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Deutsche Harmonia Mundi - 100 Great Recordings, Part 4 (2017)

Posted By: ArlegZ
Deutsche Harmonia Mundi - 100 Great Recordings, Part 4 (2017)

Deutsche Harmonia Mundi - 100 Great Recordings, Part 4 (2017)
EAC | FLAC | Image (Cue & Log) ~ 6,72 Gb | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 19075800702 | Recorded: 1960-2013

Since it's founding in Freiburg in 1958, Deutsche Harmonia Mundi has been one of the most important and ambitious labels for period performances. Over decades, globally-acclaimed recordings were created with outstanding musicians. The limited edition "Deutsche Harmonia Mundi: 100 Great Recordings" contains 100 outstanding DHM recordings with some of the most important and best artists in their field: Nuria Rial, Dorothee Mields, Al Ayre Espanol, Hille Perl, Concentus Musicus Wien, Nikolaus Harnoncourt, the Freiburger Barockorchester, Skip Sempé, Capriccio Stravagante, La Petite Bande, Gustav Leonhardt, Andrew Lawrence-King, Frieder Bernius, the Balthasar-Neumann-Chor, Thomas Hengelbrock and many others.

Deutsche Harmonia Mundi - 100 Great Recordings, Part 3 (2017)

Posted By: ArlegZ
Deutsche Harmonia Mundi - 100 Great Recordings, Part 3 (2017)

Deutsche Harmonia Mundi - 100 Great Recordings, Part 3 (2017)
EAC | FLAC | Image (Cue & Log) ~ 6,13 Gb | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 19075800702 | Recorded: 1960-2013

Since it's founding in Freiburg in 1958, Deutsche Harmonia Mundi has been one of the most important and ambitious labels for period performances. Over decades, globally-acclaimed recordings were created with outstanding musicians. The limited edition "Deutsche Harmonia Mundi: 100 Great Recordings" contains 100 outstanding DHM recordings with some of the most important and best artists in their field: Nuria Rial, Dorothee Mields, Al Ayre Espanol, Hille Perl, Concentus Musicus Wien, Nikolaus Harnoncourt, the Freiburger Barockorchester, Skip Sempé, Capriccio Stravagante, La Petite Bande, Gustav Leonhardt, Andrew Lawrence-King, Frieder Bernius, the Balthasar-Neumann-Chor, Thomas Hengelbrock and many others.

Deutsche Harmonia Mundi - 100 Great Recordings, Part 2 (2017)

Posted By: ArlegZ
Deutsche Harmonia Mundi - 100 Great Recordings, Part 2 (2017)

Deutsche Harmonia Mundi - 100 Great Recordings, Part 2 (2017)
EAC | FLAC | Image (Cue & Log) ~ 7,49 Gb | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 19075800702 | Recorded: 1960-2013

Since it's founding in Freiburg in 1958, Deutsche Harmonia Mundi has been one of the most important and ambitious labels for period performances. Over decades, globally-acclaimed recordings were created with outstanding musicians. The limited edition "Deutsche Harmonia Mundi: 100 Great Recordings" contains 100 outstanding DHM recordings with some of the most important and best artists in their field: Nuria Rial, Dorothee Mields, Al Ayre Espanol, Hille Perl, Concentus Musicus Wien, Nikolaus Harnoncourt, the Freiburger Barockorchester, Skip Sempé, Capriccio Stravagante, La Petite Bande, Gustav Leonhardt, Andrew Lawrence-King, Frieder Bernius, the Balthasar-Neumann-Chor, Thomas Hengelbrock and many others.

Deutsche Harmonia Mundi: 50th Anniversary Edition [50CDs], Part 1 (2008)

Posted By: ArlegZ
Deutsche Harmonia Mundi: 50th Anniversary Edition [50CDs], Part 1 (2008)

Deutsche Harmonia Mundi: 50th Anniversary Edition [50CDs], Part 1 (2008)
EAC | FLAC | Image (Cue & Log) ~ 6,92 Gb | Total time: 50:56:59 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697 281822 | Recorded: 1969-2000

A beautifully-packaged 50-disc box set, released to celebrate the 50th anniversary of Deutsche Harmonia Mundi, one of the most important and adventurous early music labels. The set contains 50 classic recordings of baroque and ancient music, chosen to represent the breadth of this huge and varied catalogue and each disc is slip-cased with artwork replicating the original CD or LP artwork.

Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)

Posted By: ArlegZ
Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)

Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)
EAC | FLAC | Image (Cue & Log) ~ 379 Mb | Total time: 44:54+39:00 | Scans included
Classical | Label: Harmonia Mundi | # HMI987045.46 | Recorded: 2003

Alessandro Scarlatti composed many oratorios to celebrate special events. Colpa, Pentimento e Grazia, subtitled Oratorio per la Passione (Oratorio for the Passion) and created for Easter 1708, evokes the Passion of Christ through a text written by a great roman patron of the time, Cardinal Ottoboni. This is the first recording of the Baroque Orchestra of Seville, conducted by Eduardo López Banzo.

Eduardo López Banzo, Al Ayre Español - José De Nebra: Esta Dulzura Amable - Sacred Cantatas (2011)

Posted By: ArlegZ
Eduardo López Banzo, Al Ayre Español - José De Nebra: Esta Dulzura Amable - Sacred Cantatas (2011)

Eduardo López Banzo, Al Ayre Español - José De Nebra: Esta Dulzura Amable - Sacred Cantatas (2011)
EAC | FLAC | Image (Cue & Log) ~ 333 Mb | Total time: 65:24 | Digital booklet
Classical | Label: Challenge Classics | # CC72509 | Recorded: 2010

This is first recording for Challenge Classics by the very highly-rated Al Ayre Español and its conductor Eduardo López Banzo - and the beginning of a longterm partnership. The sacred cantatas performed on this Hybrid SACD are by José de Nebra, the ‘father’ of Spanish opera and Zarzuela.
The musical director Eduardo López Banzo was born in Zaragoza in 1961. In the operatic field he is considered to be one of the most important specialists in Handel’s music for theatre. López Banzo, who founded Al Ayre Español in 1988, was awarded the Spanish National Music Prize in 2004 in recognition of more than 20 years of musicological rigueur and performance excellence.

Al Ayre Español Edition [8CDs] (2012)

Posted By: ArlegZ
Al Ayre Español Edition [8CDs] (2012)

Al Ayre Español Edition: Durón, Galán, Iribarren, Navas, Literes, San Juan, Torres, Valls (2012)
EAC | FLAC | Image (Cue & Log) ~ 2,29 Gb | Total time: 08:12:01 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88691953052 | Recorded: 1994-2001

Al Ayre Español is a vocal and instrumental ensemble formed in 1988 by the conductor Eduardo López Banzo. The ensemble plays period instruments and has brought back to life Spanish Baroque Music music, renewing the interest of contemporary audiences. The name of the band ('ayre' is an ancient word for 'aire') makes reference to playing music 'the Spanish way' ('con aire español').

Eduardo López Banzo, Al Ayre Espanol - Handel: Rodrigo (2008)

Posted By: ArlegZ
Eduardo López Banzo, Al Ayre Espanol - Handel: Rodrigo (2008)

Eduardo López Banzo, Al Ayre Español - Handel: Rodrigo (2008)
EAC | FLAC | Image (Cue & Log) ~ 793 Mb | Total time: 157:00 | Scans included
Classical | Label: Naïve | # AM 132 | Recorded: 2007

Ambroisie presents a new edition of one of Handel's Italian period masterpieces, Rodrigo, with an exceptional cast led by Maria Riccarda Wesserling in the title role, María Bayo as his wife Esilena, Sharon Rostorf-Zamir as his young lover Florinda and Max Emanuel Cencic as Fernando. Following Amadigi di Gaula earlier this year, Rodrigo is the second Handel opera on the label conducted by Eduardo López Banzo. The release follows a European tour with the same cast and orchestra, Al Ayre Español, resulting in an interpretation that will undoubtedly lead to a new understanding of the piece almost exactly 300 years after it was written.

Eduardo Lopez Banzo, Al Ayre Espanol Orquestra - Handel: Amadigi di Gaula (2008)

Posted By: ArlegZ
Eduardo Lopez Banzo, Al Ayre Espanol Orquestra - Handel: Amadigi di Gaula (2008)

Eduardo López Banzo, Al Ayre Español Orquestra - Handel: Amadigi di Gaula (2008)
EAC | FLAC | Image (Cue & Log) ~ 852 Mb | Total time: 79:57+78:18 | Scans included
Classical | Label: Ambroisie | # AM 133 | Recorded: 2006

Amadigi di Gaula had its premiere in London in 1715. Its libretto, based on a medieval legend and encompassing such effects as a magically appearing sorceress, reflects the then-fashionable English taste for spectacle in operatic production. Musically, however, the opera is of chamber dimensions, involving just five soloists, and takes in some emotionally intimate moments. In this backward-looking piece – it even ends with a brief ballet – Handel doesn't attempt any structural innovations: the arias and duets are cast firmly in the tripartite da capo format. Still, he finds room for the occasional imaginative touch, as when he uses French-overture gestures in a few of the ritornelli to suggest tragic breadth, or has the two voices in a hitherto contrapuntal duet launch the "B" section in straight thirds.