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    Munich Radio Orchestra & Roberto Abbado - Brahms: Hungarian Dances Nos. 1-10 (version for orchestra) (2025)

    Posted By: Fizzpop
    Munich Radio Orchestra & Roberto Abbado - Brahms: Hungarian Dances Nos. 1-10 (version for orchestra) (2025)

    Munich Radio Orchestra & Roberto Abbado - Brahms: Hungarian Dances Nos. 1-10 (version for orchestra) (2025)
    WEB FLAC (Tracks +Digital Booklet) 135 MB | Cover | 27:23 | MP3 CBR 320 kbps | 70 MB
    Classical, Orchestral | Label: BR-Klassik

    Before the publication of his Hungarian Dances in their original version for piano four hands, Johannes Brahms was hardly known to the educated middle classes, but the works ensured that the composer became a household name. In their subsequent orchestral versions, the Dances entered the repertoire of prestigious concert orchestras and, after music had become technically reproducible, went on to become even more massively popular. On this CD, BR-KLASSIK presents Brahms' Hungarian Dances Nos. 1–10 in their orchestral versions, in a studio production with the Munich Radio Orchestra under its former chief conductor Roberto Abbado.

    Roberto Abbado, Münchner Rundfunkorchester - Vincenzo Bellini: I Capuleti e i Montecchi (2011)

    Posted By: ArlegZ
    Roberto Abbado, Münchner Rundfunkorchester - Vincenzo Bellini: I Capuleti e i Montecchi (2011)

    Roberto Abbado, Münchner Rundfunkorchester, Vesselina Kasarova, Eva Mei, Ramón Vargas - Vincenzo Bellini: I Capuleti e i Montecchi (2011)
    EAC | FLAC | Image (Cue & Log) ~ 665 Mb | Total time: 62:30+69:04+39:03 | Scans included
    Classical | Label: Sony | # 88697856522 | Recorded: 1997

    Make no mistake, this is not William Shakespeare's Romeo and Juliet. This version, by Vincenzo Bellini with a libretto by Felice Romani, has often been dismissed for its story line, which is very different from the familiar tale of the star-crossed lovers. Actually, as noted by musicologist-bel canto answer man Philip Gossett in his liner notes, Bellini and Romani hadn't read Shakespeare when they composed the opera. They had, however, read the sources on which Shakespeare based his play, but while both they and the Bard departed from the original, they departed in different directions. No matter: the opera has some gorgeous music, and it's given some gorgeous performances here by some very fine singers.

    Roberto Abbado, Metropoliten Opera Orchestra - Giordano: Fedora (2004/1997)

    Posted By: Vilboa
    Roberto Abbado, Metropoliten Opera Orchestra - Giordano: Fedora (2004/1997)

    Roberto Abbado, Metropoliten Opera Orchestra, Mirella Freni, Plácido Domingo - Giordano: Fedora (2004/1997)
    NTSC 4:3 (720x480) | Italiano (LinearPCM, 2 ch) | (DTS, 6 ch) | (Dolby AC3, 6 ch) | 6.0 Gb (DVD9) | 109 min
    Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese

    Mirella Freni returns as a glamorous Russian princess involved with a dashing aristocratic spy (Plácido Domingo) in this production of Giordano’s Fedora from 1997 conducted by Roberto Abbado. The audience and critics were unanimous in their praise for her dramatic authority, power, warmth and brilliance of her voice and the partnership of Freni and Domingo was described as “operatic royalty.”

    Roberto Abbado, Filarmonica Arturo Toscanini & Coro Del Teatro Regio Di Parma - Verdi: Un ballo in maschera (Live) (2022)

    Posted By: delpotro
    Roberto Abbado, Filarmonica Arturo Toscanini & Coro Del Teatro Regio Di Parma - Verdi: Un ballo in maschera (Live) (2022)

    Roberto Abbado, Filarmonica Arturo Toscanini & Coro Del Teatro Regio Di Parma - Verdi: Un ballo in maschera (Live) (2022)
    WEB FLAC (tracks) -585 Mb | MP3 CBR 320 kbps - 308 Mb | Digital booklet | 02:12:49
    Classical, Opera | Label: Dynamic

    On 7th February 1857, after a delay of one year due to problems of copyright on a possible production of King Lear, Verdi accepted and signed a new agreement with the Teatro di San Carlo of Naples for an opera to be staged in January or February 1858. Not long after he had put behind the experiences of Simon Boccanegra (June 1857) and Aroldo (August), Verdi, then, had to face the issue of a new subject for Naples, which would no longer be King Lear, discarded for various reasons, and not even El tesorero del Rey by António García Gutiérrez or Ruy Blas by Hugo, to which he had given more serious thought, but Gustave III by Eugène Scribe, a play written in 1833 for Daniel Auber in which the king of Sweden is assassinated, in 1792, by a group of noblemen led by Jacob Ankarström. The composition of the score, between October 1857 and January 1858, went hand in hand with Verdi’s complex relationship with the Neapolitan censors, who would end up distorting the libretto and unnerving the composer to the point that he ended up refusing to stage the opera and breaking his agreement with the theatre.

    Roberto Abbado, Orchestra of the Teatro Comunale di Bologna - Rossini: Mosè in Egitto (2012) [Blu-Ray]

    Posted By: Vilboa
    Roberto Abbado, Orchestra of the Teatro Comunale di Bologna - Rossini: Mosè in Egitto (2012) [Blu-Ray]

    Roberto Abbado, Orchestra of the Teatro Comunale di Bologna - Rossini: Mosè in Egitto (2012) [Blu-Ray]
    BluRay | BDMV | MPEG-4 AVC Video / 28683 kbps / 1080i / 29,970 fps | 152 min | 43,2 Gb
    Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: Italian / DTS-HD MA 5.1 / 48 kHz / 3857 kbps / 24-bit
    ––––––
    BluRay-rip | AVC | MKV 1280x720 / 2762 kbps / 29,97 fps | 152 min | 7,05 Gb
    Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
    Classical | OPUS ARTE | Sub: English, French, German

    This thought-provoking, modern-day interpretation of Rossini’s “Mosè in Egitto” sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini’s music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist” (Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh’s son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).

    Roberto Abbado, Orchestra e Coro del Teatro Comunale di Bologna - Rossini: Zelmira (2012) [Blu-Ray]

    Posted By: Vilboa
    Roberto Abbado, Orchestra e Coro del Teatro Comunale di Bologna - Rossini: Zelmira (2012) [Blu-Ray]

    Roberto Abbado, Orchestra e Coro del Teatro Comunale di Bologna - Rossini: Zelmira (2012) [Blu-Ray]
    BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 192 min | 41,9 Gb
    Audio1: Italiano / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit
    ––––––
    BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 192 min | 10,4 Gb
    Audio: Italiano / DTS / 6ch / 48.0 KHz / 24-bit
    Classical | DECCA | Sub: English, French, German, Italian, Spanish

    Juan Diego Flórez stars in the only available blu-ray version of Zelmira, filmed at the celebrated Rossini Festival in the composer s home town of Pesaro. The final opera Rossini wrote for Naples is a dramatic and musical tour de force and a magnificent showcase for the bel canto superstar of our time. Recorded in high definition at the 2009 Festival, Giorgio Barberio Corsettis production places the classical tale, set during the Trojan Wars, in modern times and modern dress. Joining Juan Diego Flórez are a major international cast, described as near miraculous by Opera Today and led by American mezzo-soprano Kate Aldrich in the virtuosic title role. The evening remained another distinguished triumph for Juan Diego Flórez as Prince Ilo, whose arrival in his homeland, to rescue Zelmira, was marked by a dazzling tenorial display which evoked a nearly twenty-minute ovation (Opera Today) .