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    Tom Tom Club - Tom Tom Club (1981) [2CD, 2009 Remastered Deluxe Edition]

    Posted By: Designol
    Tom Tom Club - Tom Tom Club (1981) [2CD, 2009 Remastered Deluxe Edition]

    Tom Tom Club - Tom Tom Club (1981) [2CD, 2009 Remastered Deluxe Edition]
    EAC | FLAC | Tracks (Cue&Log) ~ 840 Mb | Mp3 (CBR320) ~ 308 Mb | Scans ~ 101 Mb
    Label: Island Records, Universal | # 2701690, 270 169-0 | Time: 02:13:08
    New Wave, Funk, Post-Disco, Dance-Rock

    Digitally remastered and expanded deluxe two CD edition of the Tom Tom Club's 1981 debut album including five bonus remixes plus a bonus CD that contains their 1983 sophomore album Close to the Bone (appearing for the first time on CD) alongside four bonus remixes related to that album! The Tom Tom Club are ex-Talking Heads husband and wife team Chris Frantz and Tina Weymouth. They began as a side project in between Talking Heads projects and scored a huge club hit with 'Wordy Rappinghood'. Their mix of Funk, Reggae and Electronica was extremely unique at the time and unlike anything they'd recorded with David Byrne and Co.

    Tom Tom Club - The Good, The Bad And The Funky (2000)

    Posted By: Designol
    Tom Tom Club - The Good, The Bad And The Funky (2000)

    Tom Tom Club - The Good, The Bad And The Funky (2000)
    EAC | FLAC | Tracks (Cue&Log) ~ 450 Mb | Mp3 (CBR320) ~ 148 Mb | Scans ~ 61 Mb
    Label: Rykodisc/Tip Top | # RCD 10603 | Time: 01:04:34
    Electronic, Dub, New Wave, Dance-Rock

    This aptly titled release from '80s art rockers and Talking Heads side project Tom Tom Club is indeed good, bad, and funky. Tina Weymouth and Chris Frantz have explored a stunning amount of musical styles within the confines of this album, with every song sounding like it was produced by a different group. The use of a variety of vocalists, including Weymouth, who at times sounds like a 16-year-old Japanese girl instead of her more mature self, as well as Mystic Bowie and Charles Pettigrew only seems to heighten the variety of sounds offered. The lyrics are simple, yet clever, and laid over a variety of sampled tracks, scratching, and other turntablism and live instrumentation. The resulting sound ranges from dub to dance-pop to spacy funk. The variety does allow for some unevenness, however, though duds like the repetitive and spare "Time to Bounce" are more than balanced by gems like "Happiness Can't Buy Money" and the instrumental cleverness of "Lesbians by the Lake," among others.