Styx is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady", "Come Sail Away", "Babe", "The Best of Times", "Too Much Time on My Hands", "Renegade" and "Mr. Roboto". Other major hits include "Show Me the Way" and "Don't Let It End". Styx has had 4 consecutive albums certified multi-platinum as well as 16 top 40 singles in the US, 8 of which hit the top 10.

Other than being their first platinum-selling album, The Grand Illusion led Styx steadfastly into the domain of AOR rock. Built on the strengths of "Come Sail Away"'s ballad-to-rock metamorphosis, which gained them their second Top Ten hit, and on the high harmonies of newcomer Tommy Shaw throughout "Fooling Yourself," The Grand Illusion introduced Styx to the gates of commercial stardom. The pulverized growl of "Miss America" reveals the group's guitar-savvy approach to six-string rock, while De Young pretentiously struts his singing prowess throughout the title track. Shaw's induction into the band has clearly settled, and his guitar work, along with James Young's, is full and extremely sharp where it matters most. Even the songwriting is more effluent than Crystal Ball, which was released one year earlier, shedding their mystical song motifs for a more audience-pleasing lyric and chord counterpoise. Reaching number six on the album charts, The Grand Illusion was the first to display the gelled accomplishments of both Tommy Shaw and Dennis De Young as a tandem.

A new era of hope, survival, and prosperity comes calling on STYX's Magnum Opus, Crash of the Crown, the band's first studio album since 2017's The Mission. Though the 15-track album takes a hard look at some inherently dark subjects, the prevalent light at the end of the tunnel eventually becomes each song's focal point - a persistent fervor to keep moving forward and achieve the greater good. Featuring "Crash of the Crown," "Reveries" & more, available on CD. The legendary rockers–James “JY” Young (lead vocals, guitars), Tommy Shaw (lead vocals, guitars), Chuck Panozzo (bass, vocals), Todd Sucherman (drums, percussion), Lawrence Gowan (lead vocals, keyboards) and Ricky Phillips (bass, guitar, vocals)–will release their 17th album June 18 on the band’s label, Alpha Dog 2T/UMC, which will be sold as black vinyl and CD.

Styx kept themselves busy in the 21st century, launching a tour like clockwork every year, but they abandoned recording new material after 2003's Cyclorama. Arriving 14 years after that record, The Mission announces Styx's return in a grand fashion. Although The Mission has its mind on the future - it's designed as a concept album about a mission to Mars in the year 2033 - the sound is an unapologetic throwback to the band's late-'70s prime. In a sense, it's a sequel to Paradise Theater, containing the same kind of over-baked story and, more importantly, a bunch of songs that sound like sequels to "Too Much Time on My Hands" and "Rockin' the Paradise." Dennis DeYoung's Broadway streak is notably absent, but it's not necessarily missed because Styx craft these operatic rockers so well…

The Greatest Hits compilation, originally released as Styx - Classics, Volume 15, in 1987 by A&M Records as part of A&M's classics series of greatest hits albums for artists on it's label. Japanese version includes two bonus tracks.

Like 2004's less than stellar Cyclorama, those looking for this to be the big Styx record that will catapult them back into the mainstream will be sorely disappointed in the contents of this record. It's not a CD of new material, rather, it's a 14-song collection of covers from some of the band's influences and all-time rock favorites…

Cyclorama is the fourteenth studio album by Styx, released in 2003. This was the first studio album with Lawrence Gowan, following the departure of group co-founder Dennis DeYoung in 1999…

Apparently, there are more die-hard Styx fans in the late '90s than anyone would have imagined, since Styx quietly went gold with Return to Paradise, their first release for CMC International. Some might say that the success was due to re-recordings that peppered Return, but that's not true – it never would have sold that much if it didn't have new recordings, since that's what the hardcore fans wanted. Return to Paradise gave them some, but Brave New World presents the first full-fledged collection of new Styx material in nearly a decade…

Styx kept themselves busy in the 21st century, launching a tour like clockwork every year, but they abandoned recording new material after 2003's Cyclorama. Arriving 14 years after that record, The Mission announces Styx's return in a grand fashion…

Styx may have had their musical roots in the UK's burgeoning late-'60s/early-'70s prog-rock bombast, but they were true pioneers in at least one sense: The Chicago-bred quintet virtually defined the hugely successful "corp rock" boom that followed a decade after prog's original fortunes tarnished…

Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals. While this single helped the album climb all the way to the number two spot on the charts, the rest of the tracks from Cornerstone weren't nearly half as strong. "Why Me" made it to number 26, and both "Lights" and "Boat on the River" implement silky harmonies and welcoming choruses, yet failed to get off the ground. De Young's keyboards are effective without overly dominating the music, and the band's gritty rock & roll acerbity has been slightly sanded down to compliment the commercial market.

A new era of hope, survival, and prosperity comes calling on STYX’s Crash of the Crown, the band’s first studio album since 2017’s The Mission. Though the 15-track album takes a hard look at some inherently dark subjects, the prevalent light at the end of the tunnel eventually becomes each song’s focal point — a persistent fervor to keep moving forward and achieve the greater good.

This DVD from the MuchMusic archives was shot in 1990 at Spectrum in Montreal and captures Gowan (Ex: STYX) at the peak of his career as a solo artist. Additional material includes a bootleg version of "Victory," a live video for "City of the Angels," and an interview with Much Music's Denise Donlon.