Music from The Last of Us is an orchestral album by London Music Works, conducted by acclaimed cellist Nick Squires, released digitally on 27 March 2026 via Silva Screen Records, with a double LP vinyl edition scheduled for June 2026. The 24-track collection spans the full Last of Us universe — drawing from Gustavo Santaolalla's scores for both video games (Part I and Part II) and both seasons of the HBO television adaptation.London Music Works is a London-based collective of musicians who have become a leading force in reinterpreting iconic orchestral screen music, known for recording quality and precision that brings a concert-hall immediacy to beloved soundtracks. Nick Squires, the ensemble's conductor and featured cellist, is known internationally for his viral "Bach in the Rain" video (50M+ views) and a career spanning Hollywood film sessions, UK pop chart recordings, and tours with artists including Take That and Kelly Clarkson. The album also includes two tracks of particular cultural resonance: Max Richter's "On the Nature of Daylight" and a-ha's "Take On Me," both given fresh orchestral treatment in the context of the Last of Us series.

The soundtrack for the four-part Netflix documentary series "The Dinosaurs," released in March 2026. Composer Lorne Balfe, renowned for his epic blockbuster scores ("Mission: Impossible," "Top Gun: Maverick"), has crafted a monumental musical backdrop spanning 165 million years of Earth's history. The music emphasizes the grandeur of the Triassic, Jurassic, and Cretaceous periods, utilizing a powerful brass section, large-scale choral arrangements, and synthetic textures to convey the atmosphere of the primeval world. The series serves as a spiritual successor to "Life on Our Planet," with Steven Spielberg and Keith Scholey serving as executive producers. Balfe's score not only illustrates evolutionary processes but also creates an emotional narrative about the survival and decline of ancient giants.

The soundtrack for the eighth and final season of the historical drama "Outlander" marks the culmination of composer Bear McCreary’s decade-long work on the saga’s musical landscape. This release emphasizes the resolution of the Fraser clan’s storylines, reflected in grand orchestral compositions and intimate folk arrangements. A key highlight of the album is the extended "The Journey's End" version of the title theme, "The Skye Boat Song," performed by Raya Yarbrough and Darren MacLean, symbolizing the conclusion of the characters' long journey. The score masterfully blends traditional Celtic instruments—such as bagpipes and fiddle—with deep symphonic textures that underscore the drama of historical conflicts, including the Battle of Kings Mountain.

The soundtrack for Maggie Gyllenhaal’s "The Bride!" is an eclectic tapestry where Hildur Guðnadóttir’s avant-garde signature intertwines with authentic 1930s-era jazz. Set in mid-century Chicago, the film’s score reflects a dual nature: shifting from deep, melancholic cello passages and haunting electronic ambience to vibrant vocal performances by Jake Gyllenhaal accompanied by Vince Giordano And The Nighthawks.A standout feature of the album is the inclusion of cinematic versions of Fever Ray tracks, which infuse the classic "Bride of Frankenstein" mythos with a radical modern aesthetic. Guðnadóttir masterfully employs recurring "Love Themes" to convey the fragility and formidable power of the resurrected protagonist. The music functions as a key narrative element, emphasizing character transformation within Gyllenhaal’s directorial vision.

Gidon Kremer's technical brilliance, inward but passionate playing, and commitment to both new works and new interpretations of old works have made him one of the most respected violinists and conductors in the world today. He is widely known as the director of his own ensemble, Kremerata Baltica, which has explored a wide range of new music from the Baltic region and other areas. Kremer has a sizable recording catalog, much of it covering music from Eastern Europe and Russia. It includes the 2025 release Viktor Kalabis: Duettina; Chamber Music; Diptych.Kremer was born on February 27, 1947, in Riga, Latvia, then part of the Soviet Union. The Latvian form of his name is Gidons Krēmers. His parents were both professional violinists (his father, a Jew, survived the Holocaust), and, as with so many virtuosi, Kremer's gift was apparent almost immediately after a violin was put in his hands. His grandfather, Georg Bruckner, concertmaster of the Riga Opera, is credited with having guided the development of his formidable talent.

The soundtrack for God of War: Sons of Sparta is a monumental work by composer Bear McCreary, crafted for the Santa Monica Studio project. In this installment, the score focuses on exploring the protagonist's roots and Spartan mythology. McCreary continues to evolve the themes established in the previous Norse saga entries while reintroducing the grit and aggression characteristic of the Greek period, utilizing archaic instruments and a powerful brass section.

Also premiering on Friday is the Disney+ original documentary The Beach Boys directed by Frank Marshall & Thom Zimny about the legendary band that revolutionized pop music, and the iconic sound they created that personified the California dream. Capitol/UMe will release a soundtrack album featuring the songs from the movie on May 24. Check back on this page for the full album details and to learn more about the documentary, which traces the band from humble family beginnings and features new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, David Marks & others and which will be available to stream exclusively on Disney+.

The Romantica collection features curated romantic themes by Piero Piccioni, a preeminent composer of Italian cinema. The compilation offers a journey through vintage orchestral arrangements, warm jazz harmonies, and nostalgic lo-fi moods inspired by classic film scores. Blending love, elegance, and melancholy, the music is designed to evoke a sophisticated cinematic atmosphere, making it suitable for nocturnal listening or focused relaxation.

The soundtrack for Tom DiCillo's excellent documentary on The Doors features many of the band's finest songs, brief interview segments, and Johnny Depp reading Jim Morrison's poetry. Depp is the perfect modern voice for Morrison's words. Many of the poems are little more than a few phrases that link the songs and give context to the band's vision, though "The Girl of the Ghetto" is a nicely turned piece, and "Goodbye America" has an amusing finality to it. The Doors songs included are an interesting mix, including "Light My Fire" from their 1967 appearance on The Ed Sullivan Show, "Break on Through (To the Other Side)" live from the Isle of Wight in August 1970, and "Roadhouse Blues" live from New York in 1970, in a version that far exceeds the studio recording. The deluxe version includes three bonus songs ("The Changeling," "Strange Days," and "The Spy") and a video excerpt from the film.

The "Return to Silent Hill" soundtrack marks the triumphant return of Akira Yamaoka to the cinematic universe of the foggy town. The album's musical tapestry skillfully balances deep psychological ambient with sharp industrial accents. The composer utilizes the guitar riffs and trip-hop rhythms familiar to fans, adapting them to a refreshed visual aesthetic. The sound emphasizes themes of loss and existential horror accompanying the protagonist's quest.About the movie: "Return to Silent Hill" is a psychological horror film directed by Christophe Gans, based on the plot of the cult video game Silent Hill 2. The film follows James Sunderland as he travels to Silent Hill after receiving a mysterious letter from his deceased wife.

The heroic universe of Patrick Sobral’s "Les Légendaires" is celebrated in a new musical adventure through the original soundtrack for Guillaume Ivernel’s upcoming film. Renowned composer and vocalist Cécile Corbel, a Golden Disc Award winner for her work with Studio Ghibli, lends her signature sensitivity to the project, bridging the emotional depth of the original comics with a new sonic interpretation. The film and its soundtrack are scheduled for release on January 28, 2026.

The soundtrack for the first season of Star Trek: Starfleet Academy is composed by Emmy Award winner Jeff Russo. The score captures the journey of a new generation of cadets navigating their training in the 32nd century. The album features both epic orchestral arrangements for space sequences and intimate melodic themes focusing on character development. A notable highlight of the release is the reimagined version of the classic song "San Francisco (Be Sure To Wear Flowers In Your Hair)," which bridges the Academy's location with Earth's cultural history.

For the 35th anniversary of Jacob’s Ladder, a limited two-CD reissue of Maurice Jarre’s score has been released with a restricted run of 1,000 units. The soundtrack features an innovative fusion of electronic and orchestral elements, reflecting the psychological complexity and surreal nature of the film's narrative. This edition includes the original 1990 album, a comprehensive score presentation, updated art design, and new liner notes. The release highlights the film’s cult status and Jarre’s significant contribution to the psychological thriller genre.

The album is the official soundtrack for the first season of the supernatural horror noir television series Revival. The score was composed by Canadian composer, producer, and singer Lydia Ainsworth, renowned for her unique fusion of electronic and classical influences.Based on the Image Comics series by Tim Seeley and Mike Norton, the TV adaptation was created by Aaron B. Koontz and Luke Boyce for Syfy and CTV Sci-Fi Channel. The soundtrack's sonic palette blends dark ambient textures, tense orchestral arrangements, and Ainsworth’s signature ethereal vocal layers, perfectly capturing the mystical and unsettling atmosphere of the "revivers" mystery in a small Wisconsin town.

Elmer Bernstein was a preeminent composer and conductor whose work defined the sonic landscape of mid-20th century Hollywood. This 44-track collection documents the formative first decade of his career, showcasing his versatility across various cinematic genres. The anthology features iconic themes characterized by their evocative atmospheres and dramatic arrangements, seamlessly bridging the gap between traditional orchestral scoring and jazz influences. Bernstein’s unique ability to synthesize musical narrative with visual imagery remains the hallmark of this evocative retrospective.