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Renata Scotto - Legendary performances: 7 complete operas [14CDs] (2007)

Posted By: ArlegZ
Renata Scotto - Legendary performances: 7 complete operas [14CDs] (2007)

Renata Scotto - Legendary performances: 7 complete operas [14CDs] (2007)
EAC | FLAC | Image (Cue & Log) ~ 3.55 Gb | Total time: 14:25:17 | Scans included
Classical | Label: Bravissimo | # BRV 9910 | Recorded: 1966, 1967, 1970, 1973

Renata Scotto (born 24 February 1934) is an Italian soprano and opera director.
Recognized for her sense of style, musicality and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation, specializing in the bel canto repertoire with excursions into the verismo and Verdi repertoires.
Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York.

Ettore Gracis, Orchestra del Maggio Musicale Fiorentino - Gaetano Donizetti: Don Pasquale; Il campanello di note (2005)

Posted By: ArlegZ
Ettore Gracis, Orchestra del Maggio Musicale Fiorentino - Gaetano Donizetti: Don Pasquale; Il campanello di note (2005)

Ettore Gracis, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro La Fenice - Gaetano Donizetti: Don Pasquale; Il campanello di note (2005)
EAC | FLAC | Image (Cue & Log) ~ 734 Mb | Total time: 81:03+77:16 | Scans included
Classical | Label: Deutsche Grammophon | # 477 5631 | Recorded: 1964

Don Pasquale is among the last of Donizetti’s sixty-six completed operas. After the successful premiere of Linda di Chamounix in Vienna in May 1842. Donizetti made his way to Milan, hoping to get a new libretto for a comic opera for Paris. He actually started on a work called ‘Ne m’oubliez pas’ (do not forget me) before abandoning it when he got the commission to write a comic opera for the Théâtre Italien. Giovanni Ruffini, an Italian political exile living in Paris, wrote the libretto based on a previous opera by Pavesi. Donizetti was not happy with Ruffini’s verses and made changes of his own to the extent that his librettist refused to attach his name to the printed libretto.

Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)

Posted By: ArlegZ
Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)

Mirella Freni, Teresa Berganza, Ettore Gracis, Charles Mackerras - Pergolesi: Stabat Mater; A. Scarlatti: Stabat Mater & 6 Concerti grossi (1999)
EAC | FLAC | Image (Cue & Log) ~ 654 Mb | Total time: 71:00+68:09 | Scans included
Classical | Label: Archiv Produktion | # 459 454-2 | Recorded: 1967, 1972, 1975

The Stabat Mater is a 13th-century Catholic hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III. The title comes from its first line, Stabat Mater dolorosa, which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers.

Arturo Benedetti Michelangeli - Ravel: Gaspard de la Nuit, Piano Concerto; Debussy: Children's Corner (2012)

Posted By: ArlegZ
Arturo Benedetti Michelangeli - Ravel: Gaspard de la Nuit, Piano Concerto; Debussy: Children's Corner (2012)

Arturo Benedetti Michelangeli - Ravel: Gaspard de la Nuit, Piano Concerto; Debussy: Children's Corner (2012)
EAC | FLAC | Image (Cue & Log) ~ 305 Mb | Total time: 73:04 | Scans included
Classical | Label: Praga Digitals | PRD/DSD 350 091 | Recorded: 1952, 1958, 1960

A tribute to Arturo Benedetti Michelangeli, a veritable mythic and unpredictable Italian pianist,; a perfectionist with a carefully chosen repertory in which Scarlatti's works joined those of Debussy and Ravel, while the great German romantics, from Beethoven to Brahms, were magnified and exalted, showing the soundness of their construction. The number of his recordings is limited, with mostly works by Debussy and Ravel and a few by Beethoven. He used to buy pirate live discs of his concerts as presents for his friends instead of his 'official' recordings! Here is a French anthology collecting legendary renderings of his inimitable touch easy to recognise by its ductile nature and the purity of his style. A revived masterpiece.