Dubbed the "Prince of Pops" by the Chicago Tribune nearly 30 years ago, Erich Kunzel – one of the most successful classical crossover artists of all time – has recorded over 70 albums for Telarc; one of the most popular of those is 1990s Christmas with the Pops. The warm and wonderful Christmastime Is Here, named for the Vince Guaraldi classic from A Charlie Brown Christmas that's given a spirited reworking here, is something of a sequel to that collection. With the exception of a punchy Dixieland arrangement of "Jingle Bell Rock," Kunzel and the orchestra – working with the Indiana University School of Music Singing Hoosiers, under the direction of Dr. Michael Schwartzkopf – play most of the classics here very straightforwardly. That is to say, charming, elegant and engaging, just not overly innovative. Telarc's true stroke of genius is having some of its top jazz vocalists perform on lush but smartly restrained arrangements of various classics – like Tierney Sutton on "I'll Be Home for Christmas" and John Pizzarelli on "Silver Bells." The disc also showcases two of the label's newest artists, Ann Hampton Callaway (a haunting "I Wonder as I Wander") and Tony DeSare (doing Mel Tormé proud on a dreamy version of "The Christmas Song"). This is 2006's premier holiday disc for lovers of jazz, pop and classical music.

Paul Graener’s early happy years in London motivated him to gain British citizenship, but it is no secret musicians and musicologists have detoured around his music because of his allegiance with the Nazi Party. His music is anything but nationalistic; it is the work of a late romanticist with a strong inclination toward French impressionism. Having previously released his Piano Trios, cpo now turn their attention to his Orchestral Works, giving his music the recognition it deserves.

If I've ever owned a recording of an orchestral work by Vincent D'Indy I don't recall it. Nor do I remember ever hearing anything of his in the concert hall. I've heard a recording of his 'Symphony on a French Mountain Air', of course, and vaguely recall hearing something from his opera 'Fervaal', but that's about it. I knew of him primarily as co-founder of the Paris Schola Cantorum and as a guardian (and teacher) of conservative compositional techniques, stemming from his study with Franck and his admiration of Wagner. I was not, therefore, prepared to be particularly impressed by anything of his. But this recording of three of his works the Second Symphony, 'Tableaux de voyage' suite, and 'Karadec' – has shown me that he was indeed an interesting and engaging composer.

Silva Screen Records present earlier composers who were masters of music on Hitchcock films, and later films with Bernard Herrmann on the second CD. The "CONCERTO FOR ORCHESTRA" is Miklos Rozsa's haunting theme which lasts over nine minutes is something from heaven. "STRANGERS ON THE TRAIN" the Dimitri Tiomkin contribution is also an outstanding track which can move the unmoveable with the heart-racing pounding sounds that the two composers generate. Both composers Rozsa and Tiomkin have a list of accomplishments a mile long, but to hear their music on a Hitchcock film is pure geneious in film making and scoring.

The Great Race is a 1965 American Technicolor slapstick comedy film starring Jack Lemmon, Tony Curtis, and Natalie Wood, directed by Blake Edwards, written by Blake Edwards and Arthur A. Ross, and with music by Henry Mancini and cinematography by Russell Harlan. The movie cost US$12 million ($79,431,238.10 in 2016 dollars), making it the most expensive comedy film at the time. Before the film was released, the soundtrack was re-recorded in Hollywood by RCA Victor Records for release on vinyl LP. Henry Mancini spent six weeks composing the score, and the recording involved some 80 musicians. Mancini collaborated with lyricist Johnny Mercer on several songs including "The Sweetheart Tree", a waltz released as a single. The song plays on along the film as the main theme without chorus (except in the entr' acte) and it was performed onscreen by Natalie Wood with the voice dubbed by Jackie Ward (uncredited). It was nominated for but did not win an Oscar for best song.

Reynold da Silva's Silva Screen Records has been constructing a series of "essential" collections of major film composers' scores usually by making new recordings of portions of those scores or compiling recordings previously made for other projects, most often employing the City of Prague Philharmonic Orchestra. For this Michel Legrand album, the label has actually enlisted Legrand as conductor of the Flemish Radio Orchestra (whose contributions are not noted until you examine the CD booklet), with a few additional jazz musicians, plus Legrand himself on piano and (during the extended suite from The Go-Between) harpsichord. Still, these are new recordings, made in December 2004, and should not be confused with actual soundtrack recordings. Legrand oversees excerpts from some of his most popular scores, leaning heavily on the major themes, such as "I Will Wait for You" from The Umbrellas of Cherbourg, "Theme from Summer of '42," and "The Windmills of Your Mind" from The Thomas Crown Affair.

Hefti has won many prestigious composition competitions and was a pupil of Rihm. These world premiere recordings, conducted by David Zinman and performed by his Tinhalle Orchestra Zurich, are a discovery.

If you wonder what happened to Rossini and Verdi conducting in the vein of Toscanini, look no further that this CD. This is wonderfully stimulating playing. Abbado would become principal conductor of the London Symphony several years after this recording was made, but we find here that he already had a superb rapport with the orchestra. Andre Previn was still the principal conductor at the time, and it is interesting to hear how differently the orchestra played for him and for Abbado.