Tags
Language
Tags

Akademie für Alte Musik Berlin, Cappella vocale Leverkusen - Gottfried August Homilius: Matthäuspassion (1993)

Posted By: ArlegZ
Akademie für Alte Musik Berlin, Cappella vocale Leverkusen - Gottfried August Homilius: Matthäuspassion (1993)

Akademie für Alte Musik Berlin, Cappella vocale Leverkusen - Gottfried August Homilius: Matthäuspassion (1993)
EAC | FLAC | Image (Cue & Log) ~ 634 Mb | Total time: 74:23+56:41 | Scans included
Classical | Label: Berlin Classics | # BC 1046-2 | Recorded: 1992

Gottfried August Homilius, now considered the greatest cantor of Dresden's Kreuzchor, was, for a while a student of Johann Sebastian Bach. A composer of music for the church, and a great organist, he was described, in 1790, as 'one of the greatest and worthiest organists alive.' While Homilius's name is found on only one score for this passion, stylistic criteria make it almost certain that he wrote this music. This St. Matthew Passion closely resembles Bach's passions - it contains choral movements, recitatives and arias with orchestral accompaniment, and tells the story of the Passion in the same way as was done in churches all over Germany in the 18th century. However, Homilius uses many more short sections with recitative (a total of 89 pieces altogether - most less than one minute long), but his arias are generally much longer than those in Bach's passions and cantatas.

Bruno Weil, Cappella Coloniensis - Johann Christian Bach: Endimione (1999)

Posted By: ArlegZ
Bruno Weil, Cappella Coloniensis - Johann Christian Bach: Endimione (1999)

Bruno Weil, Cappella Coloniensis - Johann Christian Bach: Endimione (1999)
EAC | FLAC | Image (Cue & Log) ~ 499 Mb | Total time: 61:34+44:31 | Scans included
Classical | Label: Deutsche Harmonia Mundi | 05472 77525 2 | Recorded: 1999

A beguiling rarity. Johann Sebastian’s youngest and most cosmopolitan son composed this serenata in London in 1772. The plot revolves around the triangular relationship between Diana, her nymph Nice and Endymion, slyly manipulated by Cupid and culminating in the obligatory paean to love. In the booklet, Bruno Weil dubs Endimione ‘one of the first operettas’; but though there are touches of cruel humour, usually at Nice’s expense, the musical idiom and structure, based on a sequence of elaborate arias, are essentially those of opera seria. Bach’s suave, mellifluous style often sounds like Mozart minus the master’s dynamic impulse and control of long-range tensions.

Peter Neumann, Kolner Kammerchor, Collegium Cartusianum - Mozart: Masses [5CDs] (2000)

Posted By: ArlegZ
Peter Neumann, Kolner Kammerchor, Collegium Cartusianum - Mozart: Masses [5CDs] (2000)

Peter Neumann, Kölner Kammerchor, Collegium Cartusianum - Mozart: Masses [5CDs] (2000)
EAC | FLAC | Image (Cue & Log) ~ 1.48 Gb | Total time: 5:43:44 | Scans included
Classical | Label: Virgin Classics | # 5 61769 2 | Recorded: 1988, 1990

As for the Masses, Mozart kept to the traditional plan in six sections (Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei), even when the inpression is that the sections are more numerous (as many as 21 in the "Orphanage" Mass), it is actually a matter of sub-sections, of varying number according to the requirements of the particular work, including famous and impressive settings of the 'Laudamus te' and 'Et incarnatus est'.