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    Viktoria Mullova, Ottavio Dantone - Johann Sebastian Bach: Sonatas (2007)

    Posted By: ArlegZ
    Viktoria Mullova, Ottavio Dantone - Johann Sebastian Bach: Sonatas (2007)

    Viktoria Mullova, Ottavio Dantone - Johann Sebastian Bach: Sonatas (2007)
    EAC | FLAC | Image (Cue & Log) ~ 633 Mb | Total time: 113:27 | Scans included
    Classical | Label: Onyx | # 4020 | Recorded: 2007

    Viktoria Mullova and Ottavio Dantone turn in smashing performances of Bach's six sonatas for violin and harpsichord, plus two additional items: a transcription of Trio Sonata No. 5 (for organ/clavichord) and the Sonata in G for Violin and Continuo BWV 1021. Bach's violin sonatas use the "church sonata" form; that is, they usually have opening slow movements and no quick movements modeled on dance forms. They are also unique in that they are in fact true duets between the right hand of the keyboard player and the violin, rather than solo works in which the violin sings while the harpsichord accompanies with the continuo part.

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per archi III e Concerti per viola d'amore (2018)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per archi III e Concerti per viola d'amore (2018)

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per archi III e Concerti per viola d'amore (2018)
    EAC | FLAC | Image (Cue & Log) ~ 619 Mb | Total time: 66:21+47:57 | Scans included
    Classical | Label: Naïve | OP 30570 | Recorded: 2017

    A Gramophone editor's Choice, this double album brings together the third volume of Concerti per archi (strings) and the complete Concerti for viola d'amore by the Venetian genius. The Accademia Bizantina and its iconic chief Ottavio Dantone bring to this release a talent so great it is matched only by their dedication. The Vivaldi Edition is an ambitious project begun at the beginning of the century to record some 450 works by Vivaldi, many of them unknown, found in the National University Library of Turin. With the collaboration of today’s leading interpreters of Baroque music we are making available to the public hundreds of works, many in the composer’s own hand and covering every musical genre.

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Tamerlano (Il Bajazet) (2020)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Tamerlano (Il Bajazet) (2020)

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Tamerlano (Il Bajazet) (2020)
    EAC | FLAC | Tracks (Cue & Log) ~ 752 Mb | Total time: 57:45+49:31+48:22 | Scans included
    Classical | Label: Naïve | OP 7080 | Recorded: 2020

    Thanks to this tenth recording by Accademia Bizantina in the central core of the Vivaldi Edition, Il Tamerlano can now take its justly earned place in the Vivaldi catalogue, helping to renew the name and reputation of Timur, the Tartar emperor whose memory was later overshadowed by the Ottoman sultan. Vivaldi's opera was first performed during the Venice Carnival of 1735, and resurrected in 2005 under the title Bajazet. Here, under the musical direction of Ottavio Dantone, we have a sextet of dramatically engaged virtuoso soloists, and an orchestra that is perfectly aware of Vivaldi's musical dialectic. All the soloists are superbly well equipped to deal with the Red Priest's acrobatic and inventive writing here seen in the context of several of his contemporaries.

    Ottavio Dantone, Accentus, Orchestre de Chambre de Paris - Gioacchino Rossini: Petite Messe Solennelle (2014)

    Posted By: ArlegZ
    Ottavio Dantone, Accentus, Orchestre de Chambre de Paris - Gioacchino Rossini: Petite Messe Solennelle (2014)

    Ottavio Dantone, Accentus, Orchestre de Chambre de Paris - Gioacchino Rossini: Petite Messe Solennelle (2014)
    EAC | FLAC | Image (Cue & Log) ~ 334 Mb | Total time: 60:17 | Scans included
    Classical | Label: Naïve | V 5409 | Recorded: 2014

    This live recording brings a new and fresh light on Rossini's most famous works after Il Barbiere di Siviglia. The concert took place in Paris - Basilique de Saint-Denis, to celebrate the 150th anniversary of the work, first performed in March 1864, in Paris. The amazing quality of the solo voices (Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov) meets the dynamic and delicate direction of Ottavio Dantone and is supported by the unique atmosphere of accentus chamber choir.

    Ottavio Dantone, Accademia Bizantina - George Frideric Handel: Rinaldo (2020)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - George Frideric Handel: Rinaldo (2020)

    Ottavio Dantone, Accademia Bizantina - George Frideric Handel: Rinaldo (2020)
    EAC | FLAC | Image (Cue & Log) ~ 765 Mb | Total time: 130:50 | Scans included
    Classical | Label: HDB Sonus | HDB-AB-OP-001 | Recorded: 2019

    Ottavio Dantone leads Accademia Bizantina and a top-level cast in the new production of one of Händel's most important works, the composer's operatic debut in the UK and the first Italian opera ever written for London: Rinaldo.
    The plots, magic and charm of 18th century theatre come alive today, bringing us back to the fervour of the London of the time. A real gateway to the golden age of Baroque theatre, with attention to the rules and conventions that underpin the drama for music.

    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)

    Posted By: ArlegZ
    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)

    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)
    EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 65:31 | Scans included
    Classical | Label: Decca | 475 6569 | Recorded: 2004

    Senesino, the voice that inspired Handel's greatest operas showpiece arias by Handel, Lotti, Albinoni, Porpora and Scarlatti. One of the truly outstanding voices of today, star countertenor Andreas Scholl celebrates one of the 18th Century's greatest vocal superstars, the remarkable male alto known as Senesino. Senesino's place in history was secured by his extraordinary association with Handel, who after travelling to Dresden to hear him, brought him to London to join his Italian Opera Company, where he was greatly celebrated by the public, and much admired by the ladies.

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Giustino (2018)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Giustino (2018)

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Il Giustino (2018)
    EAC | FLAC | Image (Cue & Log) ~ 939 Mb | Total time: 66.35+68.02+52.56 | Scans included
    Classical | Label: Naïve | # OP 30571 | Recorded: 2018

    With this new recording, the madly epic and romantic opera, Il Giustino, finally receives its place in the spotlight, something that the history of music has denied it up until now. The fifty-eighth recording and eighteenth opera in the Vivaldi Edition, which began in 2000, solidifies the status of Vivaldi as the greatest of opera composers - and of composers full stop. It needed the talent, charisma and poetic energy of a great conductor to bring back to life this gem, and it is Ottavio Dantone who assumes this mantle.

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per violino, vol. VII 'Per il castello' (2019)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per violino, vol. VII 'Per il castello' (2019)

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Concerti per violino, vol. VII 'Per il castello' (2019)
    EAC | FLAC | Image (Cue & Log) ~ 370 Mb | Total time: 75:28 | Scans included
    Classical | Label: Naïve | # OP 7078 | Recorded: 2019

    This sixty-second volume of the epic Vivaldi Edition is also the seventh volume of the flamboyant Red Priests violin concertos. Here we see the ageing composer more full of life than ever, adapting to the demands of the galant style in vogue since 1725, while losing nothing of his verve and imagination. These are the sole surviving concertos of the fifteen that, during his fateful last year in Viennese exile, Vivaldi sold for a pitifully small sum to Count Vinciguerra Tommaso Collalto, a Venetian nobleman then residing in his castle at Brtnice, Moravia (the castello of this volumes title). With solo writing of extreme refinement, these works fully exploit the whole range of violinistic expression and phrasing, displaying a wealth of ornamentation and a lavishly inventive sense of lyrical cantabile virtuosity.

    Ottavio Dantone, Accademia Bizantina - Schumann: Symphony No. 3 "Rhenish" - Mendelssohn: Symphony No. 4 "Italian" (2024)

    Posted By: Fizzpop
    Ottavio Dantone, Accademia Bizantina - Schumann: Symphony No. 3 "Rhenish" - Mendelssohn: Symphony No. 4 "Italian" (2024)

    Ottavio Dantone, Accademia Bizantina - Schumann: Symphony No. 3 "Rhenish" - Mendelssohn: Symphony No. 4 "Italian" (2024)
    WEB FLAC (Tracks) 257 MB | Cover | 59:08 | MP3 CBR 320 kbps | 136 MB
    Classical | Label: Hdb Sonus

    Imprinting is Accademia Bizantina and Ottavio Dantone's new music project exploring the great masterpieces of the late 18th and early 19th century.

    Ottavio Dantone, Accademia Bizantina - Pergolesi: Stabat Mater; Porpora: Salve Regina (2004)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Pergolesi: Stabat Mater; Porpora: Salve Regina (2004)

    Ottavio Dantone, Accademia Bizantina - Pergolesi: Stabat Mater; Porpora: Salve Regina (2004)
    EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 48:05 | Scans included
    Classical | Label: Amadeus | # AM 180-2 | Recorded: 2004

    Interesting recording of the famous Stabat Mater by Pergolesi performed by the Accademia Bizantina, under the direction of Ottavio Dantone. The program is complemented by the very little-known and interesting Salve Regina by Porpora. It is a version with original instruments and notable historical criteria. It is worth highlighting the good role of the solo voices.

    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi - Vivaldi, Il Furioso! (2006)

    Posted By: ArlegZ
    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi - Vivaldi, Il Furioso! (2006)

    Ottavio Dantone, Rinaldo Alessandrini, Jean-Christophe Spinosi, Alessandro De Marchi, Giorgio Tabacco, Alfredo Bernardini, Gottfried von der Goltz - Vivaldi, Il Furioso! (2006)
    EAC | FLAC | Image (Cue & Log) ~ 394 Mb | Total time: 77:25 | Scans included
    Classical | Label: Naïve | OP30432 | Recorded: 2000-2006

    This disc is a sampler of Vivaldi discs released by France's Naïve label, and it's highly recommended to listeners who haven't yet given these recordings a try. The group of performers is pan-European, with French singers and Italian instrumentalists especially strongly represented, but a compilation like this brings home how well this label has done at forging a unified artistic vision. Its Vivaldi indeed tends toward "furious," as the title proclaims; it is also garish, energetic, dynamically extreme, and in every way devoted to making Vivaldi out as a rebel in his time.

    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Arie e cantate per contralto (2019)

    Posted By: ArlegZ
    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Arie e cantate per contralto (2019)

    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Arie e cantate per contralto (2019)
    EAC | FLAC | Image (Cue & Log) ~ 314 Mb | Total time: 57:46 | Scans included
    Classical | Label: Naïve | OP30584 | Recorded: 2018

    Vivaldi, the Venetian, master of the whole palette of human emotions. From the church to the opera house, from tragedy to joy, the immediately-recognisable sensibility, the expressiveness, the inimitable colours and an unbeatable talent to say so much in just a few notes.

    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Musica sacra per alto (2019)

    Posted By: ArlegZ
    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Musica sacra per alto (2019)

    Delphine Galou, Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Musica sacra per alto (2019)
    EAC | FLAC | Image (Cue & Log) ~ 314 Mb | Total time: 59:45 | Scans included
    Classical | Label: Naïve | OP30569 | Recorded: 2018

    Vivaldi, the Venetian: master of the whole palette of human emotions. From the church to the opera house, from tragedy to joy, the immediately recognizable sensibility, the expressiveness, the inimitable colors and an unbeatable talent to say so much in just a few notes. The contralto Delphine Galou (who recently won a Gramophone Award, one of the most prestigious awards in the classical music world) and Ottavio Dantone's Accademia Bizantina have created two recitals of sacred music and of opera that illustrate the incomparable richness of Vivaldi’s body of work and establish the emotional connections between the two repertoires.

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)

    Ottavio Dantone, Accademia Bizantina - Antonio Vivaldi: Tito Manlio (2005)
    EAC | FLAC | Image (Cue & Log) ~ 0,99 Gb | Total time: 184:57 | Scans included
    Classical | Label: Naïve | OP 30413 | Recorded: 2005

    Most of Vivaldi's operas were composed for Venice, but between 1718 and 1720, he was in the employ the Austrian governor of Mantua, and he composed Tito Manlio for the governor's wedding celebration. The wedding never took place, but the opera was performed in 1719. The Mantuan court was very wealthy, and this is clear from the lavish scoring of Manlio: in addition to the usual strings, Vivaldi uses horns, trumpets, oboes, bassoon, two different registers of flutes, timpani and viola d'amore.

    Ottavio Dantone, Accademia Bizantina - Joseph Haydn: Symphonies Nos. 78-81 (2016)

    Posted By: ArlegZ
    Ottavio Dantone, Accademia Bizantina - Joseph Haydn: Symphonies Nos. 78-81 (2016)

    Ottavio Dantone, Accademia Bizantina - Joseph Haydn: Symphonies Nos. 78-81 (2016)
    EAC | FLAC | Image (Cue & Log) ~ 493 Gb | Total time: 104:16 | Scans included
    Classical | Label: DECCA | # 4788837 | Recorded: 2015

    Accademia Bizantina under Ottavio Dantone are releasing a new album of Haydn Symphonies, Nos. 78-81. It is the first time Symphonies No.79 and 81 have been recorded on period instruments. This little-known quartet of Haydn symphonies 78-81 date from the years 1782-1784 when Haydn still served as kapellmeister to the Esterhazy family in their spectacular summer and winter palaces in Esterháza (present day Hungary) and Eisenstadt (Austria) where the music was first performed. These four symphonies have been specially recorded for the upcoming 36-CD set of Complete Haydn Symphonies, to be released later this year. It will be the first Haydn symphony cycle on period instruments.