Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Fabio Biondi - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2009)

    Posted By: ArlegZ
    Fabio Biondi - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2009)

    Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo, Paolo Pandolfo, Rolf Lislevand - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2024)
    EAC | FLAC | Image (Cue & Log) ~ 751 Mb | Total time: 157:07 | Scans included
    Classical | Label: Arcana | # A422 | Recorded: 1991

    Discovered by Michael Talbot in 1973, the 12 sonatas of the Manchester manuscript are generally considered the high point of the composer’s chamber music. They are performed here by Fabio Biondi, one of the most authoritative Vivaldi performers, accompanied by an allstar continuo group: Rinaldo Alessandrini, Rolf Lislevand, Paolo Pandolfo and Maurizio Naddeo.

    Rinaldo Alessandrini, Concerto Italiano - 1600: Bononcini, Castello, dall'Abaco, Frescobaldi, Gabrieli, Legrenzi (2011)

    Posted By: ArlegZ
    Rinaldo Alessandrini, Concerto Italiano - 1600: Bononcini, Castello, dall'Abaco, Frescobaldi, Gabrieli, Legrenzi (2011)

    Rinaldo Alessandrini, Concerto Italiano - 1600: Bononcini, Castello, dall'Abaco, Frescobaldi, Gabrieli, Legrenzi, de Macque, Marini (2011)
    EAC | FLAC | Image (Cue & Log) ~ 359 Mb | Total time: 66:58 | Scans included
    Classical | Label: Naïve | # OP30531 | Recorded: 2011

    The programme chosen for this CD by the eminent early music specialist Rinaldo Alessandrini and performed by members of his hand-picked ensemble Concerto Italiano illustrate most of the forms that instrumental music adopted in the course of the seventeenth century. Amongst the composers featured are Giovanni Gabrieli, Frescobaldi, Zanetti, and Torelli, as well as lesser known figures of the period including Giovanni de Macque, Evaristo dall’Abaco, and Giovanni Bononcini.

    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall - Antonio Vivaldi Operas Vol. 2 (2013)

    Posted By: ArlegZ
    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall - Antonio Vivaldi Operas Vol. 2 (2013)

    Federico Maria Sardelli, Jean-Christophe Spinosi, Giovanni Antonini, Jordi Savall, Rinaldo Alessandrini - Antonio Vivaldi Operas Vol. 2 (2013)
    EAC | FLAC | Image (Cue & Log) ~ 198 Mb | Total time: 75:04 | Scans included
    Classical | Label: Naïve | # OP 30547 | Recorded: 2004-2012

    The most beautiful arias from the Vivaldi Edition: Orlando Furioso, Atenaide, Farnace, Teuzzone, Armida, La Fida Ninfa, Orlando 1714, Griselda, Ottone in villa and much more. The album includes outstanding singers and arias that were sensational discoveries when first introduced in this series.

    Rinaldo Alessandrini - Johann Sebastian Bach: A La Maniera Italiana - Toccata, Fantasia Cromatica, Capriccio (1999)

    Posted By: ArlegZ
    Rinaldo Alessandrini - Johann Sebastian Bach: A La Maniera Italiana - Toccata, Fantasia Cromatica, Capriccio (1999)

    Rinaldo Alessandrini - Johann Sebastian Bach: A La Maniera Italiana - Toccata, Fantasia Cromatica, Capriccio (1999)
    EAC | FLAC | Image (Cue & Log) ~ 516 Mb | Total time: 77:40 | Scans included
    Classical | Label: Opus 111 | # OPS 30-258 | Recorded: 1999

    Don't take the album title too literally; it is drawn from that of BWV989 and is the focus of neither the programme nor the annotation. The language used in Bach's original titles overall (or individual movements) is usually an indication of the 'national' style he had in mind, here sorting most of the Italian from the French, but the title of BWV992 is given primarily in French and the Italian original is omitted, whilst that of the final movement appears only as a translation. A few literals have escaped the proof-reader's eye, of which I urge you not to believe the words on the back of the jewel-case: 'The disc, compromising works for keyboard … '.

    Lorenzo Regazzo, Rinaldo Alessandrini, Concerto Italiano - George Frideric Handel: Arie per basso (2009)

    Posted By: ArlegZ
    Lorenzo Regazzo, Rinaldo Alessandrini, Concerto Italiano - George Frideric Handel: Arie per basso (2009)

    Lorenzo Regazzo, Rinaldo Alessandrini, Concerto Italiano - George Frideric Handel: Arie per basso (2009)
    EAC | FLAC | Image (Cue & Log) ~ 301 Mb | Total time: 58'03 | Scans included
    Classical | Label: Naïve | OP 30472 | Recorded: 2008

    Two musical titans in the classical world, award-winning Italian bass Lorenzo Regazzo and Italian conductor Rinaldo Alessandrini, are brought together once again to record the greatest operatic arias by George Frederic Handel. Handel, one of the most celebrated operatic composers of the eighteenth century, always remained out of step with the preferences of his era - notably his attachment to the 'natural' male voice in a time when the high voices of women or castratos triumphed everywhere.

    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)

    Posted By: ArlegZ
    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)

    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)
    EAC | FLAC | Image (Cue & Log) ~ 374 Mb | Total time: 68:14 | Scans included
    Classical | Label: Harmonia Mundi | # HMA 1955218 | Recorded: 1993, 1994

    A challenge to the virtuoso. While they belong to the German tradition, in these sonatas Bach invented a curious division of the parts in which the viola da gamba lies midway between the bass and the principle voice (the treble) of the harpsichord. This particularity in the writing and their exceptional ingenuity place these works among the great masterpieces in the viola da gamba repertoire, both fascinating and terrifying to performers…

    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Concerti per archi II (2014)

    Posted By: ArlegZ
    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Concerti per archi II (2014)

    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Concerti per archi II (2014)
    EAC | FLAC | Image (Cue & Log) ~ 286 Mb | Total time: 51:14 | Scans included
    Classical | Label: Naïve | # OP 30554 | Recorded: 2013

    The concertos for strings are a very special genre in Vivaldi's output. Contrary to the concertos for solo instruments, those offer a real balance and amazing range of colours between all the intruments concerned. Following a very successful first volume, released in 2004, Rinaldo Alessandrini and Concerto Italiano offer a new milestone recording in Vivaldi's instrumental music, full of colours and refinement.

    Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali a quattro voci, Libro Primo 1585 (1994)

    Posted By: ArlegZ
    Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali a quattro voci, Libro Primo 1585 (1994)

    Rinaldo Alessandrini, Concerto Italiano - Luca Marenzio: Madrigali a quattro voci, Libro Primo 1585 (1994)
    EAC | FLAC | Image (Cue & Log) ~ 270 Mb | Total time: 62:07 | Scans included
    Classical | Label: Opus 111 ‎| OPS 2-117 | Recorded: 1994

    Italian Renaissance composer Luca Marenzio was internationally recognized as the leading composer of madrigals at the height of his career, in the last two decades of the sixteenth century. He was so popular (and the sales of his music so lucrative) that within years of his death, both Flemish and German publishers had issued volumes of his complete five and six part madrigals, an honor almost unheard of at the time. Marenzio's madrigals, while anticipating the songlike lyricism of monody that would come to dominate vocal music of the early Baroque, made full use of the textural and expressive qualities of Renaissance polyphony.

    Rinaldo Alessandrini - Alessandro Scarlatti: Toccate per Cembalo (2010)

    Posted By: Designol
    Rinaldo Alessandrini - Alessandro Scarlatti: Toccate per Cembalo (2010)

    Rinaldo Alessandrini - Alessandro Scarlatti: Toccate per Cembalo (2010)
    EAC | FLAC | Image (Cue&Log) ~ 498 Mb | Mp3 (CBR320) ~ 168 Mb | Scans ~ 149 Mb
    Genre: Classical | Label: Arcana | # A323 | Time: 01:13:23

    The music for harpsichord has been considered an inexplicable chance occurrence in Alessandro Scarlatti's output, and in assessing it, we should avoid unfair and unappropriate comparisons with the work of his exceptionally gifted son. Alessandro's cultural background was quite different and very precise in the way it affected keyboard music: Frescobaldi was the first in a series of figures who are known to a greater or lesser extent today and whose teaching came down to Scarlatti in a solid stylistic tradition. Pasquini, his extremely diligent and prolific contemporary, the last of the line, was strongly motivated by his patron, the Prince Borghese in writing harpsichord music. Alessandro also wished to try his hand in this area. 250th Anniversary Release. On the occasion of the 350th anniversary of Alessandro Scarlatti's birth (Palermo, 2 May 1660), Arcana is re-releasing this anthology of toccatas and fugues by the elder Scarlatti, father of the better-known Domenico.

    Rinaldo Alessandrini, Concerto Italiano - Banchieri: Il Festino del Giovedì Grasso; Striggio: La Caccia (2000)

    Posted By: ArlegZ
    Rinaldo Alessandrini, Concerto Italiano - Banchieri: Il Festino del Giovedì Grasso; Striggio: La Caccia (2000)

    Rinaldo Alessandrini, Concerto Italiano - Adriano Banchieri: Il Festino del Giovedì Grasso; Alessandro Striggio: La Caccia (2000)
    EAC | FLAC | Image (Cue & Log) ~ 278 Mb | Total time: 60:23 | Scans included
    Classical | Label: Opus 111 | OP30137 | Recorded: 1995

    This talented Italian vocal ensemble, under the direction of Rinaldo Alessandrini, has already proved its excellence in previous discs of Monteverdi madrigals. In this engaging new release the artists turn their attention to ‘madrigal comedies’ by 16th-century Alessandro Striggio and his younger contemporary, Adriano Banchieri. These are highly entertaining, often witty pieces, with a strong onomatopoeic element and a profusion of vividly depictive images running through them.

    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Armida al campo d'Egitto (2010)

    Posted By: ArlegZ
    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Armida al campo d'Egitto (2010)

    Rinaldo Alessandrini, Concerto Italiano - Antonio Vivaldi: Armida al campo d'Egitto (2010)
    EAC | FLAC | Image (Cue & Log) ~ 693 Mb | Total time: 62:09+67:01+41:12 | Scans included
    Classical | Label: Naïve | # OP 30492 | Recorded: 2009

    Armida is the tenth opera in the Vivaldi Edition; it's the second one to be recorded by Rinaldo Alessandrini (their first was L’Olimpiade). It's a great success. Marking the end of Vivaldi's first period in Venice, it lacks music for Act II. Alessandrini has reconstructed it here using carefully chosen existing music of the composer with the assistance of the musicologist Frédéric Delaméa.

    Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

    Posted By: Rtax
    Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)

    Rinaldo Alessandrini, Concerto Italiano - More Bach, Please! (2024)
    WEB FLAC (tracks, digital booklet) - 328 MB | MP3 CBR 320 kbps - 135 MB
    58:00 | Classical | Label: Naive

    Good things always come in threes. There was once the Concerto in Italian style, BWV 971, reconfigured according to the by then modern disposition advocated in Italy at the beginning of the 18th century (anthology "Concerti italiani", 2004, OP30301). More recently, the Goldberg Variations, reimagined for a small string ensemble, crowned a fabulous apotheosis in the land of the variation ("Variations on Variations", OP30575). Here are now three completely original orchestral suites by Bach, a new fool's game organised by a tongue in the cheek Rinaldo Alessandrini, once again surrounded by his dear friends from the Concerto Italiano.

    Fabio Biondi, Rinaldo Alessandrini - Johann Sebastian Bach: Sonatas for Violin and Harpsichord (1996)

    Posted By: ArlegZ
    Fabio Biondi, Rinaldo Alessandrini - Johann Sebastian Bach: Sonatas for Violin and Harpsichord (1996)

    Fabio Biondi, Rinaldo Alessandrini - Johann Sebastian Bach: Sonatas for Violin and Harpsichord (1996)
    EAC | FLAC | Image (Cue & Log) ~ 569 Mb | Total time: 90:27 | Scans included
    Classical | Label: Opus 111 | # OPS 30-127/128 | Recorded: 1995

    Even in a field overcrowded with noteworthy editions of the Bach Sonatas for violin and harpsichord, these 1995 recordings maintain permanent status on my shelves. Fabio Biondi's fiddling is thoroughly steeped in the grammar of period performance yet avoids the exaggerated agogics, metronomic facelessness, and wimpy tonal qualities we often put up with in the name of authenticity. Abetted by Rinaldo Alessandrini's imaginative partnering, Biondi's characterful, singing sonority puts a fresh spin on every phrase. His improvised embellishments, no matter how audacious they sound at first, always arise out of an organic response to the music's spirit.

    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma (2018)

    Posted By: ArlegZ
    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma (2018)

    Sara Mingardo, Sandrine Piau, Rinaldo Alessandrini, Concerto Italiano - Un Viaggio a Roma: Handel, Stradella, Muffat, Scarlatti, Corelli (2018)
    EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 70:13 | Scans included
    Classical | Label: Naïve | # OP30565 | Recorded: 2015, 2017

    Handel, Scarlatti, Corelli, Stradella, Muffat … From 1650 to the beginning of the eighteenth century, Rome exercised an immense power in attracting composers from all over Europe and experienced an intense moment of musical activity, because of - or in spite of - the papal administration. It was a prosperous period with a melting pot of influences. The programme devised here by the Roman conductor, Rinaldo Alessandrini, offers a complete and personal vision of the time, passionate and secular, lyrical (made sublime by Sandrine Piau) and orchestral, romantic in every way. Rinaldo Alessandrini is one of the leading figures in the international early music scene.

    Rinaldo Alessandrini - Stradella Mottetti (2024)

    Posted By: ciklon5
    Rinaldo Alessandrini - Stradella Mottetti (2024)

    Rinaldo Alessandrini - Stradella Mottetti (2024)
    FLAC (tracks), Lossless | 1:14:18 | 374 Mb
    Genre: Classical

    Conductor and harpsichordist Rinaldo Alessandrini is an innovative interpreter of Italian Baroque opera and instrumental music. As the director of his own ensemble, Concerto Italiano, he has brought dramatic, opera-influenced readings to a variety of Baroque works from Italy and beyond. Alessandrini was born in Rome on January 25, 1960. He was relatively late in beginning his musical studies, taking up the piano at age 14. Four years later, he discovered the harpsichord and traveled to the Netherlands for lessons with Ton Koopman at the Sweelinck Conservatory in Amsterdam. He was soon giving concerts on the harpsichord. Alessandrini founded Concerto Italiano in 1984.