concerto, a Recorder Concerto, arias and other gems. There is a clear pattern to these discoveries. Almost all come from peripheral sources, and most appear to originate from special commissions at the margin of the composer’s activity.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Lost Concertos for Anna Maria (2020)
    EAC | FLAC | Image (Cue & Log) ~ 342 Mb | Total time: 69:51 | Scans included
    Classical | Label: Glossa | # GCD 924601 | Recorded: 2019

    The so-called “Anna Maria Partbook” consists of an elegantly bound volume in red leather containing the violin parts of 31 violin concertos, of which 26 are by Antonio Vivaldi. It was the personal repertoire of Vivaldi's most gifted pupil, the famous “Anna Maria della Pietà”, who played also the viola d'amore, the mandolin, the theorbo, and the harpsichord. Anna Maria's partbook represents an extraordinary collection of violin concerts of high virtuosity.

    Kremena Nikolova, Vivaldi Society - Violino d'Amore: Vivaldi, Sardelli, Bersanetti, Martynov (2018)

    Posted By: ArlegZ
    Kremena Nikolova, Vivaldi Society - Violino d'Amore: Vivaldi, Sardelli, Bersanetti, Martynov (2018)

    Kremena Nikolova, Vivaldi Society - Violino d'Amore: Vivaldi, Sardelli, Bersanetti, Martynov (2018)
    EAC | FLAC | Image (Cue & Log) ~ 366 Mb | Total time: 61:00 | Scans included
    Classical | Label: NovAntiqua Records | # NA31 | Recorded: 2017

    The Bulgarian violinist Kremena Nikolova and her ensemble Vivaldi Society enlarge the spectrum around the solo concertos by Vivaldi presenting a program with concertos for violin and viola d’amore by Vivaldi together with compositions by Sardelli, Martynov and Bersanetti, three contemporary composers that consider themselves as followers of the tradition of the Venetian master.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: La Stravaganza (2017)
    EAC | FLAC | Image (Cue & Log) ~ 541 Mb | Total time: 51:41+45:27 | Scans included
    Classical | Label: Dynamic | # CDS7778.02 | Recorded: 2017

    An innovator and a revolutionary composer, its thanks to the Red Priest that the solo concerto made its way through Europe, influencing the likes of J. S. Bach and Handel and the subsequent course of music history. Published in 1714 (or 1716 as most scholars today tend to believe) and reprinted illegally numerous times in pre-copyright Europe, La Stravaganza, Op. 4 contains 12 solo concertos which can be defined as unsurpassed models of their kind, and the manifesto of Vivaldis aesthetic.

    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)

    Posted By: ArlegZ
    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)

    Ildebrando D'Arcangelo, Federico Maria Sardelli, Modo Antiquo - George Frideric Handel: Arie italiene per basso (2009)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 59:04 | Scans included
    Classical | Label: Deutsche Grammophon | 477 8361 | Recorded: 2009

    Handel Arias is the solo debut of one of the most exciting bass-baritones of today. Expertly advised by Baroque expert, Francesco Lora, Ildebrando fashions his debut album into a panoramic sweep of Italian Handel arias for bass-baritone. Mixing well-known and rare, lyric with highly virtuosic, Ildebrando’s phenomenal Handel shows the versatility and wide range of Handel’s compositions for bass-baritone and the vocal capacity of the singer to master this programme. Undeniably appealing to all voice and Baroque music lovers, this album will excite music lovers well beyond.

    Christophe Dumaux, Katarina Bradic, Federico Maria Sardelli - Cavalli: Il Giasone (2012)

    Posted By: tirexiss
    Christophe Dumaux, Katarina Bradic, Federico Maria Sardelli - Cavalli: Il Giasone (2012)

    Christophe Dumaux, Katarina Bradic, Federico Maria Sardelli - Cavalli: Il Giasone (2012)
    EAC | FLAC (image+.cue, log) | Covers Included | 03:10:42 | 1 Gb
    Genre: Classical | Label: Dynamic | Catalog: CDS663

    Francesco Cavalli was the most successful Venetian opera composer of the mid-seventeenth century. This new production is orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Cl+ªment, who is currently making a name for herself with her infectious directing in German and French opera houses. The title role is sung by the promising counter-tenor Christophe Dumaux.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Atenaide (2007)
    EAC | FLAC | Image (Cue & Log) ~ 1,05 Gb | Total time: 219:55 | Scans included
    Classical | Label: Naïve | # OP 30438 | Recorded: 2007

    Naïve continues its admirable series of complete recordings of Vivaldi's operas with Atenaide, an opera seria that was not successful at its 1728 premiere, and received no further performances during the composer's lifetime. This recording was made as a result of the first modern production, which was presented in the same Florentine theater in which the opera had received its premiere. With an unusually convoluted plot, and lasting over three-and-a-half hours, its unlikely that Atenaide will ever make its way into the repertoire, but especially for the Vivaldi enthusiast and the lover of virtuosic Baroque vocal display, the opera should be very attractive.

    Baroque Orchestra Modo Antiquo, Federico Maria Sardelli - Cavalli: Il Xerse (2023)

    Posted By: delpotro
    Baroque Orchestra Modo Antiquo, Federico Maria Sardelli - Cavalli: Il Xerse (2023)

    Baroque Orchestra Modo Antiquo, Federico Maria Sardelli, Carlo Allemano, Carlo Vistoli, Gaia Petrone, Carolina Lippo, Ekaterina Protsenko, Nicolò Donini, Aco Bišćević, Dioklea Hoxha & Nicolò Balducci - Cavalli: Il Xerse (2023)
    WEB FLAC (tracks) - 818 Mb | MP3 CBR 320 kbps - 355 Mb | Digital booklet | 02:32:46
    Classical, Opera | Label: Naxos Records

    Francesco Cavalli succeeded Monteverdi as the most influential composer of the new genre of opera that emerged in mid-17th-century Venice. Il Xerse is a fictitious dramma per musica that tells of Persian King Xerxes’ love for Romilda, who in turn is in love with his brother Arsamene. The plot is an entertaining and extremely intricate human comedy of crossed loves, court intrigues and disguises – the work’s popularity saw it staged in Paris at the wedding of Louis XIV and Maria Theresa of Spain. Since overshadowed by Handel’s later Xerxes, this Martina Franca production is the first in modern times.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Arsilda, Regina di Ponto (2004)
    EAC | FLAC | Image (Cue & Log) ~ 775 Mb | Total time: 166:12 | Scans included
    Classical | Label: CPO | # 999 740-2 | Recorded: 2001

    Antonio Vivaldi composed Arsilda, Regina di Ponto for the Venetian theater of Sant'Angelo in the fall of 1716. While Vivaldi had, by its debut, been an important member of Venetian musical culture for over a decade as a violinist and composer, he had begun composing only three years earlier. Domenico Lalli, his librettist, who settled in Venice in 1710 after fleeing his native Naples upon being charged with embezzlement, was one of the most important librettists of the first decades of the eighteenth century.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Tito Manlio (2005)
    EAC | FLAC | Image (Cue & Log) ~ 964 Mb | Total time: 194:54 | Scans included
    Classical | Label: CPO | # 777 096-2 | Recorded: 2003

    The general wall of obscurity surrounding Vivaldi's operas seems to be lifting. Tito Manlio, a large work composed in 1719 for a royal wedding that was called off at the last minute, was recorded on LPs in the 1970s and in 2006 received two new recordings, released at nearly the same time. So much for the theory that opera on recordings is dying! The opera is a compelling one, with a convincing father-son drama: the ancient Roman consul Tito Manlio (or Titus Manlius) plans to have his son executed for disobedience, but the younger Manlio is saved by a flood of acclamation for his military deeds. The opera seria libretto was set by several other composers of the early eighteenth century. Its central role is the young Manlio, intended for a castrato and sung here by soprano Elisabeth Scholl.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando Furioso (2008)
    EAC | FLAC | Image (Cue & Log) ~ 882 Mb | Total time: 166:53 | Scans included
    Classical | Label: CPO | # 777 095-2 | Recorded: 2002

    Vivaldi's operas are rarely recorded and even less often performed, but happily they are gradually gaining more exposure. The most familiar and most frequently recorded is his 1727 Orlando Furioso. The fact that it has been on the public's radar is due largely to an excellent 1977 recording starring Marilyn Horne and Victoria de los Angeles, which has been reissued on Erato. The opera has since been recorded twice, and a DVD of a 1989 San Francisco Opera production featuring Horne and Kathleen Kuhlmann has been released. The newer CDs are extraordinarily fine; in choosing between Naïve's 2005 version led by Jean-Christophe Spinosi and this CPO release conducted by Federico Maria Sardelli, the listener is in a win-win position. Both feature stellar soloists, who are also compelling actors, and beautiful orchestral playing.

    Federico Maria Sardelli, Orchestra of the Maggio Musicale Fiorentino - Antonio Vivaldi: Il Farnace (2015)

    Posted By: ArlegZ
    Federico Maria Sardelli, Orchestra of the Maggio Musicale Fiorentino - Antonio Vivaldi: Il Farnace (2015)

    Federico Maria Sardelli, Orchestra of the Maggio Musicale Fiorentino - Antonio Vivaldi: Il Farnace (2015)
    EAC | FLAC | Image (Cue & Log) ~ 704 Mb | Total time: 69:40+74:59 | Scans included
    Classical | Label: Dynamic | # CDS7670/1-2 | Recorded: 2013

    Il Farnace is the most re-written and re-proposed of Vivaldi’s operas, it’s like a beloved child who worries his father, and to whom the parent always wants to give the best. Versions of Farnace, two in 1727 and one each in 1730, 1731 and 1732, had been conceived and adapted to the different circumstances for Venice, Prague, Pavia and Mantua, always with a cast to Vivaldi’s satisfaction and with the composer in control of the production.

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)

    Posted By: ArlegZ
    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)

    Federico Maria Sardelli, Modo Antiquo - Antonio Vivaldi: Orlando furioso 1714 (2012)
    EAC | FLAC | Image (Cue & Log) ~ 752 Mb | Total time: 56:36+54:30 | Scans included
    Classical | Label: Naïve | # OP30540 | Recorded: 2012

    Naïve are delighted to announce the world premiere recording of 'Orlando Furioso', the 1714 version. It scored a huge success at the Teatro San Angelo in Venice, where it was directed by none other than Vivaldi and his father. The manuscript, rediscovered 250 years later in Vivaldi’s personal library, now in Turin, was thought to be a revision of an existing 'Orlando' of 1713 by Bolognese composer Ristori. However, the musicologists in charge of the numbering of the works of Vivaldi, Peter Ryom and his successor Federico Maria Sardelli, wondered why Vivaldi should have kept this music in his personal corpus among all his other scores, and noticed that the manuscript featured many different hands and numerous pasted-in corrections of the parts.