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    Alessandro De Marchi. Academia Montis Regalis - Wolfgang Amadeus Mozart: La clemenza di Tito (2016)

    Posted By: ArlegZ
    Alessandro De Marchi. Academia Montis Regalis - Wolfgang Amadeus Mozart: La clemenza di Tito (2016)

    Alessandro De Marchi. Academia Montis Regalis - Wolfgang Amadeus Mozart: La clemenza di Tito (2016)
    EAC | FLAC | Tracks (Cue & Log) ~ 751 Mb | Total time: 142:57 | Scans included
    Classical | Label: CPO | # 777 870-2 | Recorded: 2013

    During the early nineteenth century the new 1804 Viennese version of La Clemenza di Tito, was Mozart's most popular opera in Europe. However, in keeping with the practice during that period, it was performed in versions adapted to the times and the taste of the opera public and this is precisely the starting point for our recording's conductor Alessandro De Marchi. He would like to present Tito in the form in which it was staged and acclaimed in great houses from the Vienna Court Opera to the Milan Scala and from Dresden and Hamburg to Paris during the early years of the nineteenth century. Our recording is based on the acclaimed production at the Innsbruck Festival Weeks 2013 with the Academia Montis Regalis performing on historical instruments.

    Davide Amodio, Gli Strali di Cupido - Giuseppe Matteo Alberti: Sonate per violino e basso continuo (2000)

    Posted By: ArlegZ
    Davide Amodio, Gli Strali di Cupido - Giuseppe Matteo Alberti: Sonate per violino e basso continuo (2000)

    Davide Amodio, Gli Strali di Cupido - Giuseppe Matteo Alberti: Sonate per violino e basso continuo (2000)
    EAC | FLAC | Image (Cue & Log) ~ 503 Mb | Total time: 48:22+43:24 | Scans included
    Classical | Label: Bongiovanni | GB 5604/5-2 | Recorded: 1999

    Quando ancora l'attività compositiva solitamente portava con sé precisi caratteri stilistici tipici della cultura cittadina in cui i compositori - quanto meno - operavano, l'eccellente violinista Giuseppe Matteo Alberti (1685-1751) guardò oltre la siepe e oggi gli è riconosciuto il merito di avere per primo adottato alcuni stilemi del linguaggio vivaldiano al di fuori dell'ambiente veneziano. I dati anagrafici di Alberti sono sovrapponibili, come si vede, a quelli di J.S. Bach, ma a lui non arrise la grandezza creativa e la fortuna (tarda) del Cantor: Bologna, S. Petronio, l'Accademia Filarmonica della sua città - di cui per qualche anno fu "Principe" - le sale del conte Orazio Bargellini per il quale curò l'attività musicale, furono lo scenario che egli calcò da protagonista,

    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi - Vivaldi, Il Furioso! (2006)

    Posted By: ArlegZ
    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi - Vivaldi, Il Furioso! (2006)

    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi, Giorgio Tabacco, Alfredo Bernardini, Gottfried von der Goltz - Vivaldi, Il Furioso! (2006)
    EAC | FLAC | Image (Cue & Log) ~ 394 Mb | Total time: 77:25 | Scans included
    Classical | Label: Naïve | OP30432 | Recorded: 2000-2006

    This disc is a sampler of Vivaldi discs released by France's Naïve label, and it's highly recommended to listeners who haven't yet given these recordings a try. The group of performers is pan-European, with French singers and Italian instrumentalists especially strongly represented, but a compilation like this brings home how well this label has done at forging a unified artistic vision. Its Vivaldi indeed tends toward "furious," as the title proclaims; it is also garish, energetic, dynamically extreme, and in every way devoted to making Vivaldi out as a rebel in his time.

    Alessandro de Marchi, Orchester der Academia Montis Regalis - Domenico Cimarosa: Il Matrimonio Segreto (2021)

    Posted By: ArlegZ
    Alessandro de Marchi, Orchester der Academia Montis Regalis - Domenico Cimarosa: Il Matrimonio Segreto (2021)

    Alessandro de Marchi, Orchester der Academia Montis Regalis - Domenico Cimarosa: Il Matrimonio Segreto (2021)
    EAC | FLAC | Tracks (Cue & Log) ~ 919 Mb | Total time: 197:33 | Scans included
    Classical | Label: CPO | # 555 295-2 | Recorded: 2016

    Il matrimonio segreto is the only opera that has ever had the honor of being repeated in full at its premiere, so very much did the comical musical goings-on please its distinguished audience. On the occasion of the fortieth anniversary of the Innsbruck Early Music Festival Weeks, the conductor Alessandro De Marchi again at long last led a performance of Cimarosa’s most popular opera in historical performance practice and in original sound.

    Alessandro De Marchi, Academia Montis Regalis - Antonio Vivaldi: Juditha triumphans (2001)

    Posted By: ArlegZ
    Alessandro De Marchi, Academia Montis Regalis - Antonio Vivaldi: Juditha triumphans (2001)

    Alessandro De Marchi, Academia Montis Regalis - Antonio Vivaldi: Juditha triumphans (2001)
    EAC | FLAC | Image (Cue & Log) ~ 845 Mb | Total time: 165:24 | Scans included
    Classical | Label: Naïve | # OP 30314 | Recorded: 2000

    Vivaldi may be best remembered for his virtuosic concertos but, as anyone familiar with his famous D major Gloria will know, he also had a real ear for vocal sonorities. His only surviving oratorio, Juditha Triumphans, has until recently been a well-kept secret. The biblical story of Judith overcoming Holofernes and his army (beheading him herself–no shrinking violet she) was popular with both librettists and composers, offering plenty of opportunities for exuberant tub-thumping. And these Vivaldi seizes eagerly, the opening rabble-rousing chorus (here preceded by a sinfonia reconstructed by Vivaldi scholar Michael Talbot) setting the tone in truly martial fashion.

    Alessandro De Marchi, Academia Montis Regalis - Vivaldi: Orlando finto pazzo (2004)

    Posted By: ArlegZ
    Alessandro De Marchi, Academia Montis Regalis - Vivaldi: Orlando finto pazzo (2004)

    Alessandro De Marchi, Academia Montis Regalis - Vivaldi: Orlando finto pazzo (2004)
    EAC | FLAC | Image (Cue & Log) ~ 1,14 Gb | Total time: 203:19 | Scans included
    Classical | Label: Naïve | # OP30392 | Recorded: 2003

    Orlando finto pazzo ('Orlando feigns madness') was the second of Vivaldi's numerous operas, and his first for the Venetian stage. The story of Orlando's madness is taken not from the usual source, Ariosto's poem Orlando furioso, but Boiardo's earlier Orlando innamorato, a similarly tragicomic mix of love, intrigue and magic. In Ariosto's poem Orlando's madness is real, but here he pretends it for no obvious reason; in fact it's no more than a couple of episodes in a convoluted and unengaging plot built around a lovepentangle (no less), and further complicated by various disguises and rampant dissembling.

    Alessandro De Marchi, Orchestra of the Bergamo Musica Festival Gaetano Donizetti - Donizetti: L'elisir d'amore (2008)

    Posted By: Vilboa
    Alessandro De Marchi, Orchestra of the Bergamo Musica Festival Gaetano Donizetti - Donizetti: L'elisir d'amore (2008)

    Alessandro De Marchi, Orchestra of the Bergamo Musica Festival Gaetano Donizetti - Donizetti: L'elisir d'amore (2008)
    NTSC 16:9 (720x480) | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 4.89+4.47 Gb (2xDVD9) | 132 min
    Classical | Dynamic | Sub: Italiano, English, Francais, Deutsch, Espanol

    This new Dynamic opera, Elisir d’amore was performed in Donizetti’s native city of Bergamo, during the most important world festival dedicated to the Italian composer. The opera is set in a rural environment and the action takes place in a country farm. It is a brilliant comedy with many points of contact with semi-serious operas. The choice of this subject must have been strongly influenced by the successes of Vincenzo Bellini’s La Sonnambula.

    Robin Johannsen, Alessandro de Marchi, Academia Montis Regalis - Antonio Caldara: In dolce amore (2014)

    Posted By: ArlegZ
    Robin Johannsen, Alessandro de Marchi, Academia Montis Regalis - Antonio Caldara: In dolce amore (2014)

    Robin Johannsen, Alessandro de Marchi, Academia Montis Regalis - Antonio Caldara: In dolce amore (2014)
    EAC | FLAC | Image (Cue & Log) ~ 417 Mb | Total time: 72:54 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88843011692 | Recorded: 2013

    CANTATAS AND OPERAS – the twin pillars of secular vocal music of the baroque period. Few composers – though there are some notable exceptions – eschewed these genres if only because a set of cantatas, engraved or copied professionally and strategically dedicated, could be a comparatively inexpensive starting point for a career while opera lured with prospects of fame and fortune.

    Alessandro De Marchi, Academia Montis Regalis - Handel, Caldara: Carmelite Vespers 1709 (2012)

    Posted By: ArlegZ
    Alessandro De Marchi, Academia Montis Regalis - Handel, Caldara: Carmelite Vespers 1709 (2012)

    Alessandro De Marchi, Academia Montis Regalis - Handel, Caldara: Carmelite Vespers 1709 (2012)
    EAC | FLAC | Image (Cue & Log) ~ 505 Mb | Total time: 100.37 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88691926042 | Recorded: 2011

    “Carmelite Vespers 1709” presents a reconstruction of musical performances in Rome in 1709, based on a new critical edition by Italian Handel expert Angela Romagnoli. In early 18th century-Rome the holiday of Madonna del Carmine was celebrated with a lavish musical pasticcio. Italian Early Music specialist Alessandro de Marchi, his Academia Montis Regalis and an excellent ensemble of solo vocalists present the reconstruction of such a service as it might have been performed in 1709 under the direction of Venetian master Antonio Caldara (1670–1736).

    Alessandro De Marchi, Orchestra La Scintilla, Cecilia Bartoli, Juan Diego Florez - Vincenzo Bellini: La Sonnambula (2008)

    Posted By: ArlegZ
    Alessandro De Marchi, Orchestra La Scintilla, Cecilia Bartoli, Juan Diego Florez - Vincenzo Bellini: La Sonnambula (2008)

    Alessandro De Marchi, Orchestra La Scintilla, Cecilia Bartoli, Juan Diego Flórez - Vincenzo Vincenzo Bellini: La Sonnambula (2008)
    EAC | FLAC | Image (Cue & Log) ~ 599 Mb | Total time: 134:11 | Scans included
    Classical | Label: Decca | # 478 1087 | Recorded: 2007-2008

    This recording of La Sonnambula is notable on a number of fronts. It's the first recording of the opera based on a 2004 critical edition of the score that confirms the leading role was indeed written for a mezzo-soprano, although it has been performed by sopranos for much of its history. (Among the first Aminas were the celebrated mezzos Giuditta Pasta and Maria Malibran.) It's also the first recording using period instruments, in this case Orchestra La Scintilla, based at the Basel Opera and conducted by Alessandro de Marchi in an idiomatic and lively reading. And, as the promotional materials trumpet, it's the first recorded collaboration between superstars Cecilia Bartoli and Juan Diego Flórez. Although less hoopla is made of him, the recording also features a superbly lyrical performance by baritone Ildebrando D'Arcangelo.

    Attilio Cremonesi, Alessandro de Marchi - A duoi cembali: Mattheson, Schaffrath, W. F. Bach, Krebs (1997)

    Posted By: ArlegZ
    Attilio Cremonesi, Alessandro de Marchi - A duoi cembali: Mattheson, Schaffrath, W. F. Bach, Krebs (1997)

    Attilio Cremonesi, Alessandro de Marchi - A duoi cembali: Mattheson, Schaffrath, W. F. Bach, Krebs (1997)
    EAC | FLAC | Image (Cue & Log) ~ 402 Mb | Total time: 70:55 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 905235 | Recorded: 1995

    The novelties here are the Mattheson works, the first two fully composed, the third a figured-bass exercise from Mattheson's treatise on the subject. The sonata is a dramatic, virtuoso outing in the Italian style; the suite, ostensibly more french in character, retains a typical German heaviness.

    Alessandro de Marchi, Academia Montis Regalis - Alessandro Stradella: San Giovanni Battista (2008)

    Posted By: ArlegZ
    Alessandro de Marchi, Academia Montis Regalis - Alessandro Stradella: San Giovanni Battista (2008)

    Alessandro de Marchi, Academia Montis Regalis - Alessandro Stradella: San Giovanni Battista (2008)
    EAC | FLAC | Image (Cue & Log) ~ 385 Mb | Total time: 77:34 | Scans included
    Classical | Label: Hyperion | # CDA67617 | Recorded: 2007

    Stradella was murdered in Genoa when he was forty-two years old. Until then he enjoyed a dazzling career as a freelance composer, writing on commission, collaborating with distinguished poets, producing over three hundred works in a variety of genres. His musical style is distinctive, characterized by fluid lines, great skill in counterpoint, and harmony which was tonal but which occasionally offers chords that were unusual then and striking even today.

    Franco Fagioli, Alessandro De Marchi, Academia Montis Regalis - Il Maestro: Porpora Arias (2014)

    Posted By: ArlegZ
    Franco Fagioli, Alessandro De Marchi, Academia Montis Regalis - Il Maestro: Porpora Arias (2014)

    Franco Fagioli, Alessandro De Marchi, Academia Montis Regalis - Il Maestro: Porpora Arias (2014)
    EAC | FLAC | Image (Cue & Log) ~ 455 Mb | Total time: 80:36 | Scans included
    Classical | Label: Naïve | # V5369 | Recorded: 2013

    Argentine countertenor Franco Fagioli has emerged as one of the rising figures in that hot field, seemingly with the Italian opera of the first half of the 18th century as a specialty. As such, he might be particularly well represented by this collection of arias by Nicola Porpora, whose activities cut across a cross section of important activities in the century's second quarter. He was the teacher of both Haydn and Farinelli. He snagged many of Pietro Metastasio's high-tragedy opera seria libretti for himself and set them with suitably florid music, but he also had a considerable for sheer melody that's on display in this well-chosen program. Fagioli is not an exceptionally powerful countertenor, but he's capable of sheer smoothness of line that's appropriate to Porpora, who was called the greatest teacher of singers among composers, and the greatest composer among teachers of singing.

    The Vivaldi Edition Operas [27CDs] (2008)

    Posted By: ArlegZ
    The Vivaldi Edition Operas [27CDs] (2008)

    The Vivaldi Edition Operas: L'Orlando finto pazzo; Juditha triumphans; Tito Manlio; La verità in cimento; Orlando furioso; L'Atenaide; Il Farnace; L'Olimpiade; Griselda [27CDs] (2008)
    EAC | FLAC | Image (Cue & Log) ~ 8,79 Gb | Scans included
    Classical | Label: Naïve | # OP30470 | Recorded: 2000-2007

    Since 2001, beginning with Juditha Triumphans, eight operas by Vivaldi have been released in the Vivaldi Edition, each one an event, either the first complete recording (or the first recording!) by first-rate conductors, soloists and orchestras specializing in Baroque. Acclaimed by the press (numerous awards), and by the public (more than 150,000 copies sold since 2001), these recordings have succeeded at last in rehabilitating Antonio Vivaldi, known always for his brilliant concertos, as one of the greatest operatic composers of all time.

    Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)

    Posted By: ArlegZ
    Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)

    Alessandro De Marchi, Academia Montis Regalis - Giovanni Battista Pergolesi: L’Olimpiade (2011)
    EAC | FLAC | Image (Cue & Log) ~ 1.04 Gb | Total time: 74:53+76:56+76:07 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88697807712 | Recorded: 2010

    The first complete and unabridged recording of Giovanni Battista Pergolesi’s operatic masterpiece, as well as the world-premiere recording on period instruments, undertaken by the critically acclaimed 2010 production from the Innsbruck Festival of Early Music, known as the “Bayreuth of Baroque Opera”. In his all too brief career Pergolesi, who died in 1736 aged only 26, set the course for 18th century opera. His works, especially L’Olimpiade, which was first performed in 1735, introduced a new and sentimental tone to the opera stage. Based on one of the most popular subject matters of opera seria, Pergolesi’s masterpiece L’Olimpiade offers a drama of love and intrigue coupled with highly virtuoso singing. Presenting Italian conductor Alessandro de Marchi, one of the most sought-after Early Music specialists, and a stunning cast of top-league international Baroque singers.