On June 18, Zappa’s historic, final American show will be released for the first time as the new live album, Zappa ’88: The Last U.S. Show via Zappa Records/UMe. The first posthumous archival release from the ‘88 touring band, the album features 29 unreleased performances including two additional performances from the same tour: Zappa’s wild interpretations of the Allman Brothers Band’s “Whipping Post” from the March 16 show in Providence, R.I. and Led Zeppelin’s “Stairway To Heaven” from the March 23 Towson, Md. show. The record is also notable for containing the first official release of the much talked about “The Beatles Medley.”

Frank Zappa’s concerts at the Roxy Theatre in Holywood in December 1973 are legendary. Frank and the Mothers played three nights on December 8th, 9th & 10th and these shows formed the basis of the “Roxy & Elsewhere” album that was released in 1974…

Legendary composer/guitarist Frank Zappa was born in Baltimore on his date in 1940. The Zappa Family Trust celebrates what would have been Frank’s 80th birthday had he not died in 1993 by sharing the A Very Zappa Birthday EP.

The musically similar follow-up to the commercial breakthrough of Over-Nite Sensation, Apostrophe (') became Frank Zappa's second gold and only Top Ten album with the help of the "doggy wee-wee" jokes of "Don't Eat the Yellow Snow," Zappa's first chart single (a longer, edited version that used portions of other songs on the LP)…

Frank Vincent Zappa was an American musician, composer, activist and filmmaker. His work was characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist…

By 1981, Frank Zappa’s Halloween shows in New York were already legendary – a rock and roll bacchanalia of jaw-dropping musicianship, costume-clad revelry, spontaneous theatrical hijinks and of course a heavy dose of Zappa’s signature virtuosic guitar workouts. Eagerly anticipated every year, fans never knew exactly what was in store but knew it would be of epic proportions and one-of-a-kind experience that only Zappa and his skilled group of musicians could provide. When Zappa returned to The Palladium in NYC in 1981 for a five-show four-night run from October 29 to November 1, the nearly-annual tradition was even more anticipated than usual as the 1980 concerts were cut short due to Zappa falling ill. Curiously there was no fall tour the previous year and thus no Halloween shows.

Mats Öberg made an album, improvising over Zappa themes.As Mats explains in the liner notes: "What I wanted to do was to make improvisations over Zappa-themes and to do it in my way, using my imagination. I didn't want to play the tunes strictly as they were written; many other people have done that before already."

Overseen by the Zappa Trust and produced by Ahmet Zappa and Zappa Vaultmeister, Joe Travers, The Mothers 1970 collects together more than four hours of previously unreleased performances by the heralded line-up which lasted roughly seven months: Aynsley Dunbar (drums), George Duke (piano/keys/trombone), Ian Underwood (organ/keys/guitar), Jeff Simmons (bass/vocals) and Flo & Eddie aka Howard Kaylan (vocals) and Mark Volman (vocals/percussion) of The Turtles who performed under the aliases to skirt contractual limitations of performing under their own names. This iteration of The Mothers, which likely began rehearsals fifty years ago this month, came to an end in January of 1971 when Simmons quit the band during the making of the 200 Motels movie.

Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.