Jan Vogler's new album was recorded in a small studio in New York. He teamed with the fantastic Finnish guitarist Ismo Eskelinen for this recording. ''Songbook'' presents partly pieces originally written for cello and guitar such as 3 Nocturnes by Friedrich Burgmüller (1806-1874) and the first movement of the Sonata for Guitar and Cello by Brazilian composer Radames Gnattali (1906-1988). ''Songbook'' also features several famous works in arrangements for guitar and cello: Cantabile by Niccolo Paganini (1782-1840), the Gymnopedie No. 1 by Erik Satie (1866-1925), the Suite Popular Espanola by Manuel de Falla (1876-1946) as well as the famous Aria from Bachianas Brasileiras by the most famous South American composer Heitor Villa-Lobos (1887-1959).

Anticipating the 50th anniversary of Orpheus Chamber Orchestra in 2022, we present their complete recordings on DG. The intriguing sound culture of Orpheus, especially of the string section, is often explained as a result of the cooperative mindset of the orchestra and its artistic process of rehearsing.

Frank Bungarten has taken on a significant task: an entire album of works by legendary Brazilian composer Heitor Villa-Lobos. The composer's music is lush, complex, and richly textured, which is not a surprise given that Villa-Lobos was classically trained. But Villa-Lobos also incorporated inspiration from music of native Brazilian peoples and African cultures, so one cannot consider him purely a formal art music composer. Thus it takes a very skilled musician to be able to technically master the music and to convey the emotion and rhythms. Bungarten is perhaps most successful in the first set of works, Suite populaire brésilienne, which is a set of five dances.

Rooted in European music, native folk traditions and often infused by jazz, Brazilian music encompasses a huge variety of dance forms and songs. Prize-winning guitarist Pedro Aguiar has selected a panoramic recital to illustrate these elements which include the choro and music rich in melody and rhythmic vitality. From Villa-Lobos, whose Choros No. 1 is one of the most popular guitar solos ever written, through to the work of the revered Dilermando Reis, and on to contemporary examples of the genre, this is music of dazzling virtuosity and finesse.

I think these songs are among the most beautiful pieces of music ever written. Compared to the absolutely unbelievably exuberant and emotional recording of Frederica von Stade/Antonio de Almeida, the tempo of most songs here seems slow, drawn out and not quite in harmony with the character of the songs. Of course, the voice of Te Kanawa is beautiful and the sound of the orchestra is rich in detail.