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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    John Pritchard, Orchestra of the Royal Opera House, Covent Garden - Wolfgang Amadeus Mozart: La Clemenza di Tito (1990)

    Posted By: ArlegZ
    John Pritchard, Orchestra of the Royal Opera House, Covent Garden - Wolfgang Amadeus Mozart: La Clemenza di Tito (1990)

    John Pritchard, Orchestra of the Royal Opera House, Covent Garden - Wolfgang Amadeus Mozart: La Clemenza di Tito (1990)
    XLD | FLAC | Tracks (Cue & Log) ~ 659 Mb | Total time: 61:55+70:47 | Scans included
    Classical | Label: Music & Arts ‎‎| CD-641 | Recorded: 1976

    La Clemenza di Tito can be rather bloodless, but in this instance an elegant, vocally impeccable cast makes up for much of the lack of drama in John Pritchard’s conducting. Werner Hollweg’s pingy tenor cuts through the orchestra brilliantly, and he uses his voice very well. Teresa Cahill and Anne Howells are an attractive-sounding pair as the young lovers, and Robert Lloyd is typically strong as Publio. The honors here go to Yvonne Minton’s anguished, beautifully accurate Sesto, capturing an often under-valued mezzo in one of her best roles. Janet Baker is Vitella, bringing fire and passion to her melodramatic utterances and immaculate singing to a very challenging role. The sound is excellent.

    Sir John Pritchard - Busoni: Arlecchino, Op. 50 (2012/2024)

    Posted By: delpotro
    Sir John Pritchard - Busoni: Arlecchino, Op. 50 (2012/2024)

    Sir John Pritchard - Busoni: Arlecchino, Op. 50 (2012/2024)
    WEB FLAC (tracks) - 132 Mb | MP3 CBR 320 kbps - 126 Mb | 00:53:24
    Classical, Opera | Label: Warner Classics

    The eminent teacher and theoretician Ferruccio Busoni was revered throughout all Europe at the turn of the century, but his unclassifiable music became overshadowed by other avant-garde movements such as the Second Viennese school. By 1916, his unconventional, innovative opera Arlecchino is a caustic farce about the war, and includes sprechgesang that very much inspired him since he held a performance of his friend Schoenberg’s Pierrot lunaire in his own house. The featured version is conducted by Sir John Michael Pritchard and was the first ever to be put on record.

    John Pritchard, Raymond Leppard - Claudio Monteverdi: L' incoronazione di Poppea & Madrigals (2000)

    Posted By: ArlegZ
    John Pritchard, Raymond Leppard - Claudio Monteverdi: L' incoronazione di Poppea & Madrigals (2000)

    John Pritchard, Raymond Leppard - Claudio Monteverdi: L' incoronazione di Poppea & Madrigals (2000)
    EAC | FLAC | Image (Cue & Log) ~ 641 Mb | Total time: 72:49+69:21 | Scans included
    Classical | Label: EMI Classics | # 5 73842 2 | Recorded: 1963, 1967

    This performance from the 1950s sounds surprising after decades of authentic performance. The instruments are modern, the forces large and the style of singing rich, full and almost romantic. Yet the effect is electrifying. All the performers sing with such conviction that this Poppea moved me and it makes some authentic performances sound thin and academic by comparison.

    John Pritchard, The London Philharmonic Orchestra, Kostas Paskalis, Josephine Barstow - Verdi: Macbeth (2005/1972)

    Posted By: Vilboa
    John Pritchard, The London Philharmonic Orchestra, Kostas Paskalis, Josephine Barstow - Verdi: Macbeth (2005/1972)

    John Pritchard, The London Philharmonic Orchestra, Kostas Paskalis, Josephine Barstow - Verdi: Macbeth (2005/1972)
    NTSC 4:3 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 7.88 Gb (DVD9) | 146 min
    Classical | Arthaus Musik | Sub: Deutsch, English, Espanol, Francais

    This epic opera inspired by Shakespeare's tragic masterpiece was written in 1847, but did not receive its British premiere until 1938 when it was presented for the first time at Glyndebourne. The tragedy is a penetrating, concentrated, and harrowing study of the ambition of Macbeth and his wife, Lady Macbeth. In the end both seem to verge on hallucination and madness as they recoil from the mayhem they have created around them. The production features an outstanding international cast, with the Greek baritone Kostas Paskalis in the title role and British star Josephine Barstow making an exciting debut as Lady Macbeth. Proceedings are conducted by the sympathetic baton of John Prithard.

    John Pritchard, London Philharmonic Orchestra - Mozart: Le Nozze di Figaro (2004/1973)

    Posted By: Vilboa
    John Pritchard, London Philharmonic Orchestra - Mozart: Le Nozze di Figaro (2004/1973)

    John Pritchard, London Philharmonic Orchestra - Mozart: Le Nozze di Figaro (2004/1973)
    NTSC 16:9 (720x480) | Italiano | LinearPCM, 2 ch | 7.34 Gb (DVD9) | 179 min
    Classical | Label: Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

    Le Nozze di Figaro, Mozart's timeless opera buffa, is one of the greatest of all operatic masterpieces. It is based on Beaumarchai's comedy Le Marriage de Figaro and tells the tale of the servant Figaro, who is about to marry the maid Susanna. Count Almaviva, keeping an eye on Susanna himself, tries to prevent this marriage with the help of Bortolo, the doctor, but is continually thwarted.

    John Pritchard, Orchestra e coro del Maggio Musicale Fiorentino, Joan Sutherland, Carlo Bergonzi - Verdi: La Traviata (1998)

    Posted By: ArlegZ
    John Pritchard, Orchestra e coro del Maggio Musicale Fiorentino, Joan Sutherland, Carlo Bergonzi - Verdi: La Traviata (1998)

    John Pritchard, Orchestra e coro del Maggio Musicale Fiorentino, Joan Sutherland, Carlo Bergonzi - Verdi: La Traviata (1998)
    EAC | FLAC | Image (Cue & Log) ~ 632 Mb | Total time: 61:06+71:17 | Scans included
    Classical | Label: DECCA | # 470 440-2 | Recorded: 1962

    Joan Sutherland who, three years earlier had wowed the world with her Lucia, easily accomplishes the act 1 coloratura… She does manage to inflect emotion into Violetta’s solos in act 3 with a particularly poignant rendering of the letter scene. Bergonzi’s Alfredo in this recording is one of his best assumptions on record. His voice is at its lightest with near perfect legato and with phrasing that other tenors can only aspire to.