Scott Kinsey’s connection to the music of Joe Zawinul and Weather Report is undeniable and hardly new to even casual partakers of the keyboardist’s work. As Kinsey explains, the pull was there from the beginning: “Joe was an innovative improviser, composer, and conceptualist but for me, especially so as the first jazz synthesist I had ever encountered. His electric keyboard work was showing us the future, note by note.”

Sons of Kemet returns in 2021 with their new album Black To The Future, the follow up to 2018’s Mercury Prize nominated breakout release Your Queen Is A Reptile. This release finds the UK-based quartet at their most dynamic – showcasing harmonically elegant arrangements and compositions, coupled with fierce, driving material that will be familiar to initiated fans.

A double CD set including Live At The Venue and the 4th Album Rehearsal Sessions (both containing recordings from 1980). Featuring a line-up of Bill Bruford, John Clark, Dave Stewart and Jeff Berlin, both of these discs were previously only available in the Seems Like a Lifetime Ago box set and see their first release outside of the box here. This definitive re-release is on Bruford’s own Winterfold Records and was overseen personally by Bill.

Unlike many guitarists on today’s crowded stage, Mark Lettieri treats his fretboard as a runway. Before liftoff, he ensures every calibration, setting, and bolt is as it should be before grabbing a piece of sky. In Dragonfly, the riff-heavy opener off his latest full-length, Can I Tell You Something?, he makes good on that promise of flight. With Jason “JT” Thomas (drums), Daniel Porter (keys), Wes Stephenson (bass), and Bobby Sparks (organ) in the control tower, he has a dream team to get him off the ground without the slightest worry of a malfunction. From the moment his landing gear leaves the tarmac, he soars with the fullest confidence.

CASIOPEA Debut 45th Anniversary! CASIOPEA-P4 3rd Anniversary! After 45 years, CASIOPEA, one of Japan's leading FUSION MUSIC SCENE, is further accelerating its evolution. All songs are newly written and newly composed. We deliver the best sound to you.

Following 2015's "A・SO・BO" and 2016's "I・BU・KI," this is the final album in a much talked-about trilogy based on a three-letter word as its sound and visual concept! Feel the A・KA・RI of "CASIOPEA 3rd." In 2017, the legendary super fusion band "CASIOPEA" celebrated their 40th anniversary. As of 2018, they are still going strong as "CASIOPEA 3rd" with their third generation members, and this album, a must-listen for fans, marks a new step towards creating an even more evolved CASIOPEA SOUND, keeping with their catchphrase "Speed, Thrill, Technique," as they work towards becoming a new legend.

Al Di Meola's "Twentyfour," is a testament to creativity. Conceived during the tumultuous times of the pandemic, what started as a simple acoustic project evolved into something much grander. Al's initial intention to craft a reflective acoustic album on the challenges of the time expanded exponentially as he found himself unable to resist the allure of boundless musical exploration.

Strandberg Project is a band led by bass player Jan-Olof Strandberg and was formed in 1995. The band has invited guests from all over the world to perform and record new music together with fresh ideas.

Grammy award Winning bassist Mark Egan teams up with the all-star rhythm section of Shawn Pelton-Drums and Shane Theriot-Guitar. This powerful and elegant musical tapestry bridges contemporary jazz, R&B and Rock roots to create a captivating musical journey exploring highly adventurous interplay and soloing over multi layered orchestrations.

Weather Report's biggest-selling album is that ideal thing, a popular and artistic success – and for the same reasons. For one thing, Joe Zawinul revealed an unexpectedly potent commercial streak for the first time since his Cannonball Adderley days, contributing what has become a perennial hit, "Birdland." Indeed, "Birdland" is a remarkable bit of record-making, a unified, ever-developing piece of music that evokes, without in any way imitating, a joyous evening on 52nd St. with a big band. The other factor is the full emergence of Jaco Pastorius as a co-leader; his dancing, staccato bass lifting itself out of the bass range as a third melodic voice, completely dominating his own ingenious "Teen Town" (where he also plays drums!). By now, Zawinul has become WR's de facto commander in the studio; his colorful synthesizers dictate the textures, his conceptions are carefully planned, with little of the freewheeling improvisation of only five years before. Wayne Shorter's saxophones are now reticent, if always eloquent, beams of light in Zawinul's general scheme while Alex Acuña shifts ably over to the drums and Manolo Badrena handles the percussion.

„When I die, I want people to play my music, go wild and freak out and do anything they want to do.“ Jimi Hendrix’s wish has been posthumously fulfilled. Although he had such misfortune in life, and died in 1970 at a mere 27 years of age, his immortal music has continued to be played ever since his death - very much in the spirit of that quote. Countless musicians in rock, pop and jazz have been influenced by Hendrix, and many have overtly based their own music on his. Among the ACT family of artists, several have been inspired by his music, and have found their own individual ways to play it. In November of this year this icon of the 1968 protest movement, this pioneer of rock would have been 75. A good reason, then, for ACT musicians to gather together for a retrospective called “Hendrix in the Spirit of Jazz”, to let the unique spirit of this genius of the electric guitar soar again.

In 1968, an ad from Frank Zappa in the L.A. Free Press read: “The Mothers of Invention cordially invite you to join them on Tuesday, July 23, 1968 when they will be taking over the Whisky a Go Go for 5 full hours of unprecedented merriment, which will be secretly recorded for an upcoming record album. Dress optional. Starting sometime in the evening. R.S.V.D.T.” That album ultimately ended up remaining mostly unheard, until now. The live collection Whisky a Go Go, 1968 is set to finally be released June 21st, 2024, via Zappa Records/UMe.

The Chicago Transit Authority recorded this double-barreled follow-up to their eponymously titled 1969 debut effort. The contents of Chicago II (1970) underscore the solid foundation of complex jazz changes with heavy electric rock & roll that the band so brazenly forged on the first set. The septet also continued its ability to blend the seemingly divergent musical styles into some of the best and most effective pop music of the era. One thing that had changed was the band's name, which was shortened to simply Chicago to avoid any potential litigious situations from the city of Chicago's transportation department – which claimed the name as proprietary property.

When Metheny celebrates his cerebral side, he usually follows up with something more accessible. After his difficult yet rewarding collaboration with John Scofield, I Can See Your House from Here, Metheny stresses accessibility with this captivating live album. The primary focus is on his Brazilian-influenced material from Still Life (Talking) and Letter from Home, and the very cohesive Pat Metheny Group offers characteristically expressive versions of such favorites as "Have You Heard," "Beat 70," and "Better Days Ahead." While he could have offered a wider variety of material and perhaps revisited some of his early gems, everything that he does include comes across as honest and heartfelt. Thankfully, Metheny's emphasis on accessibility and crowd-pleasing doesn't come at the expense of his artistic integrity.