Roland Kayn - Requiem pour Patrice Lumumba (2020) {Reiger-records-reeks}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 278 Mb | MP3 @320 -> 127 Mb | Cover | 5% repair rar
© 2020 Reiger-records-reeks | Digital Juneteenth Remastered Reissue
Experimental / Modern Classical / Musique concrète / Electroacoustic / Electronic / Cybernetic

Patrice Émery Lumumba was the first Prime Minister of the independent Democratic Republic of the Congo (then Republic of the Congo), but was murdered by his opponents, with the complicity of the Belgian government, the United States and the UN. Kayn first heard of these events from his friend, conductor Andrzej Markowski. He had never before written a requiem, and elected to make Lumumba his subject.

Svein Hundsnes is one of Norway’s most important living composers. He has written a wide-ranging body of music encompassing several vivid styles, moving seamlessly from tonal and non-tonal music to include jazz, rock and even funk. Hundsnes’ sequence of Clavinatas—one-movement free-standing pieces with a symmetrical form that often include toccata-like vitality—embody qualities that make his music so distinctive. Often syncopated, they possess short motifs, intensity and emotional ambiguity. Piano Sonata No. 1 and Downtoned Beats reflect his delight in drama and dance grooves.

Hot on the heels of two successful albums (as leading member of Sonar w. David Torn), Swiss composer and guitarist Stephan Thelen presents his first named RareNoise release, World Dialogue. World Dialogue casts a light on Stephan Thelen's work as a contemporary classical composer. It features four works for String Quartet, composed over the last decade,performed by the Kronos Quartet and the Al Pari Quartet.'World Dialogue', 'Silesia' and 'Chaconne', composed between 2006 and 2018, were performed and recorded by the Al Pari Quartet in Berlin earlier this year. 'Circular Lines' was commissioned then performed in 2017 by the Kronos Quartet as part of their '50 For The Future: The KronosLearning Repertoire' series of commissions.

The eight works in this album explore reflections on the eight planets of the solar system and the earths seven continents. Most bear echoes of traditional melodies originating from indigenous peoples. Largely composed during the COVID-19 pandemic, Tanya Ekanayaka's passionate awareness of the connections and congruences between the past and present is reflected in her vision of harmonious co-existence.

David Lang's the little match girl passion, for vocal quartet doubling on percussion instruments, won the Pulitzer Prize in 2008. It's a strong, striking piece with a surprisingly potent emotional punch. Part of its effectiveness derives from the story itself, which is so achingly poignant that it can hardly fail to raise a lump in the throat. The text is primarily compiled from the story by Hans Christian Andersen and from familiar sections from Bach's St. Matthew Passion, which sound fresh and new in English translation. Lang's clear-eyed avoidance of sentimentality saves the story from the bathos into which it could easily sink in a less skillful musical setting.

Under his guises Blessed Initiative and Ketev, as well as his own name, composer and sound artist Yair Elazar Glotman has explored extended techniques and processes to forge new Tracklist: sonic textures and musical forms. Compound picks up where the previous solo work under Glotman’s own name - 2015’s Études - left off. The acoustic sound palette has now expanded from solo contrabass into a trio including pianist Rieko Okuda and percussionist Marcello Silvio Busato.

Christmas at the Movies is a dazzling new album of movie music which beautifully captures the holiday spirit. The collection spans almost 80 years offering something special for all the family, from timeless classics The Wizard of Oz, White Christmas and Home Alone through to contemporary Christmas blockbusters Frozen and Elf. Newly recorded arrangements with the Czech Philharmonic Orchestra provide the perfect festive sound-track for essential holiday preparations - decorating the tree, baking mince pies, wrapping the presents and more! Plus one track with multi-million streaming artist and YouTube sensation - The Piano Guys! Relive treasured memories of Christmas movies around the fire, or treat someone special with this perfect present - Christmas at the Movies – it’s the most wonderful time of the year!

Violinist Jennifer Koh’s Limitless, based on her groundbreaking recital project of the same name, bridges the modern divide between composer and instrumentalist, celebrates artistic collaboration, and revives the grand tradition of composers performing their own music. The album features world-premiere recordings of Koh-commissioned duets by a diverse roster of highly accomplished contemporary composers, which she performs with the composers themselves.

Roland Kayn - Xutus (2021) {Reiger-records-reeks}
FLAC (tracks) - 16bit/44.1kHz - Digital Download -> 307 Mb | MP3 @320 -> 170 Mb | Cover | 5% repair rar
© 2021 Reiger-records-reeks
Experimental / Modern Classical / Musique concrète / Electroacoustic / Electronic

The latest première from the Kayn archives opens with the composer already several layers deep into the endless process of use-process-reuse that characterises so much of his work. Textural washes are stretched until taut into almost choral tones. Tape warble gives way to arrays of submerged granular shapes. Kayn's limitless fascination with the mutability of sound itself once again approaches its apotheosis.

"I feel like 'Home' is a second part of the same book, that the start was in 'Esja', a musical prelude to a real plot. I feel Home is a story with an ending, so the next book can tell a totally different one. I am constantly looking for new ways of expression. I am curious where 'Home' will lead me and my music". — Hania Rani

The Finnish-American composer Alex Freeman has been described as being ‘as comfortable in the realm of the pop ballad as in that of the concert hall’ and yet his songs ‘are imbued with the craftsmanship and care one would expect of a composer of his formidable academic training, just as his concert works carry the emotional immediacy of popular music.’ Himself a choral singer, Alex Freeman has written a number of works for choir: music that aims to be sonorous and melodic, but is carefully crafted to avoid the clichés that can burden conventional tonality.

Denis Dufour - Bocalises (2006) {Motus M306011} (INA–GRM)
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© 2006 Motus | M306011
Experimental / Musique Concrète / Electroacoustic / Acousmatic

Denis Dufour. Born in Lyon in 1953, he took courses at the CNSM in Paris at Ivo Malec, Guy Reibel, and Pierre Schaeffer. He is the creator of numerous instrumental and electroacoustic works. He was a member of Ina-GRM until the year 2000. Creator, teacher, organizer of concerts and events, he founded and directed several instrumental ensembles: TM +, Les Temps Modernes, and in 2004 the ensemble Syntax in Perpignan. He is the main instigator of the Futura festival, and artistic director of Motus. He has been teaching acousmatic and instrumental composition for over 25 years.

One of the most brilliant works in the quartet literature, an exciting new composition based on it, and a virtuoso award-winning ensemble: the Aris Quartet's GENUIN album Attacca bursts with energy from the very first moment. Highly acclaimed with awards such as "Echo Rising Stars" 2019, the Borletti-Buitoni Trust, and "New Generations Artists" 2018, the Aris Quartet juxtaposes Beethoven's "Russian" Quartet Op. 59, No. 1, with Gerald Resch's String Quartet No. 3. Gerald Resch's intention was to build a kind of "adjacent property" to Beethoven. The Aris Quartet vividly brings out both the connections and differences with its nuanced playing.

The record Pato (Dam) depicts the power of singing together: the happiness of belonging and being united, the comfort of liberation from difficult feelings, the delight of sharing joy, and empowerment even amid difficult challenges. Singing together makes you stop in the very moment to experience beauty. The songs on the record flow through moments of refuge, otherness and loneliness into being united with oneself, the other and nature. The process of making this record also underlines the power of singing: a major part of the practice work took place in the times of isolation on spring 2020, due to restrictions on singing together caused by the pandemic.