"Weight of the World" is a song performed by Ringo Starr, released on his 1992 album, Time Takes Time. Written by Brian O'Doherty and Fred Velez, the song was released as a lead single backed with "After All These Years", and "Don't Be Cruel" (the latter was only on the CD single)…

Early in his career, Ringo Starr realized that he couldn't quite carry an entire album by himself, so he established the practice of the "all-star" (or "All-Starr," as he later dubbed it) album, drafting in his musician buddies to help him make an album…

A follow-up compilation to Blast From Your Past, Starr Struck gathered together the better tracks from Ringo Starr's less successful albums originally released between 1976 and 1983. "A Dose of Rock 'N' Roll" and "Wrack My Brain" were Top 40 singles, and the album contained specially written songs by Ringo's Beatle colleagues…

Spanning three discs and 47 tracks, The Anthology So Far collects highlights from all of Ringo Starr & His All Starr Band tours, which means it doesn't just have hits from Ringo (basically, all of his solo and Beatles anthems), it also has signature songs from fellow classic rockers like Dr. John, Levon Helm, Rick Danko, Joe Walsh, John Entwistle, Dave Edmunds, Timothy B Schmidt, Felix Cavaliere, Randy Bachman, Burton Commings, Peter Frampton, Simon Kirke, Jack Bruce, Eric Carmen, and the great Todd Rundgren…

Another fun- and hit-filled live set from Ringo, this time with the guitar-filled '92 lineup of the All-Starr Band: Joe Walsh, Timothy B. Schmit, Dave Edmunds, Todd Rundgren, Nils Lofgren, Burton Cummings, Tim Capello, and Zak Starkey…

A selection of highlights from Ringo's latter-day albums for Koch, 5.1: The Surround Sound Collection is designed as a sampler for audiophiles and it should please most of that crowd. This concentrates not on his steady stream of live recordings but rather his strong latter-day solo albums – records that draw heavily from the lush sound of latter-day Beatles, so they lend themselves well to being opened up via Surround Sound…

Ringo Starr defined his solo career through his collaborations, scoring his first big hit with the assistance of his fellow Fabs and later sustaining himself through his All-Starr Band, so his decision to produce 2010’s Y Not on his own appears to be a big deal…

For a Beatle, Ringo Starr has had a relatively quiet latter-day solo career. After salvaging his tattered reputation in 1992 with Time Takes Time – his first album in nearly a decade and his first in nearly 20 years to serve his legend well – Starr settled into touring regularly with his ever-changing All-Starr Band, documenting almost every tour with a live album, then turning out a new studio album every three or four years…

Hard as it is to believe but there has not been a proper Ringo Starr hits collection since the first, 1975's Blast from Your Past – that's not counting 1989's Starr Struck: Best of Ringo Starr, Vol. 2, which was designed as a companion to that earlier set – until 2007's Photograph: The Very Best of Ringo Starr…

There's nothing surprising, or even all that different, about Choose Love, Ringo Starr's 13th studio album: it's firmly in the tradition of his 1992 return to recording, Time Takes Time, which itself was an attempt to recreate the breezy, good-natured vibe of Starr's biggest and best album, 1973's Ringo…

Spanning three discs and 47 tracks, The Anthology So Far collects highlights from all of Ringo Starr & His All Starr Band tours, which means it doesn't just have hits from Ringo (basically, all of his solo and Beatles anthems), it also has signature songs from fellow classic rockers like Dr. John, Levon Helm, Rick Danko, Joe Walsh, John Entwistle, Dave Edmunds, Timothy B Schmidt, Felix Cavaliere, Randy Bachman, Burton Commings, Peter Frampton, Simon Kirke, Jack Bruce, Eric Carmen, and the great Todd Rundgren…

It's hard to judge Ringorama, Ringo Starr's 12th proper studio album, by most standard critical criteria. Even comparing the record to his previous solo work doesn't quite work, since so many of his albums are so driven by his persona – a combination of his actual personality and what his team of collaborators (always including a bevy of guest stars, of course) perceive his persona to be. Apart from 1973's towering Ringo, and its good follow-up, Goodnight Vienna, Starr was never consistent, partially because of his decadence in the '70s, but also because he never relaxed – he was always shooting for the charts and shifting his collaborators seemingly haphazardly…

Just as MTV's Unplugged series started out as a great idea – get musicians to reimagine their material in stripped-down arrangements – then was reduced by the record business to a gimmick for a new kind of live album, which is to say, yet another way to re-sell the same material, VH1's Storytellers series has quickly traced the same decline…

Early in his career, Ringo Starr realized that he couldn't quite carry an entire album by himself, so he established the practice of the "all-star" (or "All-Starr," as he later dubbed it) album, drafting in his musician buddies to help him make an album. The first time he did this was also the best – 1973's Ringo remains one of the best Beatles solo albums, possibly the only one that is simply, unabashedly fun. The approach also enlivened his 1992 comeback album Time Takes Time, but it fails to deliver on that record's follow-up, Vertical Man…

On his first new studio album to be released in the U.S. in 11 years, Ringo Starr made a neo-'60s-sounding record that, if it didn't feature his Beatle-mates, certainly evoked them. Don Was, the king of creative retro, produced half the album, bringing in bands like Jellyfish and the Posies, who devote their careers to trying to sound like the Beatles of 1965-66…